Humanities
Imagining Undertext
Catherine Howell-Dinger, University of Utah English While feminist projects have often acknowledged that discourse creates specific material conditions and lived realities, it has rarely been asked how these conditions might influence discourse itself. This paper investigates the politics of textual production and argues that some texts have thought of the material conditions of the narratives which they disclose as inseparable from, and present in, the text itself; however, other texts show a high level of anxiety about their relationship to materiality, and ultimately attempt to suppress this relationship as a means of ensuring a particular privileged position. For example, Toni Morrison’s Beloved has been read by some critics as an example of Kristeva’s semiotic. Pursing this reading further, I argue that a more active conception of the body is present in Morrison’s work than was previously observed by these critics. In Morrison’s work, the body is not simply something that is written; rather, it is something that actively shapes and inflects the text vis-a-vis its own disruption of the text. On the other hand, although the body seems to figure prominently in the work of some authors, such as James Tiptree’s “The Girl Who was Plugged In,” its relationship to textual production is eclipsed in order to maintain political power and hegemonic masculinity. The authorial voice in Tiptree’s work ultimately attempts to cover over its own connection to the feminine body of its composer, Alice Sheldon, in order to give its own feminist message authority.
Bela Kondor & the Transatlanticism of the Faux-Naive Tradition
Kev Nemelka, Brigham Young University Art History and Curatorial Studies Hungarian art has yet to break across the Atlantic with much influence on the art world, but perhaps the oeuvre of Béla Kondor (1931-1972), considered by many Hungarian art historians to be the starting point of Hungarian contemporary art, may have a shot at drawing the nation’s art out of obscurity and into the light of American contemporary “faux-naïve,” an art tradition with a growing momentum that could provide fertile terrain for Kondor’s comparable aesthetic. The faux-naïve tradition springs from “naïve art,” an art tradition whose name itself has been somewhat controversial in the past decade but has nevertheless influenced artists all over the globe. Particularly in Utah Valley, a number of artists and art professors—e.g. Andrew Ballstaedt, Fidalis Buehler, and Brian Krishisnik—are developing their own faux-naïve versions of contemporary folk art similar to that of Kondor with no knowledge of his existence, and although some contend that the sincerity of faux-naïve is factitious and premeditated, the secular and religious works of Kondor and these American artists show the positive side of contrivance, that faux-naïve can provoke feelings of nostalgia and insight into real emotions, focusing our attention on adolescent memories or spiritual innocence alluded to in the works rather than on the lack of complexity, precision, or realism often sought after by aficionados of conventional, believable art. I personally interviewed numerous Kondor experts and curators of Hungarian museums, recovered archived articles on the artist held in Hungarian collections, and conducted comparative analyses of Kondor and the aforementioned Utah artists, whom I also interviewed regarding the subject of faux-naïveté.
From Earth to Outer Space: Mankind’s Continual Trek Toward Justice
Jennifer Mitchell, Brigham Young University History The science fiction television show, Star Trek, deals heavily with political issues ranging from the complexities of war to changing gender roles in American culture. My paper will discuss how the show accomplishes this successfully, particularly through the representation of historical events. The Holocaust is one example of a reoccurring theme throughout the show, an issue that is addressed appropriately when many representations of the Holocaust are so heavily criticized. This paper will examine the themes and structures of different episodes through out Star Trek: The Original Series. One episode to clearly address the anti-Semitic attitudes of the Nazi Regime, “Patterns of Force,” aired on February 16, 1968, a relatively short time after the Regime had fallen. Many of the adult viewers at this time had experienced the Holocaust in their lifetimes, directly or indirectly. An episode entitled “Space Seed” deals with eugenics and the idea of creating a super race. The episode attempts to demonstrate how those in the 23rd century may react to such practices. In “Consciousness of the King” Captain Kirk reveals that he had personally witnessed and been victim to genocide. Not only does genocide clearly connect to the Holocaust, William Shatner (the actor who portrays the Captain) is in fact Jewish. His costar Leonard Nimoy (Spock) also comes from Jewish heritage. Having two Jewish actors in leading roles adds yet another level of complexity when portraying such sensitive material. The paper will take this into account as well as other complications of representing the Holocaust in popular culture.
Prehistoric Diets and Medicines of the Utah Great Basin: Using Ethnohistory to Explore Botanical Remains From Spotten Cave Human Coprolites
Madison Mercer, Brigham Young University Anthropology Between 1964 and 1969, Spotten Cave near Goshen, Utah was excavated by Brigham Young University (BYU) archaeologists. In 1971, James M. Mock published the only official report dedicated to this site as his Master’s Thesis. This cave contained valuable artifacts that can allude to the diet and medicinal plants of the Fremont Indians and other Utah prehistoric groups. Such plant knowledge is scarce throughout the Eastern Great Basin, even among those cultural groups where much is known. Through a comparison study called ethnohistory between those living now, such as modern Gosiute, Ute, and Shoshone, with what plants have been found in human coprolites (fecal remains) from Spotten Cave, it is possible to recon- struct what plants prehistoric people may have used for food or medicine. This will provide greater insight into who lived before in the Eastern Great Basin and is helpful knowledge for those wishing to study how the Utah environment was utilized in the past.
Leadership in the Humanities: A Look at Practical Applications of Humanities Education
Susie McGann, Brigham Young University Humanities As the American economy changes, jobs are becoming increasingly more focused on teamwork, collaboration, and analytical and social skills in addition to technical skills. My initial hypothesis is that such knowledge and skills can be located in the category of a capacity for leadership–leadership of a sort that is of value even among entry-level professionals. These skills can be acquired through study in the Humanities. With my research, I hope to prompt change in the existing culture among students majoring in these fields so that they will begin conversations about careers earlier and more frequently among fellow students and faculty. In order to reach these goals, I collaborated with other humanities students to compile a group of individual essays that explain to undergraduates in Humanities majors how their study is preparing them to be leaders. I reviewed and edited these papers, and researched and wrote a supplicant formal essay to address current or prospective students in Humanities disciplines. The collection of papers are accessible to Humanities students through the College of Humanities as a resource written by students in their fields that explains the value of a Humanities education for life after college. I also organized and hosted an event for undergraduate Humanities students to begin a college-wide conversation about their Humanities degrees in terms of leadership.
Discovering Quotidian Kiev in Three Social Classes
Danielle Leavitt, Brigham Young University English/Russian While the former Soviet Union touted economy and a single social class, the socioeconomic differences that have emerged within Ukrainian families in the twenty years since the fall of the Soviet Union are widely unexplored. Our research comes in the form of creative nonfiction essays, which examine and contrast the everyday experience of Ukrainian families–specifically Ukrainian women–within three disparate socioeconomic classes. Based on a summer-long field study in Kiev, Ukraine living with three families in contrasting socioeconomic circumstances, our essays observe and explain facets of Ukrainian culture that are commonly misunderstood, yet deeply spiritual and culturally significant to Ukrainians. Our project explores the day to day workings of three Ukrainian families in suburban low class, urban middle class, and upper-oligarchical class, searching for stories describing quotidian life within their varying circumstances. There will be particular emphasis on the experiences of women. The project is presented in creative non- fiction essays stemming from observations, historical research, and the experience of the Ukrainians with whom I interacted. Ukraine (specifically its capital, Kiev) has a rich cultural and political history and a flowering modern culture heavily influenced by deep-rooted traditions, superstitions, and beliefs. Little creative nonfiction writing contributes to the exploration of both sophisticated and unsophisticated Ukraine. Our goal is to do just that; to delve into the human, commonplace intricacies of varied Ukrainian life through observation and writing.
The Pitfalls of Srngara Rasa
Shannon McLean, Southern Utah University English The classical Indian writers Amaru, Bhartrhari, and Kalidasa each used the srngara rasa, or erotic mood, in their works. The srngara rasa was considered to be one of the most important aesthetics in Indian literature, and the audience was encouraged to delight in the experience they received from the erotic depictions in the poetry or play. This is very different from the Western treatment of sexuality. Typically, the erotic was discouraged, and in some cases forbidden, to be discussed overtly in poetry, books, and plays, because it was believed to cause more harm than good. I investigated the portrayal of human sexuality in the works of these three authors in order to discover whether their use of the erotic mood encouraged their audience to pursue the benefits of physical love, or whether there existed a different interpretation for its use. Although the Indian writers mentioned above were more open and accepting of human sexuality in their writings than the Western tradition, they also depicted the negative consequences that can result from the indulgence of physical love.
From the Perspective of Barbarians: Kingston’s “The Woman Warrior”
Katie Patterson Hulett, Dixie State University English, Literary Studies emphasis In the last pages of her memoir, The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston tells the story of the Chinese poetess Ts’ ai Yen, a woman captured by
Subverting the Narrative: Frame Narrative in Charles Chesnutt’s “Dave’s Neckliss”
Jesse Cook, Dixie State University English Charles Chesnutt’s use of frame narrative in “Dave’s Neckliss” allows readers to gain a wider exposure to realistic African American storytelling. While African American literature was often intentionally watered down in the years following the Civil War to avoid hostility from Euro-Americans, Chesnutt published works depicting some of the true inequalities of African American life. His use of frame narrative-a local color narrative technique that employs a Euro-American narrator to frame a story told by an African American character-allowed Chesnutt to publish his work unbound by such restrictions. As William L. Andrews states, Chesnutt’s “understanding of literary tradition and his ability to use tradition as a means of approaching his readers with untraditional themes” allowed him to delve further into the “intensely human inner life of slavery.” While it could be argued that Chesnutt’s technique undermines the authority of the African American storyteller, requiring a Euro-American narrator as a catalyst for the African American character to tell his story, this technique allows Chesnutt to present a subversive narrative that imposes challenging questions to a reluctant audience. I argue that while Chesnutt’s use of frame narrative may appear to perpetuate existing racial stereotypes held by many, the frame narrative style actually allowed him to pose thought-provoking questions during a time of racial animosity.
Perceptions of Red Hair Through Time
Hanna Winzenried, Brigham Young University History Red hair is one of the most rare hair colors. In fact, only two percent of the world’s population has naturally red hair. My research attempts to show how Western perception of red hair has undergone transformations over time. I seek to show how red hair has been associated with a variety of perceptions from the Middle Ages onward. This is not a comprehensive study, but one that takes a variety of primary sources to show how changing societal perceptions of red hair imbued females (and males) with a variety of traits contributing to a kind of physiognomy of hair whereby a person’s character could be read through hair color.
Recreating Fremont Corrugated Pottery: An Exercise in Experimental Archaeology
Charles Wilson, Brigham Young University Anthropology The purpose of this project has been to recreate a poorly understood Fremont (A.D. 300-A.D. 1300) ware known as corrugated pottery. Little is known about corrugation other than it seems to have made its appearance late in the Fremont world around A.D. 1100. Exactly how Fremont potters made corrugated pottery is a sparsely visited subject in publications. Attempting to recreate corrugated pottery, an exercise in experimental archaeology, has already suggested that corrugation was not only decorative, but played a role in the construction of corrugated vessels. Obscure practices of bygone Fremont potters will come to light as experiments progress.
The Nature of Fate: Determinism in Thomas Hardy’s The Return of the Native and George Eliot’s The Mill on the Floss
Melissa Lewis, Dixie State University English Both George Eliot and Thomas Hardy have been called determinists partly as a result of their novels The Return of the Native and The Mill on the Floss. The role of fate or destiny largely guides the plot of these works, regardless of the decisions and merit of the characters. A comparison of the style of determinism between the two authors reveals that George Eliot emphasizes a moral force while Thomas Hardy focuses on a force associated with nature. Eliot’s determinism suggests that the world is determined but that humans still remained morally responsible for their actions, as Maggie is responsible for not feeding Tom’s rabbits or for her lack of decision as she drifts down the river with Stephen Guest in The Mill on the Floss. Hardy tends to be more of a naturalist. The naturalist is a product of post-Darwinian theory that humanity is controlled entirely by nature. For example, the fate of Eustacia Vye in The Return of the Native seems to be controlled by the hand of Egdon Heath. Both novels depict extraordinary characters in a world bent to squash them. These novels reveal that the individual exists as a solitary entity, and the relationship that used to exist between God and individual is now between the individual and society. Both Eliot and Hardy create novels where the world seems determined and cruel and characters that don’t adhere or fit in this mold are eliminated or reduced.
A New Sort of Man: The Ideal Man in Kate Chopin’s Collected Works
April Jackson, Dixie State University English With the publication of Kate Chopin’s complete works in 1969, proponents fighting for a new paradigm regarding women’s choices in regard to sexuality, marriage, and motherhood found much to consider in her work. Often, critics will analyze Chopin’s works with a limited feminist lens, focusing on themes of marriage, sexuality and sexual independence, and the creation of self-identity through marriage and sexual awakenings. However, Chopin’s works do not focus on women and the world they face to the exclusion of men; in writing about women and their lives, she also draws attention to the effects the attitudes of men have on women. Focusing on Chopin’s male characters, who often serve as satellite figures, this paper will analyze the way men in her texts can create an atmosphere in which women can, without fear of societal rejection, shape their own lives. In her larger body of works, two men exemplify this ideal man: Gouvernail, who appears in “Athenais” and “A Respectable Woman”; and Offdean, who appears in “A No-Account Creole.” These two men represent a model of masculinity that is most conducive for women to fully assert and create their sexual and social independence and self-identity. With the study and analysis of these satellite male characters, rather than limiting the analysis to just the women’s experiences, deeper and newer readings of Chopin’s work will surface and allow for additional themes to come forward in the broader area of Chopin studies.
Far from Grub Street: Satire in George Knapton's Portraits of the Society of Dilettanti
Noorda, Meredith (Brigham Young University)
Faculty Advisor: Belnap, Heather (Humanities, Comparative Arts and Letters); Swensen, James (Humanities, Comparative Arts and Letters)
In 1740 the Society of Dilettanti, an 18th century group of English gentlemen aiming to encourage an appreciation for the antiquities they had seen on their Grand Tours, decided to commission from George Knapton portraits of all their members. In the typical artistic vein of the early Dilettanti, the portraits, featuring many of the members in costume, exhibit a milieu where the erudite meets the comical to the outright lewd, a reflection of one of the Dilettanti's mottos of seria ludo, or "serious things done in a playful spirit." Within the wider context of London public life, these are also clear examples of the influence of the masquerade, and for a group closely aligned with the Italian Grand Tour, and thought to have been initially conceived in Venice, the appeal of those references is clear and the Dilettanti's use of them has been commented on in scholarship. However, the use of costume in George Knapton's portraits can reveal more than a simple love of Continental entertainments. Aligning oneself with the Continent and the East, as the sitters do in Knapton's works, was a subversive choice in relation to the normative British culture of the mid-18th century, in which the encroachment of Continental entertainments and fashion, among other things, was frequently feared. These portraits must be read with an acknowledgement of the ways in which the masquerade and the Italianate was seen in 18th century England, where it was not an accepted form of entertainment as on the Continent, but a controversial pastime. In turn the portraits can reveal where the Dilettanti situated themselves, and how they wanted to be represented�as internationally inclined participators in these foreign entertainments, boldly partaking in its vices, championing its creative possibilities in the self-fashioning of an individual.
Faculty Advisor: Belnap, Heather (Humanities, Comparative Arts and Letters); Swensen, James (Humanities, Comparative Arts and Letters)
In 1740 the Society of Dilettanti, an 18th century group of English gentlemen aiming to encourage an appreciation for the antiquities they had seen on their Grand Tours, decided to commission from George Knapton portraits of all their members. In the typical artistic vein of the early Dilettanti, the portraits, featuring many of the members in costume, exhibit a milieu where the erudite meets the comical to the outright lewd, a reflection of one of the Dilettanti's mottos of seria ludo, or "serious things done in a playful spirit." Within the wider context of London public life, these are also clear examples of the influence of the masquerade, and for a group closely aligned with the Italian Grand Tour, and thought to have been initially conceived in Venice, the appeal of those references is clear and the Dilettanti's use of them has been commented on in scholarship. However, the use of costume in George Knapton's portraits can reveal more than a simple love of Continental entertainments. Aligning oneself with the Continent and the East, as the sitters do in Knapton's works, was a subversive choice in relation to the normative British culture of the mid-18th century, in which the encroachment of Continental entertainments and fashion, among other things, was frequently feared. These portraits must be read with an acknowledgement of the ways in which the masquerade and the Italianate was seen in 18th century England, where it was not an accepted form of entertainment as on the Continent, but a controversial pastime. In turn the portraits can reveal where the Dilettanti situated themselves, and how they wanted to be represented�as internationally inclined participators in these foreign entertainments, boldly partaking in its vices, championing its creative possibilities in the self-fashioning of an individual.
A Comparative Study of Detection Methods: Early Optical Telescopes and Gravitational Wave Detectors
Maria Stokes (University of Utah)
Faculty Advisor: Burnett, Brandon (Weber State University, Chemistry)
This paper considers the relationship between new technologies and the history of astronomy. Using a comparative framework, I show some of the ways in which new technological introductions alter scientific practice. I argue that this dynamic is a historical pattern. To make this case, I juxtapose two astrophysical developments: the invention and early uses of optical telescopes in the early seventeenth century, most famously by Galileo, and the introduction of gravitational wave detectors beginning with the Laser Interferometer Gravitational-Wave Observatory (LIGO). The former has been heavily examined by historians of science; the latter is almost exclusively of interest to astronomers and physicists. In constructing this comparison, I examine primary sources such as Galileo's Discourses and Mathematical Demonstrations Related to Two New Sciences and consult other commentaries on seventeenth-century astronomy, particularly remarking on the optics used in the Galilean telescope. I then provide a survey of gravitational wave astronomy. This comparative study evidences the importance of both empirical data and networks in the development of science. Such a conclusion is significant as it carries implications for the relationship between scientific and non-scientific communities.
Faculty Advisor: Burnett, Brandon (Weber State University, Chemistry)
This paper considers the relationship between new technologies and the history of astronomy. Using a comparative framework, I show some of the ways in which new technological introductions alter scientific practice. I argue that this dynamic is a historical pattern. To make this case, I juxtapose two astrophysical developments: the invention and early uses of optical telescopes in the early seventeenth century, most famously by Galileo, and the introduction of gravitational wave detectors beginning with the Laser Interferometer Gravitational-Wave Observatory (LIGO). The former has been heavily examined by historians of science; the latter is almost exclusively of interest to astronomers and physicists. In constructing this comparison, I examine primary sources such as Galileo's Discourses and Mathematical Demonstrations Related to Two New Sciences and consult other commentaries on seventeenth-century astronomy, particularly remarking on the optics used in the Galilean telescope. I then provide a survey of gravitational wave astronomy. This comparative study evidences the importance of both empirical data and networks in the development of science. Such a conclusion is significant as it carries implications for the relationship between scientific and non-scientific communities.
Folklore: As it is Perceived by USU English Majors in Comparison to USU Non-English Majors
Christensen, Nikki (Utah State University)
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
Folklore is one of the hardest subjects to define for students and professors alike. To this day, folklorists still dispute its accurate definition. The most popular contemporary definition is, "artistic communication in small groups"(Dan Ben-Amos). This research is to discover if English majors are more educated about folklore than non-English majors at Utah State University. Often, students will be immersed in folklore in their daily lives and never know it. This research is to answer how relevant folklore still is in today's society.
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
Folklore is one of the hardest subjects to define for students and professors alike. To this day, folklorists still dispute its accurate definition. The most popular contemporary definition is, "artistic communication in small groups"(Dan Ben-Amos). This research is to discover if English majors are more educated about folklore than non-English majors at Utah State University. Often, students will be immersed in folklore in their daily lives and never know it. This research is to answer how relevant folklore still is in today's society.
Are You Smarter Than an English Major? How Grammar Checkers are Perceived by Upper Division English Majors
Roberts, Katie (Utah State University)
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
The internet has provided students with countless opportunities for success and learning, online grammar checkers and blogs playing a significant role for many in their pursuit of education. Grammar blogs offer tips, tricks, and examples to help people learn grammar, while grammar checker websites, such as Grammarly, use AI technology to automatically review pieces of writing, sometimes offering plagiarism checks and citation suggestions with a paid subscription. While these websites proclaim to make all the difference in students' writing, are English majors finding these helpful? This research seeks to understand what upper-division English majors think of online grammar checkers.
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
The internet has provided students with countless opportunities for success and learning, online grammar checkers and blogs playing a significant role for many in their pursuit of education. Grammar blogs offer tips, tricks, and examples to help people learn grammar, while grammar checker websites, such as Grammarly, use AI technology to automatically review pieces of writing, sometimes offering plagiarism checks and citation suggestions with a paid subscription. While these websites proclaim to make all the difference in students' writing, are English majors finding these helpful? This research seeks to understand what upper-division English majors think of online grammar checkers.
Did She have to Die? An Examination of Hero and Ophelia in the Context of Shared Plot Points
Witham, Arianna (Dixie State University)
Faculty Advisor: Pilkington, Olga (Dixie State University, Applied Sociology)
Two of Shakespeare's plays Much Ado About Nothing and Hamlet have plots that are largely dependent on the death of a female character. Looking at the deaths of Hero and Ophelia though the lens of feminist literary analysis shows that these deaths are transformative points. On the surface, these deaths are very different: Ophelia stays dead while Hero's death is only a ruse. However, the deaths of Hero and Ophelia transition both of them from persons to objects. In the case of Ophelia, after death all that is left is a corpse, and Hamlet and Laertes' altercation in Ophelia's grave on top of her body contradicts their sorrowful proclamations just before. After Hero re-enters society, admittedly as someone else, the only thing about her new identity that seems to matter is her physical similarity to the Hero most believe to still be dead. Considering genre prompts another comparison between these deaths. In Much Ado About Nothing, Hero's death prompts Beatrice and Benedict's confessions of love, and her return to society allows the weddings and celebration that finish the play and mark it as a comedy to happen. Tragedies are marked by the death and destruction of the characters, and Hamlet is no exception. Ophelia's death is a catalyst for events that lead to the deaths of the other characters. If she had been revived, then there would be no funeral, and the emotional stakes at the end of the play would not be as high. The deaths of both Ophelia and Hero serve to drive the plots of these plays, but at the cost of the personhood of each.
Faculty Advisor: Pilkington, Olga (Dixie State University, Applied Sociology)
Two of Shakespeare's plays Much Ado About Nothing and Hamlet have plots that are largely dependent on the death of a female character. Looking at the deaths of Hero and Ophelia though the lens of feminist literary analysis shows that these deaths are transformative points. On the surface, these deaths are very different: Ophelia stays dead while Hero's death is only a ruse. However, the deaths of Hero and Ophelia transition both of them from persons to objects. In the case of Ophelia, after death all that is left is a corpse, and Hamlet and Laertes' altercation in Ophelia's grave on top of her body contradicts their sorrowful proclamations just before. After Hero re-enters society, admittedly as someone else, the only thing about her new identity that seems to matter is her physical similarity to the Hero most believe to still be dead. Considering genre prompts another comparison between these deaths. In Much Ado About Nothing, Hero's death prompts Beatrice and Benedict's confessions of love, and her return to society allows the weddings and celebration that finish the play and mark it as a comedy to happen. Tragedies are marked by the death and destruction of the characters, and Hamlet is no exception. Ophelia's death is a catalyst for events that lead to the deaths of the other characters. If she had been revived, then there would be no funeral, and the emotional stakes at the end of the play would not be as high. The deaths of both Ophelia and Hero serve to drive the plots of these plays, but at the cost of the personhood of each.
Assessing the Validity of The Test of Early Written Language (3rd Edition)
Anderson, Bethany; Ward, Hannah; Froerer, Cecily (Utah State University)
Faculty Advisor: Gillam, Sandra (Emma Eccles Jones College of Education & Human Services, Communicative Disorders and Deaf Education Department); Gillam, Ron (Emma Eccles Jones College of Education & Human Services, Communicative Disorders and Deaf Education Department)
Children with language disorders face difficulties in producing organized and complex narratives. Many different assessments have been designed to allow clinicians to evaluate a child's narrative ability. The Test of Early Written Language - 3 (TEWL) is a formal test to assess the early written narrative abilities of children. Valid and reliable tests of the written language skills of young elementary age children are needed for assessing the outcomes of narrative interventions for children who are at-risk for language and literacy impairments.
The purpose of this study is to determine if the TEWL is a valid measure of narrative language in written stories by children who are at-risk for language and literacy problems.
Narrative samples from 189 children ages 6-11 were gathered as part of a larger study. Narrative samples were transcribed and scored using the Monitoring Indicators of Scholarly Language (MISL) rubric that assesses language microstructure and macrostructure. Exploratory and confirmatory factor analyses were computed to determine the extent to which the total raw scores on the TEWL were related to MISL microstructure, macrostructure, and total scores. Item analyses were conducted to determine whether a subset of items on the TEWL differentiate between writing mechanics and written language. Results are critical for using the TEWL as a valid outcome measure in studies of interventions for oral and written language comprehension and production.
Faculty Advisor: Gillam, Sandra (Emma Eccles Jones College of Education & Human Services, Communicative Disorders and Deaf Education Department); Gillam, Ron (Emma Eccles Jones College of Education & Human Services, Communicative Disorders and Deaf Education Department)
Children with language disorders face difficulties in producing organized and complex narratives. Many different assessments have been designed to allow clinicians to evaluate a child's narrative ability. The Test of Early Written Language - 3 (TEWL) is a formal test to assess the early written narrative abilities of children. Valid and reliable tests of the written language skills of young elementary age children are needed for assessing the outcomes of narrative interventions for children who are at-risk for language and literacy impairments.
The purpose of this study is to determine if the TEWL is a valid measure of narrative language in written stories by children who are at-risk for language and literacy problems.
Narrative samples from 189 children ages 6-11 were gathered as part of a larger study. Narrative samples were transcribed and scored using the Monitoring Indicators of Scholarly Language (MISL) rubric that assesses language microstructure and macrostructure. Exploratory and confirmatory factor analyses were computed to determine the extent to which the total raw scores on the TEWL were related to MISL microstructure, macrostructure, and total scores. Item analyses were conducted to determine whether a subset of items on the TEWL differentiate between writing mechanics and written language. Results are critical for using the TEWL as a valid outcome measure in studies of interventions for oral and written language comprehension and production.
Barbara Kingsolver's Flight Behavior: An Examination of Climate Change Discourse
Truman, Jorden (Dixie State University)
Faculty Advisor: Pilkington, Olga (Dixie State University, English)
This paper uses literary analysis and theoretical framework of Regionalism to examine Barbara Kingsolver's novel Flight Behavior. Flight Behavior features Dellarobia, an inhabitant of a poverty-stricken Appalachian town, who discovered that a hill in her backyard became home to millions of wintering Monarch Butterflies. This abnormal flight behavior of the Monarch Butterflies for many in Dellarobia's community is seen as a gift from God, but for the outsiders, it is an ominous sign of climate change. The results of my analysis show that Kingsolver, although praised for her other novels set in the Appalachias, fails to address what Regionalist novels are criticized for: preventing the reader from taking sides with the educated master narrator against the abnormal or aberrant natives. Kingsolver's pursuit of the moral imperative comes at the cost of disparaging and humiliating the communities that makeup Appalachia. The ramifications of Flight Behavior are troubling because this "if you are not with us, you are against us" style of narration is prominent in climate change activist's discourse: creating enemies instead of allies.
Faculty Advisor: Pilkington, Olga (Dixie State University, English)
This paper uses literary analysis and theoretical framework of Regionalism to examine Barbara Kingsolver's novel Flight Behavior. Flight Behavior features Dellarobia, an inhabitant of a poverty-stricken Appalachian town, who discovered that a hill in her backyard became home to millions of wintering Monarch Butterflies. This abnormal flight behavior of the Monarch Butterflies for many in Dellarobia's community is seen as a gift from God, but for the outsiders, it is an ominous sign of climate change. The results of my analysis show that Kingsolver, although praised for her other novels set in the Appalachias, fails to address what Regionalist novels are criticized for: preventing the reader from taking sides with the educated master narrator against the abnormal or aberrant natives. Kingsolver's pursuit of the moral imperative comes at the cost of disparaging and humiliating the communities that makeup Appalachia. The ramifications of Flight Behavior are troubling because this "if you are not with us, you are against us" style of narration is prominent in climate change activist's discourse: creating enemies instead of allies.
Women in Human Trafficking: A Case Study
United Nations Office on Drugs and Crime; U.S. Department of State; The Walk Free Foundation; The Borgen Project; Ling, Bonny; (Utah State University)
Faculty Advisor: Guo, Li (College of Humanities and Social Sciences; Languages, Philosophy and Communication Studies Department)
It is a historical fact that human trafficking for the purposes of sex and forced marriage has been a cancer in societies and civilizations throughout the history of the world. China has a well documented history of trafficking women for the purpose of forced marriage. The main objective of this research is to investigate trends found in the forced marriage markets of China from the rise of Mao Zedong in the mid-twentieth century until 2019. The author used interviews with victims of the forced marriage markets in China as well as secondary data collected from NGOs and watchdog organizations, government publications, and relevant journals. My findings are significant because they illuminate patterns and trends that governmental and non-governmental organizations can use to identify high risk populations and to take action on educating and protecting women who are at high risk of being forced into marriage in China.
Faculty Advisor: Guo, Li (College of Humanities and Social Sciences; Languages, Philosophy and Communication Studies Department)
It is a historical fact that human trafficking for the purposes of sex and forced marriage has been a cancer in societies and civilizations throughout the history of the world. China has a well documented history of trafficking women for the purpose of forced marriage. The main objective of this research is to investigate trends found in the forced marriage markets of China from the rise of Mao Zedong in the mid-twentieth century until 2019. The author used interviews with victims of the forced marriage markets in China as well as secondary data collected from NGOs and watchdog organizations, government publications, and relevant journals. My findings are significant because they illuminate patterns and trends that governmental and non-governmental organizations can use to identify high risk populations and to take action on educating and protecting women who are at high risk of being forced into marriage in China.
Rainbow of Hope
Speelman, Mackenzie (Weber State University)
Faculty Advisor: Arnold, Kristen (Engineering, Applied Science, and Technology; Interior Design)
The numbers in homeless LGBTQ+ youth are rising by the year. These numbers are devastating and mean that eventually these youth can potentially have nothing to live for because they are rejected from their homes. (Dashow, 2017) In Utah these numbers are heartbreaking, as there is not a place for them to be able to go. (Valkenburg, 2013) In partnering with Equality Utah, we would be able to create a space for these youth that would not only provide them with a space to call their own, but also provide resources for success in the real world.
It would also provide them with the opportunity to learn life lessons that they would not normally get if they were to continue to be homeless. It would be a safe place for them to be able to learn, and potentially get a higher education and a chance to be something other than a statistic. This space will be a welcome sight to any who may need it, and a place where they are free to be themselves. It will create a home for those who no longer have one, and would provide a better quality of life for those individuals.
When considering other elements of design in relation to this project, it is also important to consider what can be considered a safe place for these individuals. Dazakir and Read did a study about how people react to different kinds of design in relation to what is considered a safe place for them. It took into account how different types of shapes and forms would elicit a response whether it be in the pleasure receptors and looked at whether or not people felt more comfortable in a space based on those shapes. What they found was "the respondents associated more pleasure within curvilinear forms and would approach and affiliate more with others in those settings compared with the settings with rectilinear forms." (Read, 2019). This will be taken into consideration with group spaces to ensure that there is a promotion of socialization within the space and to help the space feel more welcome for socialization and to make the space seem more like home.
It has been shown that Utah is one of the worst places to be LGBTQ+ and homeless, and in a survey from the Human Rights Campaign 65% of those surveyed in Utah reported being verbally harassed at school, compared to 51% nationally. It also shows 75% of teens in Utah feel they would need to move away in order to "fit in" compared to 63% of LGBT teens nationwide. (UPR, n.d.) As a result of this, we need to ensure that there is a safe place for these youth.
Faculty Advisor: Arnold, Kristen (Engineering, Applied Science, and Technology; Interior Design)
The numbers in homeless LGBTQ+ youth are rising by the year. These numbers are devastating and mean that eventually these youth can potentially have nothing to live for because they are rejected from their homes. (Dashow, 2017) In Utah these numbers are heartbreaking, as there is not a place for them to be able to go. (Valkenburg, 2013) In partnering with Equality Utah, we would be able to create a space for these youth that would not only provide them with a space to call their own, but also provide resources for success in the real world.
It would also provide them with the opportunity to learn life lessons that they would not normally get if they were to continue to be homeless. It would be a safe place for them to be able to learn, and potentially get a higher education and a chance to be something other than a statistic. This space will be a welcome sight to any who may need it, and a place where they are free to be themselves. It will create a home for those who no longer have one, and would provide a better quality of life for those individuals.
When considering other elements of design in relation to this project, it is also important to consider what can be considered a safe place for these individuals. Dazakir and Read did a study about how people react to different kinds of design in relation to what is considered a safe place for them. It took into account how different types of shapes and forms would elicit a response whether it be in the pleasure receptors and looked at whether or not people felt more comfortable in a space based on those shapes. What they found was "the respondents associated more pleasure within curvilinear forms and would approach and affiliate more with others in those settings compared with the settings with rectilinear forms." (Read, 2019). This will be taken into consideration with group spaces to ensure that there is a promotion of socialization within the space and to help the space feel more welcome for socialization and to make the space seem more like home.
It has been shown that Utah is one of the worst places to be LGBTQ+ and homeless, and in a survey from the Human Rights Campaign 65% of those surveyed in Utah reported being verbally harassed at school, compared to 51% nationally. It also shows 75% of teens in Utah feel they would need to move away in order to "fit in" compared to 63% of LGBT teens nationwide. (UPR, n.d.) As a result of this, we need to ensure that there is a safe place for these youth.
Society, Sound, & Cinematography
Tolkien, J.R.R; Burke, Kenneth; Hundley, Heather; Borchers, Timothy; Shore, Howard (Utah State University)
Faculty Advisor: Colton, Jared (College of Humanities and Social Sciences, English Department)
While most rhetorical analysis of films look at the language and visual aspects, the object of this presentation is to analyze the rhetorical power of musical sound and score. Underappreciated by some and regarded as the lifeblood of the film by others, the musical score of a film is arguably one of the most vital aspects of cinema.
For the purposes of this presentation we will be examining the film score of the time-honored series of The Lord of the Rings as directed by Peter Jackson and composed by Howard Shore. While many have examined the genius of the composition or the complexity and cohesiveness of this score, it is our intention to examine how this composition moved the audience to feelings, thoughts, and actions.
Aside from Professor Tolkien, we will also examine the works of the rhetor Kenneth Burke and his theories of Dramatism; his theory on language and symbol systems and how they create the world around us. Our examination will focus on select scenes where the score works with the cinematography showing how the score is conveying the character's feelings or state of mind, which results in persuading the audience on how they should feel.
Through this analysis it is our intention to instill a greater understanding and awareness of how film score is used to influence audiences. Developing an understanding of how filmmakers use sound and score to influence their audience can make audiences more aware of those decisions and thus make them more engaged with the consumption of film.
Faculty Advisor: Colton, Jared (College of Humanities and Social Sciences, English Department)
While most rhetorical analysis of films look at the language and visual aspects, the object of this presentation is to analyze the rhetorical power of musical sound and score. Underappreciated by some and regarded as the lifeblood of the film by others, the musical score of a film is arguably one of the most vital aspects of cinema.
For the purposes of this presentation we will be examining the film score of the time-honored series of The Lord of the Rings as directed by Peter Jackson and composed by Howard Shore. While many have examined the genius of the composition or the complexity and cohesiveness of this score, it is our intention to examine how this composition moved the audience to feelings, thoughts, and actions.
Aside from Professor Tolkien, we will also examine the works of the rhetor Kenneth Burke and his theories of Dramatism; his theory on language and symbol systems and how they create the world around us. Our examination will focus on select scenes where the score works with the cinematography showing how the score is conveying the character's feelings or state of mind, which results in persuading the audience on how they should feel.
Through this analysis it is our intention to instill a greater understanding and awareness of how film score is used to influence audiences. Developing an understanding of how filmmakers use sound and score to influence their audience can make audiences more aware of those decisions and thus make them more engaged with the consumption of film.
Slave Narratives modern and past
Roberts, Alexis (Utah State University)
Faculty Advisor: Holt, Kerin (College of Humanities and Social Sciences, English Department)
How is an enslaved woman's agency depicted in non-fiction pre-civil War narratives versus fictional neo-slave narratives? My presentation will primarily focus on the issue of the individual bodily autonomy that slaves have access to and the withholding of bodily access to the slave's master, while also discussing the individual beliefs of slaves, beliefs that do not conform to slavery from both the pre-civil war era and the post-civil war era. The comparison will be between the novel Incidents in the life of a slave girl (1861) and the novel Kindred (1979), which were written more than one hundred years apart. The comparison will primarily focus on the characters of Harriet and Dana, focusing on the differences in their perspectives as Harriet is a slave woman and Dana is a modern woman from 1976 forced into the 1800s and plantation slavery.
Faculty Advisor: Holt, Kerin (College of Humanities and Social Sciences, English Department)
How is an enslaved woman's agency depicted in non-fiction pre-civil War narratives versus fictional neo-slave narratives? My presentation will primarily focus on the issue of the individual bodily autonomy that slaves have access to and the withholding of bodily access to the slave's master, while also discussing the individual beliefs of slaves, beliefs that do not conform to slavery from both the pre-civil war era and the post-civil war era. The comparison will be between the novel Incidents in the life of a slave girl (1861) and the novel Kindred (1979), which were written more than one hundred years apart. The comparison will primarily focus on the characters of Harriet and Dana, focusing on the differences in their perspectives as Harriet is a slave woman and Dana is a modern woman from 1976 forced into the 1800s and plantation slavery.
Sexual Assault: Reshaping the Rhetorical Situation For Men
Reid, Rachael (Utah State University)
Faculty Advisor: Edenfield, Avery (College of Humanities and Social Sciences, English Department)
Recent outcries in the media and political conversation like the story of Brock Turner and the #metoo movement, have demonstrated how the rhetoric surrounding sexual assault is a problem. Current rhetoric surrounding these issues have demonstrated the continued staggering number of sexual assaults that happen every year, but has yet to solve the actual problem. In the name of feminism, people everywhere fight for the rights of those marginalized within a community, of all different group types. However, one group rarely mentioned is men who are victims of sexual assault (perpetrated by men or women). Frost's Apparent Feminism "recognize(s) and make(s) apparent the urgent and sometimes hidden exigencies for feminist critique of contemporary technical rhetorics." This work demonstrates the need for participation in Feminist work for all people and says that even those that don't identify as "feminist but do work that complements feminist goals, and makes apparent the ways in which efficient work actually depends on the existence and input of diverse audiences" has an essential role in the discourse around sexual assault perpetrated against men. Men are taught by society to hide their feelings, to "man up", and not express when something is difficult. In order for complex social impact in this area, we see the importance of technical communication. This research shows how the perception of sexual assault against men can be changed through our technical communication and help us reshape the world in which we live. Normalizing the effects/ reality of sexual assault against men is a step in this work. I am only considering those who have reported their sexual assault, which does give some bias. I will unpack what discourse is currently taking place and steps to change that discourse through communication strategies.
Faculty Advisor: Edenfield, Avery (College of Humanities and Social Sciences, English Department)
Recent outcries in the media and political conversation like the story of Brock Turner and the #metoo movement, have demonstrated how the rhetoric surrounding sexual assault is a problem. Current rhetoric surrounding these issues have demonstrated the continued staggering number of sexual assaults that happen every year, but has yet to solve the actual problem. In the name of feminism, people everywhere fight for the rights of those marginalized within a community, of all different group types. However, one group rarely mentioned is men who are victims of sexual assault (perpetrated by men or women). Frost's Apparent Feminism "recognize(s) and make(s) apparent the urgent and sometimes hidden exigencies for feminist critique of contemporary technical rhetorics." This work demonstrates the need for participation in Feminist work for all people and says that even those that don't identify as "feminist but do work that complements feminist goals, and makes apparent the ways in which efficient work actually depends on the existence and input of diverse audiences" has an essential role in the discourse around sexual assault perpetrated against men. Men are taught by society to hide their feelings, to "man up", and not express when something is difficult. In order for complex social impact in this area, we see the importance of technical communication. This research shows how the perception of sexual assault against men can be changed through our technical communication and help us reshape the world in which we live. Normalizing the effects/ reality of sexual assault against men is a step in this work. I am only considering those who have reported their sexual assault, which does give some bias. I will unpack what discourse is currently taking place and steps to change that discourse through communication strategies.
The Whisker Humane Society
Benson, Olivia (Weber State University)
Faculty Advisor: Arnold, Kristen (Engineering, Applied Sciences, and Technologies; Interior Design)
Feral and stray cats have long been a problem in communities across the nation. In 2014, it was estimated that over sixty million stray and feral cats live in the U.S. Considering that a female cat can have two to three litters a year with up to five kittens in each litter, theoretically speaking, one pair of breeding cats can start a family tree network of 420,000 cats in just over a seven year period. Now you may ask yourself, what is the problem with this large population? A study in 2013 by the Smithsonian Institute revealed that feral cats kill up to 3.7 billion birds a year in the United States and kill between 7-21 billion wild mammals. Aside from disrupting the Eco-system around us, feral cats are also extremely susceptible to rabies which, if contracted, can be transmitted to humans. Since the 1980's, private organizations and governmental agencies in the U.S. have tried to deal with this problem through what is known as Trap-Neuter-Release (TNR) programs. This involves live-trapping stray and feral cats, surgical sterilization and vaccine administration and then releasing the cat back into its neighborhood. While TNR programs stop the cat population from growing, it doesn't address the long-term problems current neighborhood cats cause. Local shelters have tried to tackle this issue but are unable to keep up with the crisis due to lack of funding and the overwhelming population in the area.
In order to fund a shelter that can keep up with demand and stay afloat, an all-in-one cat facility had to be created. Beyond vaccination care that shelters offer, multiple hospitality and commercial settings will be implemented to generate more cash flow which includes a cat cafe, general store, and grooming salon.
Faculty Advisor: Arnold, Kristen (Engineering, Applied Sciences, and Technologies; Interior Design)
Feral and stray cats have long been a problem in communities across the nation. In 2014, it was estimated that over sixty million stray and feral cats live in the U.S. Considering that a female cat can have two to three litters a year with up to five kittens in each litter, theoretically speaking, one pair of breeding cats can start a family tree network of 420,000 cats in just over a seven year period. Now you may ask yourself, what is the problem with this large population? A study in 2013 by the Smithsonian Institute revealed that feral cats kill up to 3.7 billion birds a year in the United States and kill between 7-21 billion wild mammals. Aside from disrupting the Eco-system around us, feral cats are also extremely susceptible to rabies which, if contracted, can be transmitted to humans. Since the 1980's, private organizations and governmental agencies in the U.S. have tried to deal with this problem through what is known as Trap-Neuter-Release (TNR) programs. This involves live-trapping stray and feral cats, surgical sterilization and vaccine administration and then releasing the cat back into its neighborhood. While TNR programs stop the cat population from growing, it doesn't address the long-term problems current neighborhood cats cause. Local shelters have tried to tackle this issue but are unable to keep up with the crisis due to lack of funding and the overwhelming population in the area.
In order to fund a shelter that can keep up with demand and stay afloat, an all-in-one cat facility had to be created. Beyond vaccination care that shelters offer, multiple hospitality and commercial settings will be implemented to generate more cash flow which includes a cat cafe, general store, and grooming salon.
Upright Among the Fallen: The Standing Metaphor in Dante's Inferno
Heftel, Christian (Utah Valley University
Faculty Advisor: Abbott, Scott (Humanities and Social Sciences, Integrated Studies)
The cosmos of Dante Alighieri is one obsessed with verticality. Hell is a hole in the ground, Purgatory a pillar that rises to the heavens. The deeper one descends into Hell, the worse the sinners one encounters. The higher one soars into Paradise, the more blessed the saints, until one finally arrives at the pinnacle of the Great Chain of Being: God. This accords with the common orientational metaphors identified by Lakoff and Johnson, where up is associated with good, with power, and with authority; and down is associated with depravity, impotence, and subjugation.
However, it is not merely Dante's cosmology that is concerned with the vertical. In his treatment of individual humans and their qualities and deeds, Dante similarly expresses an interest in their height, their posture, and their ability to stand upright. This interest is shown vividly in three beings or classes in Inferno: the virtuous pagans of Limbo, the wind-tossed lustful, and the king of Hell himself: Satan. In the poem, the virtuous pagans stand, suggesting moral and intellectual uprightness. The lustful, although lifted high into the air by the storms that beat them, are still unable to stand because they lack ground beneath their feet. Finally, Satan appears to stand, but is actually later shown to be imprisoned and inverted, frozen halfway through a fall from Heaven. Examining these three cases gives insight into Dante's conception of reason, sin, virtue, and the universe itself--and it gives similar insight into the linguistic and metaphorical connotations of human bipedality.
Faculty Advisor: Abbott, Scott (Humanities and Social Sciences, Integrated Studies)
The cosmos of Dante Alighieri is one obsessed with verticality. Hell is a hole in the ground, Purgatory a pillar that rises to the heavens. The deeper one descends into Hell, the worse the sinners one encounters. The higher one soars into Paradise, the more blessed the saints, until one finally arrives at the pinnacle of the Great Chain of Being: God. This accords with the common orientational metaphors identified by Lakoff and Johnson, where up is associated with good, with power, and with authority; and down is associated with depravity, impotence, and subjugation.
However, it is not merely Dante's cosmology that is concerned with the vertical. In his treatment of individual humans and their qualities and deeds, Dante similarly expresses an interest in their height, their posture, and their ability to stand upright. This interest is shown vividly in three beings or classes in Inferno: the virtuous pagans of Limbo, the wind-tossed lustful, and the king of Hell himself: Satan. In the poem, the virtuous pagans stand, suggesting moral and intellectual uprightness. The lustful, although lifted high into the air by the storms that beat them, are still unable to stand because they lack ground beneath their feet. Finally, Satan appears to stand, but is actually later shown to be imprisoned and inverted, frozen halfway through a fall from Heaven. Examining these three cases gives insight into Dante's conception of reason, sin, virtue, and the universe itself--and it gives similar insight into the linguistic and metaphorical connotations of human bipedality.
The Spiral of Silence and the 2016 Election
Carter Olson, Candi; LaPoe, Victoria (Utah State University)
Faculty Advisor: Carter Olson, Candi (College of Humanities and Social Sciences, Journalism and Communication Department)
The Spiral of Silence theory is the idea that people in society are excluded based on their opinions. Because of this, members of society may keep their opinions quiet to avoid exclusion. While the theory was first introduced in 1974, its effects are important to research today, particularly with the political atmosphere and advanced communication technology we now have. Because social media allows users to broadcast their opinions to a large audience, researchers wanted to know how users self-censor on the internet. The study also aimed to determine if the tone, rhetoric, and events of the 2016 U.S. election influenced self-censorship. In this study, researchers found that many people, especially those in marginalized groups, tended to keep their opinions offline during the time surrounding the election.
Faculty Advisor: Carter Olson, Candi (College of Humanities and Social Sciences, Journalism and Communication Department)
The Spiral of Silence theory is the idea that people in society are excluded based on their opinions. Because of this, members of society may keep their opinions quiet to avoid exclusion. While the theory was first introduced in 1974, its effects are important to research today, particularly with the political atmosphere and advanced communication technology we now have. Because social media allows users to broadcast their opinions to a large audience, researchers wanted to know how users self-censor on the internet. The study also aimed to determine if the tone, rhetoric, and events of the 2016 U.S. election influenced self-censorship. In this study, researchers found that many people, especially those in marginalized groups, tended to keep their opinions offline during the time surrounding the election.
Who Owns the Bard?: Barnum, Dickens, and the Shakespeare Birthplace Showdown of 1847
Clayton, Abigail (Brigham Young University)
Faculty Advisor: Horrocks, Jamie (Humanities, English)
Prior to its public auction in 1847, Shakespeare's Birthplace—the home where he was born on Henley Street in Stratford-upon-Avon—was passed down through various private owners and their tenants who turned the property into an inn and a butcher shop. A mere sign indicated that "Shakespeare was born here." By this point in time, Shakespeare's literary influence permeated both Europe and America, but his status as a cultural icon was not strongly associated with the physical space of his home. However, this was about to change. In 1842, P.T. Barnum, the American showman of circus fame, was touring England with "The Greatest Show on Earth" when he went to visit Shakespeare's home. Five years later, as he was always on the lookout for more "oddities" to add to his menagerie, the public auction of the Birthplace caught his interest, and he could not resist making an offer. This attempt by a foreign invader to "steal Shakespeare" inflamed the British public and sparked debates regarding the cultural ownership of the great playwright. Among leaders of these debates was Charles Dickens, who initiated a series of events across England in an attempt to raise enough money to reclaim Shakespeare for the British people. Although Barnum and Dickens never met in person, the way in which nineteenth-century media manipulated their celebrity personas and followings reveals the way in which transatlantic celebrity was crucial to the formation of Shakespeare as a British heritage icon. The cultural warfare between the two, as represented by sensationalist journalism of the time, started debates over the appropriation of Shakespeare as a symbol of national heritage and identity that have lasted into the twenty-first century.
Faculty Advisor: Horrocks, Jamie (Humanities, English)
Prior to its public auction in 1847, Shakespeare's Birthplace—the home where he was born on Henley Street in Stratford-upon-Avon—was passed down through various private owners and their tenants who turned the property into an inn and a butcher shop. A mere sign indicated that "Shakespeare was born here." By this point in time, Shakespeare's literary influence permeated both Europe and America, but his status as a cultural icon was not strongly associated with the physical space of his home. However, this was about to change. In 1842, P.T. Barnum, the American showman of circus fame, was touring England with "The Greatest Show on Earth" when he went to visit Shakespeare's home. Five years later, as he was always on the lookout for more "oddities" to add to his menagerie, the public auction of the Birthplace caught his interest, and he could not resist making an offer. This attempt by a foreign invader to "steal Shakespeare" inflamed the British public and sparked debates regarding the cultural ownership of the great playwright. Among leaders of these debates was Charles Dickens, who initiated a series of events across England in an attempt to raise enough money to reclaim Shakespeare for the British people. Although Barnum and Dickens never met in person, the way in which nineteenth-century media manipulated their celebrity personas and followings reveals the way in which transatlantic celebrity was crucial to the formation of Shakespeare as a British heritage icon. The cultural warfare between the two, as represented by sensationalist journalism of the time, started debates over the appropriation of Shakespeare as a symbol of national heritage and identity that have lasted into the twenty-first century.
Conrad's Modern Greek Chorus: The Narrative Voice in Joseph Conrad's The Secret Agent
Tylka, Kelsie (Utah Valley University)
Faculty Advisor: Petersen, Jerry (Humanities and Social Sciences, English & Literature); Vogel, Charles (Humanities and Social Sciences, English & Literature)
Joseph Conrad's The Secret Agent is a tale of political intrigue and morality. Many critics believe the narrator of this tale is purely "aesthetic"; however, I argue that the narrator is essential to the plot and to exposing the purpose of the novel, which is spotlighting humanity and moral choice. The first clue to the centrality of the narrator was Conrad's failure to adapt his novel to a theatrical production. This failure intrigued me as the characterization, viewpoint, and structure of the novel seemed ideal for theatrical adaptation. The question is, what was the root of Conrad's botched attempt at a theatrical production? I came to the conclusion that the narrator was essential to the plot and the ethos of the story. For this presentation, therefore, I intend to map out how and why the narrator is indispensable, as well as give a foundational groundwork on the Greek Theater and chorus. Turning to scholarship from both literary and theater experts, I will highlight the importance of the narrator within the novel, as well as, offer a suggestion as to how The Secret Agent could be effectively adapted into a successful stage production. I present the narrator of The Secret Agent as a stand-in for the classic Greek chorus through analyzing the narrator's function as a principal character in the story. Moreover, the utilization of the narrator's "anti-dramatic" commentary is a method of alienation that encourages the reader to reevaluate morality and humanity within the novel. Finally, I hope to engage both literary and theater scholar's alike to reevaluate the functionality of the narrator and to encourage a second look at the possibility of a successful theatrical production.
Faculty Advisor: Petersen, Jerry (Humanities and Social Sciences, English & Literature); Vogel, Charles (Humanities and Social Sciences, English & Literature)
Joseph Conrad's The Secret Agent is a tale of political intrigue and morality. Many critics believe the narrator of this tale is purely "aesthetic"; however, I argue that the narrator is essential to the plot and to exposing the purpose of the novel, which is spotlighting humanity and moral choice. The first clue to the centrality of the narrator was Conrad's failure to adapt his novel to a theatrical production. This failure intrigued me as the characterization, viewpoint, and structure of the novel seemed ideal for theatrical adaptation. The question is, what was the root of Conrad's botched attempt at a theatrical production? I came to the conclusion that the narrator was essential to the plot and the ethos of the story. For this presentation, therefore, I intend to map out how and why the narrator is indispensable, as well as give a foundational groundwork on the Greek Theater and chorus. Turning to scholarship from both literary and theater experts, I will highlight the importance of the narrator within the novel, as well as, offer a suggestion as to how The Secret Agent could be effectively adapted into a successful stage production. I present the narrator of The Secret Agent as a stand-in for the classic Greek chorus through analyzing the narrator's function as a principal character in the story. Moreover, the utilization of the narrator's "anti-dramatic" commentary is a method of alienation that encourages the reader to reevaluate morality and humanity within the novel. Finally, I hope to engage both literary and theater scholar's alike to reevaluate the functionality of the narrator and to encourage a second look at the possibility of a successful theatrical production.
An Attraction to Horror: Understanding the Theatrum Crudelitatum Haereticorum Nostri Temporis
Verstegan, Richard; Foxe, John; Arblaster, Paul (Utah State University)
Faculty Advisor: Sand Alexa (Caine College of the Arts, General Studies (Arts)); Duncan, Jennifer
Horrifying and under scrutinized the Theatrum Crudelitatum Haereticorum Nostri Temporis (1587) depicts endless pages of sixteenth century torture methods inflicted upon Catholic martyrs, leaving sufficient room for questions waiting to be answered. The largest and most pressing question this book offers is why it was created. When exploring different conclusions to such a question it is important to understand the contextual history and nature of a rare object such as this. There is probable cause that this book was created in response to John Foxe's Book of Martyrs, which was published 24 years prior to the publication of the Theatrum Crudelitatum Haereticorum Nostri Temporis. It is also possible that the author of the Theatrum Crudelitatum, Richard Verstegan who was an Anglo-Dutch Catholic, was a propagandist supporting the idea that martyrdom was a form of resistance to oppression of religion at this point in history. There is sufficient evidence supporting this theory. In Foxe's Book of Martyrs there are limited illustrations of torture merthods where as in Verstegan's Theatrum Crudelitatum there is an overwhelming amount of vivid and equally horrifying engravings depitcing Catholics as weak. It is equally important to take a look into the author's personal history to gain more explanations for the creation of the Theatrum Crudelitatum Haereticorum Nostri Temporis. Richard Verstegan was an Anglo-Dutch Catholic that studied English at Oxford University without obtaining a degree. It is thought that he left due to his religious beliefs at the time. He was later a propagandist of Duke and Guise before settling in Antwerp, Belgium where he published and illustrated his work. This rare book even served as a precedent as to what happened to those not of the Protestant faith. The Theatrum Crudelitatum Haereticorum Nostri Temporis by Richard Verstegan was created for both personal reasons and propagandistic opportunity.
Faculty Advisor: Sand Alexa (Caine College of the Arts, General Studies (Arts)); Duncan, Jennifer
Horrifying and under scrutinized the Theatrum Crudelitatum Haereticorum Nostri Temporis (1587) depicts endless pages of sixteenth century torture methods inflicted upon Catholic martyrs, leaving sufficient room for questions waiting to be answered. The largest and most pressing question this book offers is why it was created. When exploring different conclusions to such a question it is important to understand the contextual history and nature of a rare object such as this. There is probable cause that this book was created in response to John Foxe's Book of Martyrs, which was published 24 years prior to the publication of the Theatrum Crudelitatum Haereticorum Nostri Temporis. It is also possible that the author of the Theatrum Crudelitatum, Richard Verstegan who was an Anglo-Dutch Catholic, was a propagandist supporting the idea that martyrdom was a form of resistance to oppression of religion at this point in history. There is sufficient evidence supporting this theory. In Foxe's Book of Martyrs there are limited illustrations of torture merthods where as in Verstegan's Theatrum Crudelitatum there is an overwhelming amount of vivid and equally horrifying engravings depitcing Catholics as weak. It is equally important to take a look into the author's personal history to gain more explanations for the creation of the Theatrum Crudelitatum Haereticorum Nostri Temporis. Richard Verstegan was an Anglo-Dutch Catholic that studied English at Oxford University without obtaining a degree. It is thought that he left due to his religious beliefs at the time. He was later a propagandist of Duke and Guise before settling in Antwerp, Belgium where he published and illustrated his work. This rare book even served as a precedent as to what happened to those not of the Protestant faith. The Theatrum Crudelitatum Haereticorum Nostri Temporis by Richard Verstegan was created for both personal reasons and propagandistic opportunity.
"Rebel Girls" Reevaluated: Patriarchy and Gender in the Lives of Three Wobbly Women
Andersen, Jacob (Brigham Young University)
Faculty Advisor: DeSchweinitz, Rebecca (Brigham Young University, History)
During the 1912 Lawrence, Massachusetts Textile Strike, Elizabeth Gurley Flynn, a speaker and organizer for the Industrial Workers of the World (IWW), planned to address local workers at a Greek Catholic Church. Before she stepped to the pulpit, a local priest forbid her from speaking because she was a woman. She only spoke to the audience that night after she convinced the priest that she "spoke as an organizer, not as a woman." This incident hints at the complex and often contradictory role of gender in the IWW. Indeed, many scholars have argued that while the IWW preached universal human equality, in practice they maintained a limited, domestic vision for women. Francis Shor, in particular, has argues that the IWW's approach to gender constituted a kind of "virile syndicalism," in which their aggressive tactics were a form of "masculine posturing" in defiance of industrial capitalism. While an important insight about the role of gender in the IWW, few scholars have used his theory to understand women's experiences in the IWW. This paper will examine the role of gender in the IWW through the lives and experiences of three women: Elizabeth Gurley Flynn, Matilda Robbins, and Jane Street. All three women came from different backgrounds and made unique contributions to the IWW, yet the IWW's virile syndicalism circumscribed their activities within the bounds of the IWW's narrow gender ideology. The lives of these women suggest that virile syndicalism in the IWW limited the role of Wobbly women and curbed the IWW's ability to effectively organize workers in the long term. Indeed, the IWW notoriously struggled to maintain an organized base of workers; their distinctly gendered tactics may help explain why.
Faculty Advisor: DeSchweinitz, Rebecca (Brigham Young University, History)
During the 1912 Lawrence, Massachusetts Textile Strike, Elizabeth Gurley Flynn, a speaker and organizer for the Industrial Workers of the World (IWW), planned to address local workers at a Greek Catholic Church. Before she stepped to the pulpit, a local priest forbid her from speaking because she was a woman. She only spoke to the audience that night after she convinced the priest that she "spoke as an organizer, not as a woman." This incident hints at the complex and often contradictory role of gender in the IWW. Indeed, many scholars have argued that while the IWW preached universal human equality, in practice they maintained a limited, domestic vision for women. Francis Shor, in particular, has argues that the IWW's approach to gender constituted a kind of "virile syndicalism," in which their aggressive tactics were a form of "masculine posturing" in defiance of industrial capitalism. While an important insight about the role of gender in the IWW, few scholars have used his theory to understand women's experiences in the IWW. This paper will examine the role of gender in the IWW through the lives and experiences of three women: Elizabeth Gurley Flynn, Matilda Robbins, and Jane Street. All three women came from different backgrounds and made unique contributions to the IWW, yet the IWW's virile syndicalism circumscribed their activities within the bounds of the IWW's narrow gender ideology. The lives of these women suggest that virile syndicalism in the IWW limited the role of Wobbly women and curbed the IWW's ability to effectively organize workers in the long term. Indeed, the IWW notoriously struggled to maintain an organized base of workers; their distinctly gendered tactics may help explain why.
The Myth of Personal Responsibility
Whyte, Kyle Powys; Cuomo, Chris; Plumwood, Val; Johnston, Josee; Beacham, Jonathan; Gilson, Erinn Cunniff (Utah Valley University)
Faculty Advisor: Hanewicz, Wayne (College of Humanities and Social Sciences, integrated Studies); Bretz, Thomas (College of Humanities and Social Sciences, Philosophy and Humanities)
Growing awareness of environmental issues has led to an explosion of interest in both ethically and locally sourced products. As evidence has mounted of the role consumerism plays in driving environmental degradation, concerned individuals have begun seeking out alternatives to the cheap national and multinational brands that seem to be most responsible for driving these problems. While numerous potential alternatives have been formulated, two general trends have emerged and gained momentum. The first of these trends focus on increasing transparency around specific areas of concern with particular types of products. This includes things like organic certifications, guarantees around animal treatment, the types of energy used in production, and the impacts on human welfare. The other general approach has been to emphasize the importance of buying locally, seeking out a wholesale replacement of the national and global supply chains that have proven to be so environmentally unjust.
This paper shows why the debate between these two approaches misses a deeper disconnect. Arguments for ethically sourced products tend to be based around narratives that assert that personal choice is at the heart of the environmental injustices created by consumerism. In opposition to this view, this paper argues that it is the breakdown in the quality of relationships surrounding our consumption that has led to the environmental degradation we see today. By using the framework of ethics of care, this paper asserts that arguments about the need for greater consumer responsibility and choice reflect a fundamental misunderstanding of the ways our supply chains drive environmental injustice. Rather, we should focus our efforts on rebuilding local economies and developing high quality relationships between producers, distributors, consumers, and everyone in between. It is only then that we can start to take control of the breakdowns occuring and demand greater attention to environmental needs.
Faculty Advisor: Hanewicz, Wayne (College of Humanities and Social Sciences, integrated Studies); Bretz, Thomas (College of Humanities and Social Sciences, Philosophy and Humanities)
Growing awareness of environmental issues has led to an explosion of interest in both ethically and locally sourced products. As evidence has mounted of the role consumerism plays in driving environmental degradation, concerned individuals have begun seeking out alternatives to the cheap national and multinational brands that seem to be most responsible for driving these problems. While numerous potential alternatives have been formulated, two general trends have emerged and gained momentum. The first of these trends focus on increasing transparency around specific areas of concern with particular types of products. This includes things like organic certifications, guarantees around animal treatment, the types of energy used in production, and the impacts on human welfare. The other general approach has been to emphasize the importance of buying locally, seeking out a wholesale replacement of the national and global supply chains that have proven to be so environmentally unjust.
This paper shows why the debate between these two approaches misses a deeper disconnect. Arguments for ethically sourced products tend to be based around narratives that assert that personal choice is at the heart of the environmental injustices created by consumerism. In opposition to this view, this paper argues that it is the breakdown in the quality of relationships surrounding our consumption that has led to the environmental degradation we see today. By using the framework of ethics of care, this paper asserts that arguments about the need for greater consumer responsibility and choice reflect a fundamental misunderstanding of the ways our supply chains drive environmental injustice. Rather, we should focus our efforts on rebuilding local economies and developing high quality relationships between producers, distributors, consumers, and everyone in between. It is only then that we can start to take control of the breakdowns occuring and demand greater attention to environmental needs.
The Bloom Village
Alanizy, Malak (Weber State University)
Faculty Advisor: Arnold, Kristen (Weber State University, Interior Design Technology)
Youth impact is a unique organization serving kids who is dealing with poverty, drugs, incarceration of a parent, gang influences and the general needs of that child for the day. By giving them the education and skills necessary to succeed and prosper. The design of the building needs to function while supporting various programs including family support, learning clubs, arts for spirituality, and training. Improving the func-tionality of the interior spaces of the organization will be the focus of the project.
Color will assist in defining the psychological functioning of end users because "color in interior design can be more easily personalized, strongly interacts with the color of other decorating objects, and its pleasantness could affect home attachment." (Marco, Sergio, Mattia, & Iacopo, 2018).
Designating areas where students can engage in a variety of short, instructional activities and other areas where student can work without interruption. "If there is too much structure set in place it can stifle creativity, and if there is not enough structure it can lead to distractions and little focus." (Ryan Hannah 2013).
By addressing the physical needs of the students in the classroom will be designed to conceptualize and monitor the academic, emotional, and behavioral needs of students experiencing child traumatic stress. "The cognitive and psychological effects of trauma exposure are paired with difficulties in academic and social functioning." (Kassandra Reker 2016).
Overall, Project Bloom Village at Youth Impact implementing fundamental elements and principles of design with sound research will provide a well-designed space to simplify the mission of the organization.
Faculty Advisor: Arnold, Kristen (Weber State University, Interior Design Technology)
Youth impact is a unique organization serving kids who is dealing with poverty, drugs, incarceration of a parent, gang influences and the general needs of that child for the day. By giving them the education and skills necessary to succeed and prosper. The design of the building needs to function while supporting various programs including family support, learning clubs, arts for spirituality, and training. Improving the func-tionality of the interior spaces of the organization will be the focus of the project.
Color will assist in defining the psychological functioning of end users because "color in interior design can be more easily personalized, strongly interacts with the color of other decorating objects, and its pleasantness could affect home attachment." (Marco, Sergio, Mattia, & Iacopo, 2018).
Designating areas where students can engage in a variety of short, instructional activities and other areas where student can work without interruption. "If there is too much structure set in place it can stifle creativity, and if there is not enough structure it can lead to distractions and little focus." (Ryan Hannah 2013).
By addressing the physical needs of the students in the classroom will be designed to conceptualize and monitor the academic, emotional, and behavioral needs of students experiencing child traumatic stress. "The cognitive and psychological effects of trauma exposure are paired with difficulties in academic and social functioning." (Kassandra Reker 2016).
Overall, Project Bloom Village at Youth Impact implementing fundamental elements and principles of design with sound research will provide a well-designed space to simplify the mission of the organization.
A Cultural Analysis of Political Cartoons From the Women's Suffrage Movement
Call, Emily; Manesse, Alana (Utah State University)
Faculty Advisor: Colton, Jared (College of Humanities and Social Sciences, English Department)
What visual rhetoric was used in the women's suffrage movement and how was it effective? There were many forms of persuasion in the women's suffrage movement, some of the greatest examples being the visual rhetoric. Rhetoric in this analysis will be defined as linguistic and visual elements crafted with the purpose to persuade the viewer to believe in the presented truth and to conform with the represented female identity. For this presentation we will focus on two political cartoons from the suffrage movement: one pro-suffrage piece, Henry Mayer's "The Awakening" (1915), and one anti-suffrage piece, "Looking Backward" by Laura E. Foster (1912). While suffrage is often discussed through a feminist lense, we will apply a cultural rhetoric analysis as our primary research method with supporting analysis coming from a feminist perspective. Our analysis will use cultural frameworks with a focus on the cultural theorist Stuart Hall. Cultural rhetoric focuses our analysis on the values and practices of English and American culture in the 20th century rather than solely looking at the object of analysis. In that context, we will examine the rhetorical strategies the artists use to craft arguments to persuade the viewer to accept the "truth" they are presenting. Through the comparison of opposing pieces of propaganda, we will also show that truth is relative to the viewer. Through Hall's frameworks, we will analyze ideas about fixed meaning in the images, female representation in a culture, and the audience's response to rhetoric. As we examine these particular elements in conjunction with cultural rhetoric, the audience will gain insight into how pro-suffrage and anti-suffrage propaganda used similar rhetorical techniques to persuade its viewers.
Faculty Advisor: Colton, Jared (College of Humanities and Social Sciences, English Department)
What visual rhetoric was used in the women's suffrage movement and how was it effective? There were many forms of persuasion in the women's suffrage movement, some of the greatest examples being the visual rhetoric. Rhetoric in this analysis will be defined as linguistic and visual elements crafted with the purpose to persuade the viewer to believe in the presented truth and to conform with the represented female identity. For this presentation we will focus on two political cartoons from the suffrage movement: one pro-suffrage piece, Henry Mayer's "The Awakening" (1915), and one anti-suffrage piece, "Looking Backward" by Laura E. Foster (1912). While suffrage is often discussed through a feminist lense, we will apply a cultural rhetoric analysis as our primary research method with supporting analysis coming from a feminist perspective. Our analysis will use cultural frameworks with a focus on the cultural theorist Stuart Hall. Cultural rhetoric focuses our analysis on the values and practices of English and American culture in the 20th century rather than solely looking at the object of analysis. In that context, we will examine the rhetorical strategies the artists use to craft arguments to persuade the viewer to accept the "truth" they are presenting. Through the comparison of opposing pieces of propaganda, we will also show that truth is relative to the viewer. Through Hall's frameworks, we will analyze ideas about fixed meaning in the images, female representation in a culture, and the audience's response to rhetoric. As we examine these particular elements in conjunction with cultural rhetoric, the audience will gain insight into how pro-suffrage and anti-suffrage propaganda used similar rhetorical techniques to persuade its viewers.
North Star: Center for Women
Jones, Kelsie (Weber State University)
Faculty Advisor: Arnold, Kristen (Engineering, Applied Science, and Technology; Interior Design)
While little research has been done on designing shelters for abused women, current data can still be used to create an evidence-based design. War veterans and abused women have been through traumatic situations, so both groups of people are at risk of suffering from Post-Traumatic Stress Disorder, or PTSD. An article written by Lisa S. Platt, Sheila J. Bosch, and Daejin Kim (2017) analyzes how to create a person-centered mental health facilities for veterans. Through their case studies, they were able to identify design principles that aid in the healing process of those suffering from PTSD. Principles that will be incorporated into the North Star shelter include using residential-style furniture upholstered with soft, tactile fabric to create a comfortable environment. Real materials such as real wood need to be used for doors because faux-wood metal doors can be irritating to some patients. Interior color is also a crucial factor of creating person-centered facilities. Blue and violet are preferred by women and have a calming affect on occupants (Costa, 2018). In the North Star, color will be used in select applications such as pillows, cushions, blankets, and artwork so that it does not overwhelm clients. Security is another vital component when designing for patients with PTSD (Platt, Bosch, and Kim, 2017) because they have been in situations where their safety is not gaurunteed. Security can be increased by using safety glass and security cameras. Another factor that helps clients feel secure is creating private areas so that they can speak with social workers and therapists without feeling violated (Eagle, 2017). Designing person-centered facilities also requires public and private spaces. This allows patients to choose whether or not they want to engage with other people (Platt, Bosch, and Kim, 2017). Multi-use public spaces allow occupants to have flexibility in what activities they engage in, allowing them to relax however they choose. Private areas should be provided in multi-use areas so that occupants can also choose to read, watch television, or engage in other individual activities. Proxemics are another important consideration as people who suffer from PTSD may have a larger range of personal space and need to sit and stand a little further from other people (Platt, Bosch, and Kim, 2017).
Faculty Advisor: Arnold, Kristen (Engineering, Applied Science, and Technology; Interior Design)
While little research has been done on designing shelters for abused women, current data can still be used to create an evidence-based design. War veterans and abused women have been through traumatic situations, so both groups of people are at risk of suffering from Post-Traumatic Stress Disorder, or PTSD. An article written by Lisa S. Platt, Sheila J. Bosch, and Daejin Kim (2017) analyzes how to create a person-centered mental health facilities for veterans. Through their case studies, they were able to identify design principles that aid in the healing process of those suffering from PTSD. Principles that will be incorporated into the North Star shelter include using residential-style furniture upholstered with soft, tactile fabric to create a comfortable environment. Real materials such as real wood need to be used for doors because faux-wood metal doors can be irritating to some patients. Interior color is also a crucial factor of creating person-centered facilities. Blue and violet are preferred by women and have a calming affect on occupants (Costa, 2018). In the North Star, color will be used in select applications such as pillows, cushions, blankets, and artwork so that it does not overwhelm clients. Security is another vital component when designing for patients with PTSD (Platt, Bosch, and Kim, 2017) because they have been in situations where their safety is not gaurunteed. Security can be increased by using safety glass and security cameras. Another factor that helps clients feel secure is creating private areas so that they can speak with social workers and therapists without feeling violated (Eagle, 2017). Designing person-centered facilities also requires public and private spaces. This allows patients to choose whether or not they want to engage with other people (Platt, Bosch, and Kim, 2017). Multi-use public spaces allow occupants to have flexibility in what activities they engage in, allowing them to relax however they choose. Private areas should be provided in multi-use areas so that occupants can also choose to read, watch television, or engage in other individual activities. Proxemics are another important consideration as people who suffer from PTSD may have a larger range of personal space and need to sit and stand a little further from other people (Platt, Bosch, and Kim, 2017).
Autoethnography: Into the Writing Lives of English Majors
Bresee, Andrea; Abel, Emily; Adams, Roland; Ashby, Shelby; Barker, Avery; Borden, Eden; Christensen, Nikki; Eralie, Megan; Evensen, Cayenne; Haney, Cameron; Jensen, Mia; Jensen, Raychel; Julander, Alexis; Pulsipher, Chase; Roberts, Katie; Roundy, Talia; Schroeder, Janell; Wheeler, Shylee; Wood, McKenzie (Utah State University)
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
Although university students who major in English studies write consistently, often the writing behaviors are taken for granted, particularly the long-term writing lives of these students. How did they develop as writers? What strategies have they developed to be successful writers? What are their preferred tools and technology, the material culture of writing? How has their various cultures influenced their writing? Autoethnography is a type of qualitative inquiry that can help construct and analyze identity through both process and product. The parts of the term indicate what it means: graphy, referring to writing, also means to graph, describe, and analyze systematically one's personal experience � the auto as in autobiography or autograph. Ethno refers to how a person is placed within a cultural experience. How is the personal experience a reflection of culture or subculture? By using an autoethnographic approach, including intensive analysis of a week's writing, surveys, and interviews, that describes and interrogates their processes and products, the researchers, who are also the subjects, develop a profile of the writing lives of upper-division English majors at a land-grant, research university.
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
Although university students who major in English studies write consistently, often the writing behaviors are taken for granted, particularly the long-term writing lives of these students. How did they develop as writers? What strategies have they developed to be successful writers? What are their preferred tools and technology, the material culture of writing? How has their various cultures influenced their writing? Autoethnography is a type of qualitative inquiry that can help construct and analyze identity through both process and product. The parts of the term indicate what it means: graphy, referring to writing, also means to graph, describe, and analyze systematically one's personal experience � the auto as in autobiography or autograph. Ethno refers to how a person is placed within a cultural experience. How is the personal experience a reflection of culture or subculture? By using an autoethnographic approach, including intensive analysis of a week's writing, surveys, and interviews, that describes and interrogates their processes and products, the researchers, who are also the subjects, develop a profile of the writing lives of upper-division English majors at a land-grant, research university.
Political exiles in Siberia
Kennen, George; Schrader, Abby M; Felinska, Eva; (Weber State University)
Faculty Advisor: Romaniello, Matthew (Weber State university, History)
This presentation will be centered around the experiences from multiple people that lived through and experienced the system in the 19th century. I will be focusing on the juxtaposing of their experiences and describing how different their experiences were based on the crimes that they were accused and sentenced for. For this presentation I will be drawing from memoirs, letters, and autobiographies from people of the time.
Faculty Advisor: Romaniello, Matthew (Weber State university, History)
This presentation will be centered around the experiences from multiple people that lived through and experienced the system in the 19th century. I will be focusing on the juxtaposing of their experiences and describing how different their experiences were based on the crimes that they were accused and sentenced for. For this presentation I will be drawing from memoirs, letters, and autobiographies from people of the time.
Latter-day Saint Women and Wage Labor in the Twentieth Century
McDannell, Colleen; Kessler-Harris, Alice; Derr, Jill Mulvay; Schneider, Dorothy; Thistle, Susan (University of Utah)
Faculty Advisor: McDannell, Colleen (University of Utah, Humanities)
My research aims to understand and analyze the ways in which Latter-day Saint women in the 1950s justified and reconciled their participation in wage labor with their religion.
My research is based on primary source material in the Aileen H. Clyde Twentieth Century Women's Legacy Archive. This archive includes a collection of letters that were written to Ramona Cannon to be published in the "Confidentially Yours" column in the Deseret News from 1948 to 1965 and include writings of women addressing their challenges and concerns. I use this resource to analyze the experiences of individual women and specifically their understanding and justification of their involvement in wage labor. I also use secondary source material to establish women's relationship to labor in the United States.
My goal is to draw conclusions about how LDS women who were involved in wage labor justified their participation when they lived in a society heavily influenced by the LDS Church and it's on emphasis women's domestic roles. The Archive letters show a pattern of women who felt they had to justify their labor practices through extenuating circumstances that necessitated temporary participation in wage labor, including wives with sick husbands, single mothers, and a society dealing with the effects of WWII, as well as women who actively sought to participate in the workforce by selectively choosing jobs and opportunities to supplement what could be seen as extensions of the domestic roles they were expected to fill in the home.
This balancing act for women is relevant not only to the twentieth century but reflects an ongoing struggle worldwide for women. This case study of Latter-day Saint women illustrates how women in a close-knit religious community reacted to changes in labor expectations and provide an important outlook on understanding the relationship between women and wage labor.
Faculty Advisor: McDannell, Colleen (University of Utah, Humanities)
My research aims to understand and analyze the ways in which Latter-day Saint women in the 1950s justified and reconciled their participation in wage labor with their religion.
My research is based on primary source material in the Aileen H. Clyde Twentieth Century Women's Legacy Archive. This archive includes a collection of letters that were written to Ramona Cannon to be published in the "Confidentially Yours" column in the Deseret News from 1948 to 1965 and include writings of women addressing their challenges and concerns. I use this resource to analyze the experiences of individual women and specifically their understanding and justification of their involvement in wage labor. I also use secondary source material to establish women's relationship to labor in the United States.
My goal is to draw conclusions about how LDS women who were involved in wage labor justified their participation when they lived in a society heavily influenced by the LDS Church and it's on emphasis women's domestic roles. The Archive letters show a pattern of women who felt they had to justify their labor practices through extenuating circumstances that necessitated temporary participation in wage labor, including wives with sick husbands, single mothers, and a society dealing with the effects of WWII, as well as women who actively sought to participate in the workforce by selectively choosing jobs and opportunities to supplement what could be seen as extensions of the domestic roles they were expected to fill in the home.
This balancing act for women is relevant not only to the twentieth century but reflects an ongoing struggle worldwide for women. This case study of Latter-day Saint women illustrates how women in a close-knit religious community reacted to changes in labor expectations and provide an important outlook on understanding the relationship between women and wage labor.
Imagining a Cross-cultural Perspective: A Comparative Study of "Nature" Concepts in Indigenous Literature and Non-indigenous American Literary Classics
Jacob, Jonathan (Westminster College)
Faculty Advisor: Pu, Xiumei (Westminster College, Environmental Studies)
This presentation examines two bodies of environmental literature--environmental writing spanning from the late nineteenth century to contemporary times by indigenous and non-indigenous writers in the United States--to ponder several questions: where do these two bodies of literature converge and resonate with one another? How do these convergences bear on current debates and efforts for ecological, environmental, and (inter)cultural healing? Existing comparative analysis of these two bodies of literature often focuses on identifying the differences and their subsequent cultural manifestations (Cronon, 1995; Buell, 1996; Buell 2005; Garrard; 2011). In this presentation, I go in a different direction by examining complex resonances that emerge from these bodies of literature around the understandings of nature, place, self, and community. Bringing these resonances to light and examining their nuances and complexities could be a step toward imagining a cross-cultural perspective on eco-cultural healing so urgently needed in our time. This presentation is based on a summer research project in which I examined twelve books and novels by indigenous and non-indigenous American environmental writers (six from each body of literature), using an approach of pairing one work from each body of literature for individual analysis, then using those pairs to synthesize a larger, cross-cultural perspective. In this presentation, I will highlight analyses of three of these pairings, while my larger conclusions will be representative of ideas gleaned from all six of the pairs.
Faculty Advisor: Pu, Xiumei (Westminster College, Environmental Studies)
This presentation examines two bodies of environmental literature--environmental writing spanning from the late nineteenth century to contemporary times by indigenous and non-indigenous writers in the United States--to ponder several questions: where do these two bodies of literature converge and resonate with one another? How do these convergences bear on current debates and efforts for ecological, environmental, and (inter)cultural healing? Existing comparative analysis of these two bodies of literature often focuses on identifying the differences and their subsequent cultural manifestations (Cronon, 1995; Buell, 1996; Buell 2005; Garrard; 2011). In this presentation, I go in a different direction by examining complex resonances that emerge from these bodies of literature around the understandings of nature, place, self, and community. Bringing these resonances to light and examining their nuances and complexities could be a step toward imagining a cross-cultural perspective on eco-cultural healing so urgently needed in our time. This presentation is based on a summer research project in which I examined twelve books and novels by indigenous and non-indigenous American environmental writers (six from each body of literature), using an approach of pairing one work from each body of literature for individual analysis, then using those pairs to synthesize a larger, cross-cultural perspective. In this presentation, I will highlight analyses of three of these pairings, while my larger conclusions will be representative of ideas gleaned from all six of the pairs.
One Man's Trash: The Search for Fort Utah
McCaela Michas (Brigham Young University)
Faculty Advisor: Allison, James (Family, home, and Social Sciences; Anthropology)
In 1849, settlers from the Salt Lake Valley ventured south to erect Fort Utah, Provo's first settlement. However, records from this time are scarce, and thus its exact position along the Provo River has since been lost through time. Efforts in the late 1930s and 1970s to establish the location of the fort were inconclusive. In the late 1990s, archaeologists from Brigham Young University and members of the Utah State Archaeological Society dug a series of test trenches near I-15 along the Provo River in hopes of finding tangible evidence of the fort and its location. Artifacts from this excavation include fragments of fauna bone, glass, ceramics, and metal, as well as pieces of brick, chalk, concrete, charcoal and a marble. While these artifacts appear to be historical and possibly connected to the fort, they had not yet been thoroughly analyzed until now. This paper will discuss the recent analysis of these artifacts to determine if the location of Fort Utah has finally been found.
Faculty Advisor: Allison, James (Family, home, and Social Sciences; Anthropology)
In 1849, settlers from the Salt Lake Valley ventured south to erect Fort Utah, Provo's first settlement. However, records from this time are scarce, and thus its exact position along the Provo River has since been lost through time. Efforts in the late 1930s and 1970s to establish the location of the fort were inconclusive. In the late 1990s, archaeologists from Brigham Young University and members of the Utah State Archaeological Society dug a series of test trenches near I-15 along the Provo River in hopes of finding tangible evidence of the fort and its location. Artifacts from this excavation include fragments of fauna bone, glass, ceramics, and metal, as well as pieces of brick, chalk, concrete, charcoal and a marble. While these artifacts appear to be historical and possibly connected to the fort, they had not yet been thoroughly analyzed until now. This paper will discuss the recent analysis of these artifacts to determine if the location of Fort Utah has finally been found.
How to Raise Our Daughters to be Leaders: A study on the similarities between women serving in politics or public office
Chapman, Abigail (Southern Utah University)
Faculty Advisor: Law, Donna (Southern Utah University, Government Relations)
Currently, women make up fifty-one percent of the total population in the United States, and only twenty-four percent in the U. S. Congress. (Rutgers Institute for Politics) This paper seeks to examine some possible factors for this disproportionate gender representation in politics. Using both primary data [interviews] and secondary data [biographies, autobiographies, or documentaries] of women serving in politics or public service, I will explore the similarities in upbringing found amongst women who serve on the federal, state, and local levels. Then, I analyze the narratives of the women to highlight the similarities in upbringing between them, which include: exposure to politics or public service at a young age, similar personality traits, strong work ethic, and the influence of strong mothers. I also analyze the possible influence that learning a musical instrument and the amount of time spent with extended family has in the lives of some of these women. Research supports that the similarities found among these women potentially leads to career output and could be a factor as to why these women choose careers in politics or public service. In conclusion, I discuss the reasons why we need more women to serve in politics, particularly why young girls need to be encouraged to choose careers in politics.
Faculty Advisor: Law, Donna (Southern Utah University, Government Relations)
Currently, women make up fifty-one percent of the total population in the United States, and only twenty-four percent in the U. S. Congress. (Rutgers Institute for Politics) This paper seeks to examine some possible factors for this disproportionate gender representation in politics. Using both primary data [interviews] and secondary data [biographies, autobiographies, or documentaries] of women serving in politics or public service, I will explore the similarities in upbringing found amongst women who serve on the federal, state, and local levels. Then, I analyze the narratives of the women to highlight the similarities in upbringing between them, which include: exposure to politics or public service at a young age, similar personality traits, strong work ethic, and the influence of strong mothers. I also analyze the possible influence that learning a musical instrument and the amount of time spent with extended family has in the lives of some of these women. Research supports that the similarities found among these women potentially leads to career output and could be a factor as to why these women choose careers in politics or public service. In conclusion, I discuss the reasons why we need more women to serve in politics, particularly why young girls need to be encouraged to choose careers in politics.
Methods of Anti-Nuclear Protest: Grassroots Efforts and the MX Missile
Todd, Mariah (Utah Valley University)
Faculty Advisor: Nigro, Jenna (Utah Valley University, History); Winans, Adrienne (Utah Valley University, History); McPherson, Kate (Utah Valley University, Honors/English)
This project is focused on anti-nuclear protests that took place in Utah surrounding the MX Missile System in the late 1970s and early 1980s. This anti-nuclear activism was especially interesting due to the diverse groups of people who were involved. Environmentalists, Native Americans, socialists, and various religious organizations, among others, all became involved in resisting the MX Missile in Utah. The purpose of this project is to analyze the ways in which these activists managed to be successful and come together behind a common cause. This will largely look at the methods or tactics employed by these activists, how religious organizations played a role, and how the political landscape of Utah allowed for or encouraged such activism to take root and become successful. These issues will be studied through analysis of primary source records from numerous activists who were directly involved in the protests. This research will showcase how activists used different methods to unify disparate groups against the MX Missile, which may include tactics such as localizing politics, garnering national attention, remaining nonpartisan, and seeking support from religious groups. This project was significant for both shedding light on an event that has been largely neglected in the field of anti-nuclear history and for contributing to the effort to localize nuclear history so as to better understand the intricacies of these events and ideas.
Faculty Advisor: Nigro, Jenna (Utah Valley University, History); Winans, Adrienne (Utah Valley University, History); McPherson, Kate (Utah Valley University, Honors/English)
This project is focused on anti-nuclear protests that took place in Utah surrounding the MX Missile System in the late 1970s and early 1980s. This anti-nuclear activism was especially interesting due to the diverse groups of people who were involved. Environmentalists, Native Americans, socialists, and various religious organizations, among others, all became involved in resisting the MX Missile in Utah. The purpose of this project is to analyze the ways in which these activists managed to be successful and come together behind a common cause. This will largely look at the methods or tactics employed by these activists, how religious organizations played a role, and how the political landscape of Utah allowed for or encouraged such activism to take root and become successful. These issues will be studied through analysis of primary source records from numerous activists who were directly involved in the protests. This research will showcase how activists used different methods to unify disparate groups against the MX Missile, which may include tactics such as localizing politics, garnering national attention, remaining nonpartisan, and seeking support from religious groups. This project was significant for both shedding light on an event that has been largely neglected in the field of anti-nuclear history and for contributing to the effort to localize nuclear history so as to better understand the intricacies of these events and ideas.
Youth Substance Abuse Rehabilitation Center
Adams, Sidney (Weber State University)
Faculty Advisor: Arnold, Kristen (Weber State University, Interior Design)
The SMART Recovery Youth Rehabilitation Center will be designed to help youth gain the skills they need to recover from their addictions, and hopefully further eradicate such problems as homelessness in the Salt Lake area. By providing a rehabilitation facility that is welcoming and comfortable for struggling youth, I hope to create a supportive atmosphere where change can take place. This facility will be functional and safe for both staff and patients.
Facility design has a tremendous impact on patient safety. It impacts how people move through the building, how much of a given area staff can see at one time and how people feel when they are in specific spaces. (Sammer, 2018) Patient safety will be a top priority in the design of this facility, and anti-ligature products will be specified. This Youth Rehabilitation Facility will combine functionality with a calming aesthetic to make patients feel secure and at home, and to ensure a successful road to recovery. Everything from seating arrangements to recreational areas will be thoughtfully considered to encourage a supportive atmosphere. Studies show that therapeutic architecture immensely benefits drug patients, especially when environmental factors such as acoustics, smell, color schemes, views, and natural light are considered. (Abdelhay and Dewidar, 2016) In addition, sustainable products and practices will be sourced and implemented in effort to achieve LEED certification.
Faculty Advisor: Arnold, Kristen (Weber State University, Interior Design)
The SMART Recovery Youth Rehabilitation Center will be designed to help youth gain the skills they need to recover from their addictions, and hopefully further eradicate such problems as homelessness in the Salt Lake area. By providing a rehabilitation facility that is welcoming and comfortable for struggling youth, I hope to create a supportive atmosphere where change can take place. This facility will be functional and safe for both staff and patients.
Facility design has a tremendous impact on patient safety. It impacts how people move through the building, how much of a given area staff can see at one time and how people feel when they are in specific spaces. (Sammer, 2018) Patient safety will be a top priority in the design of this facility, and anti-ligature products will be specified. This Youth Rehabilitation Facility will combine functionality with a calming aesthetic to make patients feel secure and at home, and to ensure a successful road to recovery. Everything from seating arrangements to recreational areas will be thoughtfully considered to encourage a supportive atmosphere. Studies show that therapeutic architecture immensely benefits drug patients, especially when environmental factors such as acoustics, smell, color schemes, views, and natural light are considered. (Abdelhay and Dewidar, 2016) In addition, sustainable products and practices will be sourced and implemented in effort to achieve LEED certification.
Many Legs in the Morning: Bipedality, Humanity, and Inhumanity in Kafka's Metamorphosis
Heftel, Christian (Utah Valley University)
Faculty Advisor: Abbott, Scott (Humanities and Social Sciences, Integrated Studies)
The story of Oedipus and the Sphinx establishes man as an upright, standing creature who is defined, at least in the prime of his life, by his ability to stand and walk on two legs, having ceased using his arms for locomotion. The corollary to this is that things that cannot stand, or that have a different number of limbs, are definitionally inhuman. In "The Metamorphosis," Franz Kafka introduces a character who wakes up having gained a myriad of small, insectoid legs and having lost the ability to stand upright. Throughout the story, the author repeatedly draws attention to Gregor's new, strange limbs, emphasizing their inhumanity and their inability to support him bipedally. At the same time, the story repeatedly describes its human characters in terms of the actions of their arms and legs, the limbs which make bidepality possible.
This paper explores the contrast between Kafka's human and inhuman characters through the lens of the standing metaphor established in the Oedipus myth. It examines the points of similarity between Gregor's metamorphosis and Athanaeus's and Apollodorus's accounts of the Sphinx's riddle. In the end, it suggests that Kafka uses the notion of bipedality to emphasize not only the physical inhumanity of Gregor Samsa, but also the inhumaneness of his family.
Faculty Advisor: Abbott, Scott (Humanities and Social Sciences, Integrated Studies)
The story of Oedipus and the Sphinx establishes man as an upright, standing creature who is defined, at least in the prime of his life, by his ability to stand and walk on two legs, having ceased using his arms for locomotion. The corollary to this is that things that cannot stand, or that have a different number of limbs, are definitionally inhuman. In "The Metamorphosis," Franz Kafka introduces a character who wakes up having gained a myriad of small, insectoid legs and having lost the ability to stand upright. Throughout the story, the author repeatedly draws attention to Gregor's new, strange limbs, emphasizing their inhumanity and their inability to support him bipedally. At the same time, the story repeatedly describes its human characters in terms of the actions of their arms and legs, the limbs which make bidepality possible.
This paper explores the contrast between Kafka's human and inhuman characters through the lens of the standing metaphor established in the Oedipus myth. It examines the points of similarity between Gregor's metamorphosis and Athanaeus's and Apollodorus's accounts of the Sphinx's riddle. In the end, it suggests that Kafka uses the notion of bipedality to emphasize not only the physical inhumanity of Gregor Samsa, but also the inhumaneness of his family.
Meditation: The relationship between writing and breathing
Jensen, Mia (Utah State University)
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
Undergraduate English majors are constantly bombarded with writing heavy assignments. Although these students are some of the most comprehensive writers in the university, several are still apprehensive about their writing assignments. Meditation (active mindful breathing), is increasingly growing traction in the mental health community as a means to lower stress. Could students utilize the calming effects of meditation to improve their apprehension towards writing? The study conducted aims to identify what relationship if any, meditation has on the journals of English majors at Utah State University. Eight English majors gathered together and wrote in a journal for ten minutes. Afterward, they listened to a ten minute guided meditation practice followed by another ten minutes of journaling. Finally, the students answered a Qualtrics survey about their experience. The research sought to answer questions like, "did their vocabulary change?", "did they feel more or less apprehensive writing the second journal?", and, "could they focus more or less on the second journal?". Could the results influence students and teachers alike to include meditation in their pre-writing rituals?
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
Undergraduate English majors are constantly bombarded with writing heavy assignments. Although these students are some of the most comprehensive writers in the university, several are still apprehensive about their writing assignments. Meditation (active mindful breathing), is increasingly growing traction in the mental health community as a means to lower stress. Could students utilize the calming effects of meditation to improve their apprehension towards writing? The study conducted aims to identify what relationship if any, meditation has on the journals of English majors at Utah State University. Eight English majors gathered together and wrote in a journal for ten minutes. Afterward, they listened to a ten minute guided meditation practice followed by another ten minutes of journaling. Finally, the students answered a Qualtrics survey about their experience. The research sought to answer questions like, "did their vocabulary change?", "did they feel more or less apprehensive writing the second journal?", and, "could they focus more or less on the second journal?". Could the results influence students and teachers alike to include meditation in their pre-writing rituals?
Muslim Women Combating Discrimination in Modern Law through Twitter
Sorensen, Brianne (Utah State University)
Faculty Advisor: Edenfield, Avery (College of Humanities and Social Sciences, English Department)
I investigate how #burkaban is used by Twitter users to point out the compounded marginalization of Muslim women in modern Western law, particularly Denmark, through discriminatory practices in government.
Historically, Denmark has a fewer number of Muslim communities compared to other modern Western societies. I chose to research Denmark because Muslim communities are already severely marginalized socially, economically, and physically. Denmark also uses discriminatory speech in their lawmaking to intentionally discriminate against Muslim communities.
I unpack and use the framework of Crenshaw's ideas on intersectionality from "Demarginalizing the Intersection of Race and Sex," but instead of demarginalization of the intersection of sex and race, I examine how hashtag use points out the marginalization of the intersection of sex and religion. I also use Koerber's "Toward a Feminist Rhetoric of Technology" to bridge the gap between how technology research intersects with discriminatory political practices. I utilize Frost's Apparent Feminism methodology framework to analyze how hashtags are used to address political trends that are intentionally discriminatory, particularly towards Muslim women. I further utilize this methodology to look specifically at how this hashtag is used to pose an intervention of discriminatory politics.
My conclusions determine who is using the #burkaban on Twitter, whether it is Muslim women or allies of Muslim women. I argue different hashtag users deploy #burkaban towards different goals for political intervention in Denmark. I also conclude and argue that Twitter has an ethical responsibility to take action towards political intervention in Denmark.
Faculty Advisor: Edenfield, Avery (College of Humanities and Social Sciences, English Department)
I investigate how #burkaban is used by Twitter users to point out the compounded marginalization of Muslim women in modern Western law, particularly Denmark, through discriminatory practices in government.
Historically, Denmark has a fewer number of Muslim communities compared to other modern Western societies. I chose to research Denmark because Muslim communities are already severely marginalized socially, economically, and physically. Denmark also uses discriminatory speech in their lawmaking to intentionally discriminate against Muslim communities.
I unpack and use the framework of Crenshaw's ideas on intersectionality from "Demarginalizing the Intersection of Race and Sex," but instead of demarginalization of the intersection of sex and race, I examine how hashtag use points out the marginalization of the intersection of sex and religion. I also use Koerber's "Toward a Feminist Rhetoric of Technology" to bridge the gap between how technology research intersects with discriminatory political practices. I utilize Frost's Apparent Feminism methodology framework to analyze how hashtags are used to address political trends that are intentionally discriminatory, particularly towards Muslim women. I further utilize this methodology to look specifically at how this hashtag is used to pose an intervention of discriminatory politics.
My conclusions determine who is using the #burkaban on Twitter, whether it is Muslim women or allies of Muslim women. I argue different hashtag users deploy #burkaban towards different goals for political intervention in Denmark. I also conclude and argue that Twitter has an ethical responsibility to take action towards political intervention in Denmark.
Going Cold Turkey? How Coal Bed Village Affects The Subsistence Strategies of Montezuma Canyon
Bedard, Tenaya G. (Brigham Young University)
Faculty Advisor: Allison, James (Brigham Young University, Anthropology); Chase, Zach (Brigham Young University, Anthropology)
This research discusses the analysis of the faunal bones excavated from Coal Bed Village and how it compares to the other Montezuma Canyon sites in southwestern Utah. During the Pueblo I-III time periods, previous analysis for Montezuma Canyon sites has found a trend of subsistence strategies that rely heavily on cottontail rabbit for Pueblo I, deer for Pueblo II, and turkey for Pueblo III. This research determines that Coal Bed Village follows these trends, but we see an unexpected increase of cottontail rabbit in the Pueblo III period. This research discusses the possible reasons for this increase and how it could change our understanding of subsistence strategies among Montezuma Canyon in the Southwest during the Puebloan eras.
Faculty Advisor: Allison, James (Brigham Young University, Anthropology); Chase, Zach (Brigham Young University, Anthropology)
This research discusses the analysis of the faunal bones excavated from Coal Bed Village and how it compares to the other Montezuma Canyon sites in southwestern Utah. During the Pueblo I-III time periods, previous analysis for Montezuma Canyon sites has found a trend of subsistence strategies that rely heavily on cottontail rabbit for Pueblo I, deer for Pueblo II, and turkey for Pueblo III. This research determines that Coal Bed Village follows these trends, but we see an unexpected increase of cottontail rabbit in the Pueblo III period. This research discusses the possible reasons for this increase and how it could change our understanding of subsistence strategies among Montezuma Canyon in the Southwest during the Puebloan eras.
Literature Apparel: A New Market
Barker, Avery (Utah State University)
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
Clothing is a large part of a person's identity, it allows a consumer to express who they identify as outwardly. The demand for clothing that people identify has increased immensely over recent years. The industry is capable of producing mass amounts of clothing of all styles, yet we do not see a prominent amount of apparel that references books readily available to the consumer. That is why we will be looking at apparel that displays references to literature such as published works. By researching into this apparel, we will be able to determine what the literary apparel industry is, how it is growing, why we are seeing it now, how popular this apparel is, and how it relates to us. To answer these questions, we will be conducting surveys with English Majors here at Utah State University, interviewing professionals in industries that relate to literature apparel, and reviewing literature pertaining to apparel.
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)
Clothing is a large part of a person's identity, it allows a consumer to express who they identify as outwardly. The demand for clothing that people identify has increased immensely over recent years. The industry is capable of producing mass amounts of clothing of all styles, yet we do not see a prominent amount of apparel that references books readily available to the consumer. That is why we will be looking at apparel that displays references to literature such as published works. By researching into this apparel, we will be able to determine what the literary apparel industry is, how it is growing, why we are seeing it now, how popular this apparel is, and how it relates to us. To answer these questions, we will be conducting surveys with English Majors here at Utah State University, interviewing professionals in industries that relate to literature apparel, and reviewing literature pertaining to apparel.
Being Mexican, Mormon, and Different
Gonzalez Herrara, Cindy; Garcia, Ignacio (Brigham Young University)
Faculty Advisor: Garcia, Ignacio (History)
Guillermo Balderas became the first Hispanic, Spanish speaking bishop in the United States in the 1930s. By understanding his background in serving the church, we come to understand his views of the Mormon gospel, and through him, we get a glimpse of the Hispanic Latter-day Saints living in El Paso, Texas, and indirectly others across the United States. By looking at his life, we learn about the struggles of being Latter-day Saint and Mexican on the northern side of the southern border. Guillermo was also the son of Apolinar de Jesus Balderas, the second Spanish-speaking branch president in the United States.
Guillermo's family immigrated to El Paso, Texas in 1910.2 The community he lived in was segregated and he went to school in a segregated public school system. Guillermo's life spanned a time when Mexicans and Mexican Americans were starting to find their voice within their communities, and in the larger society. While he did not participate in politics or the activism of his time, Guillermo brought an ethnically-focused perspective to his religion. Part of that perspective came from his friendship with people of the Third Convention--a Latter-day Saint insurgency against the American church in Mexico--and also he lived experiences as a brown man in American society. For this presentation, I will discuss a letter he sent to church authorities when he was released and replaced by the first white bishop of his ward, and changes were made to minimize the wards "Hispanic ways". While he was unsuccessful in lobbying for his ward members, Guillermo, nonetheless, previewed some of the "outside imposed" concepts that have hampered Hispanic wards in developing their identity. At the same time, his letter reveals some of the concepts that Hispanic leaders in the church have carried out in their ministry. Through his dedication and faithfulness in the church, we see a reflection of what many Hispanic Latter-day Saints experience during this time. Despite the challenges, he continued to become a devoted leader within the church and helped many people within his congregation. He became an advocate for those of his color while still seeking to educate his white brothers/sisters.
Faculty Advisor: Garcia, Ignacio (History)
Guillermo Balderas became the first Hispanic, Spanish speaking bishop in the United States in the 1930s. By understanding his background in serving the church, we come to understand his views of the Mormon gospel, and through him, we get a glimpse of the Hispanic Latter-day Saints living in El Paso, Texas, and indirectly others across the United States. By looking at his life, we learn about the struggles of being Latter-day Saint and Mexican on the northern side of the southern border. Guillermo was also the son of Apolinar de Jesus Balderas, the second Spanish-speaking branch president in the United States.
Guillermo's family immigrated to El Paso, Texas in 1910.2 The community he lived in was segregated and he went to school in a segregated public school system. Guillermo's life spanned a time when Mexicans and Mexican Americans were starting to find their voice within their communities, and in the larger society. While he did not participate in politics or the activism of his time, Guillermo brought an ethnically-focused perspective to his religion. Part of that perspective came from his friendship with people of the Third Convention--a Latter-day Saint insurgency against the American church in Mexico--and also he lived experiences as a brown man in American society. For this presentation, I will discuss a letter he sent to church authorities when he was released and replaced by the first white bishop of his ward, and changes were made to minimize the wards "Hispanic ways". While he was unsuccessful in lobbying for his ward members, Guillermo, nonetheless, previewed some of the "outside imposed" concepts that have hampered Hispanic wards in developing their identity. At the same time, his letter reveals some of the concepts that Hispanic leaders in the church have carried out in their ministry. Through his dedication and faithfulness in the church, we see a reflection of what many Hispanic Latter-day Saints experience during this time. Despite the challenges, he continued to become a devoted leader within the church and helped many people within his congregation. He became an advocate for those of his color while still seeking to educate his white brothers/sisters.