Humanities

April Jackson, Dixie State University English With the publication of Kate Chopin’s complete works in 1969, proponents fighting for a new paradigm regarding women’s choices in regard to sexuality, marriage, and motherhood found much to consider in her work. Often, critics will analyze Chopin’s works with a limited feminist lens, focusing on themes of marriage, sexuality and sexual independence, and the creation of self-identity through marriage and sexual awakenings. However, Chopin’s works do not focus on women and the world they face to the exclusion of men; in writing about women and their lives, she also draws attention to the effects the attitudes of men have on women. Focusing on Chopin’s male characters, who often serve as satellite figures, this paper will analyze the way men in her texts can create an atmosphere in which women can, without fear of societal rejection, shape their own lives. In her larger body of works, two men exemplify this ideal man: Gouvernail, who appears in “Athenais” and “A Respectable Woman”; and Offdean, who appears in “A No-Account Creole.” These two men represent a model of masculinity that is most conducive for women to fully assert and create their sexual and social independence and self-identity. With the study and analysis of these satellite male characters, rather than limiting the analysis to just the women’s experiences, deeper and newer readings of Chopin’s work will surface and allow for additional themes to come forward in the broader area of Chopin studies.

Hanna Winzenried, Brigham Young University History Red hair is one of the most rare hair colors. In fact, only two percent of the world’s population has naturally red hair. My research attempts to show how Western perception of red hair has undergone transformations over time. I seek to show how red hair has been associated with a variety of perceptions from the Middle Ages onward. This is not a comprehensive study, but one that takes a variety of primary sources to show how changing societal perceptions of red hair imbued females (and males) with a variety of traits contributing to a kind of physiognomy of hair whereby a person’s character could be read through hair color.

Jennifer Mitchell, Brigham Young University History The science fiction television show, Star Trek, deals heavily with political issues ranging from the complexities of war to changing gender roles in American culture. My paper will discuss how the show accomplishes this successfully, particularly through the representation of historical events. The Holocaust is one example of a reoccurring theme throughout the show, an issue that is addressed appropriately when many representations of the Holocaust are so heavily criticized. This paper will examine the themes and structures of different episodes through out Star Trek: The Original Series. One episode to clearly address the anti-Semitic attitudes of the Nazi Regime, “Patterns of Force,” aired on February 16, 1968, a relatively short time after the Regime had fallen. Many of the adult viewers at this time had experienced the Holocaust in their lifetimes, directly or indirectly. An episode entitled “Space Seed” deals with eugenics and the idea of creating a super race. The episode attempts to demonstrate how those in the 23rd century may react to such practices. In “Consciousness of the King” Captain Kirk reveals that he had personally witnessed and been victim to genocide. Not only does genocide clearly connect to the Holocaust, William Shatner (the actor who portrays the Captain) is in fact Jewish. His costar Leonard Nimoy (Spock) also comes from Jewish heritage. Having two Jewish actors in leading roles adds yet another level of complexity when portraying such sensitive material. The paper will take this into account as well as other complications of representing the Holocaust in popular culture.

Charles Wilson, Brigham Young University Anthropology The purpose of this project has been to recreate a poorly understood Fremont (A.D. 300-A.D. 1300) ware known as corrugated pottery. Little is known about corrugation other than it seems to have made its appearance late in the Fremont world around A.D. 1100. Exactly how Fremont potters made corrugated pottery is a sparsely visited subject in publications. Attempting to recreate corrugated pottery, an exercise in experimental archaeology, has already suggested that corrugation was not only decorative, but played a role in the construction of corrugated vessels. Obscure practices of bygone Fremont potters will come to light as experiments progress.

Danielle Leavitt, Brigham Young University English/Russian While the former Soviet Union touted economy and a single social class, the socioeconomic differences that have emerged within Ukrainian families in the twenty years since the fall of the Soviet Union are widely unexplored. Our research comes in the form of creative nonfiction essays, which examine and contrast the everyday experience of Ukrainian families–specifically Ukrainian women–within three disparate socioeconomic classes. Based on a summer-long field study in Kiev, Ukraine living with three families in contrasting socioeconomic circumstances, our essays observe and explain facets of Ukrainian culture that are commonly misunderstood, yet deeply spiritual and culturally significant to Ukrainians. Our project explores the day to day workings of three Ukrainian families in suburban low class, urban middle class, and upper-oligarchical class, searching for stories describing quotidian life within their varying circumstances. There will be particular emphasis on the experiences of women. The project is presented in creative non- fiction essays stemming from observations, historical research, and the experience of the Ukrainians with whom I interacted. Ukraine (specifically its capital, Kiev) has a rich cultural and political history and a flowering modern culture heavily influenced by deep-rooted traditions, superstitions, and beliefs. Little creative nonfiction writing contributes to the exploration of both sophisticated and unsophisticated Ukraine. Our goal is to do just that; to delve into the human, commonplace intricacies of varied Ukrainian life through observation and writing.

Jeffrey Green, University of Utah Linguistics Although learning a second language can be difficult, especially for adults, many people believe that once an individual has acquired a second language, it will be easier to learn a third. Individuals may utilize strategies learned from studying a second language (L2) to their study of a third, but this does not necessarily mean that learning a third language (L3) will be easier. As individuals study an L3, their knowledge of both their native language (L1) and their L2 will compete with their developing knowledge of the L3. Previous research has shown that during early stages of L3 acquisition, both L1 and L2 phonology (that is, the underlying sound system of a language) influence the phonology of their L3. This is evident, for example, in learners’ production of some word-initial consonants, such as d, p, and k. Languages differ in the timing between the articulation of the consonant and the beginning of vibration of the vocal folds (voicing) associated with a following vowel sound. This timing is known as Voice Onset Time (VOT). Studies suggest a stronger influence from L2 than from L1 in L3 VOT production. However, learners in these studies had some (if limited) knowledge of the L3, and the influence of this knowledge is unclear. In addition, previous studies have addressed L3 production, but not L3 perception. Research has yet to investigate (i) the influence of L1 and L2 phonology in the very initial stages of L3 acquisition (when the language is totally unfamiliar), and (ii) the influence of L1 and L2 phonology on the perception of VOT boundaries. This study investigates (i) and (ii) by presenting English and Spanish bilinguals with stimuli representing a range of VOT in their L1 and L2, as well as from a third, unfamiliar language in a series of tasks designed to elicit evidence of VOT boundaries in each language. The results of these tasks will be examined to determine whether learners rely more on their L1 or their L2 for processing a third, unfamiliar language. Preliminary results and analyses will be available by February 2013. This research will give important insights into the process of acquisition of a third language.

Charles Ankenman, Brigham Young University Spanish and Portuguese The Middle Ages and the cultural, political and social coming of age of the European continent produced a corpus of literature and a literary tradition representative of its religious and cultural values that, amazingly, still continues to influence society today. Commonly employed terms such as “a knight in shining armor”, “prince charming”, and parallels occasionally drawn between children and both literary as well historical princes and princesses of yore are evidence of the longevity of the influence of Medieval culture, it’s ideals and the literary genre that most perfectly reflected it: the novel of chivalry. Today, few academics study the genre, it is seldom analyzed in universities, and almost never read outside of academia. In fine, their legacy and their memory has largely been preserved in the endearing pages of Cervantes’ masterpiece, Don Quixote. In this work, the protagonist, don Quixote, goes mad as he credulously devours his extensive private collection of chivalric literature believing all he reads to be not only true but also worthy of imitation. Nevertheless, despite Don Quixote’s wide reading public, few have ever read a novel of chivalry and, as a result, the exact definition of the novel of chivalry can be both obscure and even beyond the grasp of the modern reader who is uninitiated in the field of Medieval and Renaissance chivalric literature. Nevertheless, through a careful analysis of don Quixote’s private collection of novels of chivalry, the mega-genre that they constitute and the sub-genres that comprise it; the chivalric genre can be clearly defined. Additionally, through the comparative analysis of the English term novel of chivalry as opposed to the Spanish term libros de caballerias (book of great deeds done on horseback) the importance of language’s influence on the perception of the world will be demonstrated and Jacques Lacan’s theory regarding language and perception substantiated. Finally, this analysis will elucidate the novel of chivalry’s status both as a continuation of the great classical epic tradition as well as another link in the universal tradition of epic poetry and storytelling. This presentation will be of interest both to Medievalist as well as specialists in the Renaissance, Don Quixote, Spain and Portugal. Power Point Presentation. 20 – 30 minutes.

Matthew A. Kearney, Brigham Young University Germanic and Slavic Amid the chaos and anticipative excitement of fin-de-siecle Europe, German society quickly became a historical hotspot of unique political and social transformations. It was felt to be a period of degeneration, but at the same time a period of hope for a new beginning. In the midst of a culture that was still perpetuating lively, discriminating social appetites, it is intriguing to note that a broad examination of texts written by German women at this time, which experiment with the very question of social walls and new decisions, shows that these women most often employed conclusions laden with themes of madness, chaos, loneliness and suicide. For this research I have chosen three significant texts which can be viewed from historical and anthropological standpoints on the subject of traditional walls and choices. These are Jenseits der Mauer by Elisabeth Heinroth, Meine Freundin by Hermione von Preuschen-Telmann, and Helene Monbart-Kessler’s Kameraden. The approach to these works, and for the purpose of my research, evaluates the female literary characters in these texts in light of Friedrich Nietzsche’s philosophical view on the fragile balance between the Apollonian and Dionysian drives inherent in art and in life itself. Nietzsche asserted that in life there rages a constant battle between these two major forces, each striving to control the existence of men and women alike. Against the background of this aesthetic discourse, the three texts I have chosen acquire a new dimension: they become an avenue for examining the causes of balance, or lack thereof, in the lives of these female characters. I believe this evaluation is significant because it foregrounds some of the choices and limitations which many women faced as traditional society was changing its attitudes towards them during the late nineteenth and early twentieth centuries.

Abbie Black, Brigham Young University History Wet-nursing, a common practice in early modern England, was looked upon as a respectable source of income for women until the latter half of the eighteenth century. Scholars and doctors criticized the practice in both moral and medical terms, which influences how scholars analyze the occupation today. Constant attacks on the occupation continued until the practice was associated with lower class, sinful women; the practice all but disappeared by the early twentieth century because of the negative rhetoric and the advances in safe synthetic feeding practices. Historical scholarship reflects the negative rhetoric that was prevalent for the past two centuries; they forget to mention that wet-nurses continued to be essential to Early Modern English culture and Victorian families. Both the employer family and wet-nurse relied on this labor; families with an at risk child needed the labor of the wet-nurse, and the wet-nurse needed the income for her own support. Recent trends in scholarship focus on the practice from the top down as an institution rather than an occupation for individuals. I intend to fill this gap in scholarship by focusing on the wet-nurse as an individual functioning independently from the increasingly negative rhetoric during the mid-nineteenth century.

Matt Cox, Brigham Young University History The role of the Magistrate or civil leader was a topic of debate in the time of John Locke and a focus of many of his political writings. Focusing on four of his main political pieces, his Essay on Toleration, a Letter Concerning Toleration, Two Treatises on Government, and Paraphrase and Notes on the Epistles of St. Paul, I examine how he developed his ideas on the role of the magistrate and the changes that take place. I show how Locke transitions from his youthful acceptance of the absolute rule of kings to his final views where he shows how even Paul leaves room open in his epistles for disobedience to rulers. Essential in this transition is Locke’s limitation on the powers of the magistrate. In his early writings Locke allows for the use of force in protecting the overall good of the society. Locke redefines this vague role of the magistrate by limiting the power of the magistrate to acting only in the protection of the rights, liberties and property of their citizens.

Laura Hatch, Brigham Young University Humanities, Classics, Comparative Literature Art historians and artists have long treated linear perspective solely as an artistic technique. As defined by the Italian Renaissance, linear perspective is a tool to recreate reality on a canvas. But linear perspective carries philosophical implications, as well. Albrecht Dürer, a German Renaissance artist, seems to have understood perspective’s limitations in truth-making. In reading this image with a knowledge of Heideggerian phenom- enology, I propose that while on the surface this woodcut may seem to be nothing more than an illustration of proper technique, Dürer is actually exposing linear perspective’s failure to capture and truly represent an image as reality.

Megan Barber, Brigham Young University History This project investigates the British view on the Civil War in the United States. Specifically, it explores the correspondence between Richard Lyons, the British envoy to the United States, and Lord Russell, the British Secretary of State for Foreign Affairs. It charts the changing perception of Lyons’ view of the Civil War as it progressed during the first crucial year of the conflict. The Confederacy actively sought British recognition and in fact sent two representatives to the United Kingdom who were subsequently seized by a Union ship. Lyons’ role in what came to be known as the Trent Affair is known, but has overshadowed his other perceptions of the conflict. This project draws on the original PRO manuscript correspondence held in the UK National Archives in London.

Nathan Gill, Brigham Young University Geography The Africanized honeybee first entered southern Utah within the last five years. This invasive species reduces pollination and honey production and is therefore costly to the farming industry and local apiaries. Additionally, Africanized honeybees are extremely aggressive and pose a threat to the health and well-being of Utah’s residents. The aim of my study is determine if Africanized honeybee habitat in Utah can be accurately modeled through remote sensing and Geographic Information Systems analysis. Locations of known Africanized honeybee presence and absence, acquired from the Utah Department of Agriculture and Food’s ground reference data, were used to identify the characteristics of suitable habitat. Criteria that we considered include minimum temperature, precipitation, distance to water, elevation, slope, aspect, and Normalized Difference Vegetation Index, among others. I have identified the conditions for suitable habitat and I am in the process of designing a model to identify Africanized honeybee habitat across Utah. After the model has been refined, it will be tested against additional locations of presence and absence acquired from the Utah Department of Agriculture and Food. The modeled habitat will help the Utah Department of Agriculture and Food and other organizations to focus efforts to educate the public about the dangers of Africanized honeybees in specific locations that are at high risk.

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Mitchell, Emily (Weber State University)
Faculty Advisor: Arnold, Kristen (Engineering, Applied Science & Technology, Interior Design)

The design in this space will be used to keep the building fresh and calm with all of the changing that will be happening. This non-profit is here to help out women who are running from abusive relationships. Union Station is large enough so that they can house many different families or individuals. Giving them a space where they can get checkup when they are too afraid. There will be security in this locations so women will feel safe. (Aolain) There will be checkup rooms as well as therapy rooms where they can talk with someone private. There will be plenty of space to sleep for everyone that comes into this facility. To create a sense of home is to give them a space where they can have their own time and own space. (Falk, Wijk and Persson) There will be a small cafe and small store where they can buy small items for themselves or for their children. There will be classrooms for both the women and the children where everyone can learn to better themselves. Using the calming color of soft blue and soft green the space will be there for the women. (Instablogs.com) It will help with their fears of the unknown. The space will reflect the way that the women want with their time at the location. To be happy and healthy with themselves or their families. The space will have energy efficiency for this historical building. (Martinez-Molina, Tort-Ausina and Cho).

Jacob, Jonathan (Westminster College)
Faculty Advisor: Pu, Xiumei (Westminster College, Environmental Studies)

This presentation examines two bodies of environmental literature--environmental writing spanning from the late nineteenth century to contemporary times by indigenous and non-indigenous writers in the United States--to ponder several questions: where do these two bodies of literature converge and resonate with one another? How do these convergences bear on current debates and efforts for ecological, environmental, and (inter)cultural healing? Existing comparative analysis of these two bodies of literature often focuses on identifying the differences and their subsequent cultural manifestations (Cronon, 1995; Buell, 1996; Buell 2005; Garrard; 2011). In this presentation, I go in a different direction by examining complex resonances that emerge from these bodies of literature around the understandings of nature, place, self, and community. Bringing these resonances to light and examining their nuances and complexities could be a step toward imagining a cross-cultural perspective on eco-cultural healing so urgently needed in our time. This presentation is based on a summer research project in which I examined twelve books and novels by indigenous and non-indigenous American environmental writers (six from each body of literature), using an approach of pairing one work from each body of literature for individual analysis, then using those pairs to synthesize a larger, cross-cultural perspective. In this presentation, I will highlight analyses of three of these pairings, while my larger conclusions will be representative of ideas gleaned from all six of the pairs.

Doman, Abby (Dixie State University)
Faculty Advisor: Wolfe, John (Dixie State University, Humanities)

Jean-Paul Sartre argues in his essay, “Writing for One’s Age,” that all pieces of literature are influenced by the time period they are written in. This essay takes Sartre’s argument and analyzes the select works from four American pragmatists – Charles Sanders Peirce, John Dewey, William James, and Richard Rorty – through this lens. I also review Sartre’s literature in the light of his own philosophy. By taking into consideration the impact of prominent ideas of each pragmatist’s time period, a conclusion can be drawn for which ideas are relevant for the age they were written for and which ideas are consistent for the human condition. Therefore, the philosophies of American pragmatists can be reexamined to eliminate the contamination of the historical context.

Tylka, Kelsie (Utah Valley University)
Faculty Advisor: Petersen, Jerry (Humanities and Social Sciences, English & Literature); Vogel, Charles (Humanities and Social Sciences, English & Literature)

Joseph Conrad's The Secret Agent is a tale of political intrigue and morality. Many critics believe the narrator of this tale is purely "aesthetic"; however, I argue that the narrator is essential to the plot and to exposing the purpose of the novel, which is spotlighting humanity and moral choice. The first clue to the centrality of the narrator was Conrad's failure to adapt his novel to a theatrical production. This failure intrigued me as the characterization, viewpoint, and structure of the novel seemed ideal for theatrical adaptation. The question is, what was the root of Conrad's botched attempt at a theatrical production? I came to the conclusion that the narrator was essential to the plot and the ethos of the story. For this presentation, therefore, I intend to map out how and why the narrator is indispensable, as well as give a foundational groundwork on the Greek Theater and chorus. Turning to scholarship from both literary and theater experts, I will highlight the importance of the narrator within the novel, as well as, offer a suggestion as to how The Secret Agent could be effectively adapted into a successful stage production. I present the narrator of The Secret Agent as a stand-in for the classic Greek chorus through analyzing the narrator's function as a principal character in the story. Moreover, the utilization of the narrator's "anti-dramatic" commentary is a method of alienation that encourages the reader to reevaluate morality and humanity within the novel. Finally, I hope to engage both literary and theater scholar's alike to reevaluate the functionality of the narrator and to encourage a second look at the possibility of a successful theatrical production.

Chapman, Abigail (Southern Utah University)
Faculty Advisor: Law, Donna (Southern Utah University, Government Relations)

Currently, women make up fifty-one percent of the total population in the United States, and only twenty-four percent in the U. S. Congress. (Rutgers Institute for Politics) This paper seeks to examine some possible factors for this disproportionate gender representation in politics. Using both primary data [interviews] and secondary data [biographies, autobiographies, or documentaries] of women serving in politics or public service, I will explore the similarities in upbringing found amongst women who serve on the federal, state, and local levels. Then, I analyze the narratives of the women to highlight the similarities in upbringing between them, which include: exposure to politics or public service at a young age, similar personality traits, strong work ethic, and the influence of strong mothers. I also analyze the possible influence that learning a musical instrument and the amount of time spent with extended family has in the lives of some of these women. Research supports that the similarities found among these women potentially leads to career output and could be a factor as to why these women choose careers in politics or public service. In conclusion, I discuss the reasons why we need more women to serve in politics, particularly why young girls need to be encouraged to choose careers in politics.

Roberts, Katie (Utah State University)
Faculty Advisor: Kinkead, Joyce (College of Humanities and Social Sciences, English Department)

The internet has provided students with countless opportunities for success and learning, online grammar checkers and blogs playing a significant role for many in their pursuit of education. Grammar blogs offer tips, tricks, and examples to help people learn grammar, while grammar checker websites, such as Grammarly, use AI technology to automatically review pieces of writing, sometimes offering plagiarism checks and citation suggestions with a paid subscription. While these websites proclaim to make all the difference in students' writing, are English majors finding these helpful? This research seeks to understand what upper-division English majors think of online grammar checkers.

Maria Stokes (University of Utah)
Faculty Advisor: Burnett, Brandon (Weber State University, Chemistry)

This paper considers the relationship between new technologies and the history of astronomy. Using a comparative framework, I show some of the ways in which new technological introductions alter scientific practice. I argue that this dynamic is a historical pattern. To make this case, I juxtapose two astrophysical developments: the invention and early uses of optical telescopes in the early seventeenth century, most famously by Galileo, and the introduction of gravitational wave detectors beginning with the Laser Interferometer Gravitational-Wave Observatory (LIGO). The former has been heavily examined by historians of science; the latter is almost exclusively of interest to astronomers and physicists. In constructing this comparison, I examine primary sources such as Galileo's Discourses and Mathematical Demonstrations Related to Two New Sciences and consult other commentaries on seventeenth-century astronomy, particularly remarking on the optics used in the Galilean telescope. I then provide a survey of gravitational wave astronomy. This comparative study evidences the importance of both empirical data and networks in the development of science. Such a conclusion is significant as it carries implications for the relationship between scientific and non-scientific communities.

Noorda, Meredith (Brigham Young University)
Faculty Advisor: Belnap, Heather (Humanities, Comparative Arts and Letters); Swensen, James (Humanities, Comparative Arts and Letters)

In 1740 the Society of Dilettanti, an 18th century group of English gentlemen aiming to encourage an appreciation for the antiquities they had seen on their Grand Tours, decided to commission from George Knapton portraits of all their members. In the typical artistic vein of the early Dilettanti, the portraits, featuring many of the members in costume, exhibit a milieu where the erudite meets the comical to the outright lewd, a reflection of one of the Dilettanti's mottos of seria ludo, or "serious things done in a playful spirit." Within the wider context of London public life, these are also clear examples of the influence of the masquerade, and for a group closely aligned with the Italian Grand Tour, and thought to have been initially conceived in Venice, the appeal of those references is clear and the Dilettanti's use of them has been commented on in scholarship. However, the use of costume in George Knapton's portraits can reveal more than a simple love of Continental entertainments. Aligning oneself with the Continent and the East, as the sitters do in Knapton's works, was a subversive choice in relation to the normative British culture of the mid-18th century, in which the encroachment of Continental entertainments and fashion, among other things, was frequently feared. These portraits must be read with an acknowledgement of the ways in which the masquerade and the Italianate was seen in 18th century England, where it was not an accepted form of entertainment as on the Continent, but a controversial pastime. In turn the portraits can reveal where the Dilettanti situated themselves, and how they wanted to be represented�as internationally inclined participators in these foreign entertainments, boldly partaking in its vices, championing its creative possibilities in the self-fashioning of an individual.

Verstegan, Richard; Foxe, John; Arblaster, Paul (Utah State University)
Faculty Advisor: Sand Alexa (Caine College of the Arts, General Studies (Arts)); Duncan, Jennifer

Horrifying and under scrutinized the Theatrum Crudelitatum Haereticorum Nostri Temporis (1587) depicts endless pages of sixteenth century torture methods inflicted upon Catholic martyrs, leaving sufficient room for questions waiting to be answered. The largest and most pressing question this book offers is why it was created. When exploring different conclusions to such a question it is important to understand the contextual history and nature of a rare object such as this. There is probable cause that this book was created in response to John Foxe's Book of Martyrs, which was published 24 years prior to the publication of the Theatrum Crudelitatum Haereticorum Nostri Temporis. It is also possible that the author of the Theatrum Crudelitatum, Richard Verstegan who was an Anglo-Dutch Catholic, was a propagandist supporting the idea that martyrdom was a form of resistance to oppression of religion at this point in history. There is sufficient evidence supporting this theory. In Foxe's Book of Martyrs there are limited illustrations of torture merthods where as in Verstegan's Theatrum Crudelitatum there is an overwhelming amount of vivid and equally horrifying engravings depitcing Catholics as weak. It is equally important to take a look into the author's personal history to gain more explanations for the creation of the Theatrum Crudelitatum Haereticorum Nostri Temporis. Richard Verstegan was an Anglo-Dutch Catholic that studied English at Oxford University without obtaining a degree. It is thought that he left due to his religious beliefs at the time. He was later a propagandist of Duke and Guise before settling in Antwerp, Belgium where he published and illustrated his work. This rare book even served as a precedent as to what happened to those not of the Protestant faith. The Theatrum Crudelitatum Haereticorum Nostri Temporis by Richard Verstegan was created for both personal reasons and propagandistic opportunity.

Anderson, Bethany; Ward, Hannah; Froerer, Cecily (Utah State University)
Faculty Advisor: Gillam, Sandra (Emma Eccles Jones College of Education & Human Services, Communicative Disorders and Deaf Education Department); Gillam, Ron (Emma Eccles Jones College of Education & Human Services, Communicative Disorders and Deaf Education Department)

Children with language disorders face difficulties in producing organized and complex narratives. Many different assessments have been designed to allow clinicians to evaluate a child's narrative ability. The Test of Early Written Language - 3 (TEWL) is a formal test to assess the early written narrative abilities of children. Valid and reliable tests of the written language skills of young elementary age children are needed for assessing the outcomes of narrative interventions for children who are at-risk for language and literacy impairments.

The purpose of this study is to determine if the TEWL is a valid measure of narrative language in written stories by children who are at-risk for language and literacy problems.

Narrative samples from 189 children ages 6-11 were gathered as part of a larger study. Narrative samples were transcribed and scored using the Monitoring Indicators of Scholarly Language (MISL) rubric that assesses language microstructure and macrostructure. Exploratory and confirmatory factor analyses were computed to determine the extent to which the total raw scores on the TEWL were related to MISL microstructure, macrostructure, and total scores. Item analyses were conducted to determine whether a subset of items on the TEWL differentiate between writing mechanics and written language. Results are critical for using the TEWL as a valid outcome measure in studies of interventions for oral and written language comprehension and production.

Call, Emily; Manesse, Alana (Utah State University)
Faculty Advisor: Colton, Jared (College of Humanities and Social Sciences, English Department)

What visual rhetoric was used in the women's suffrage movement and how was it effective? There were many forms of persuasion in the women's suffrage movement, some of the greatest examples being the visual rhetoric. Rhetoric in this analysis will be defined as linguistic and visual elements crafted with the purpose to persuade the viewer to believe in the presented truth and to conform with the represented female identity. For this presentation we will focus on two political cartoons from the suffrage movement: one pro-suffrage piece, Henry Mayer's "The Awakening" (1915), and one anti-suffrage piece, "Looking Backward" by Laura E. Foster (1912). While suffrage is often discussed through a feminist lense, we will apply a cultural rhetoric analysis as our primary research method with supporting analysis coming from a feminist perspective. Our analysis will use cultural frameworks with a focus on the cultural theorist Stuart Hall. Cultural rhetoric focuses our analysis on the values and practices of English and American culture in the 20th century rather than solely looking at the object of analysis. In that context, we will examine the rhetorical strategies the artists use to craft arguments to persuade the viewer to accept the "truth" they are presenting. Through the comparison of opposing pieces of propaganda, we will also show that truth is relative to the viewer. Through Hall's frameworks, we will analyze ideas about fixed meaning in the images, female representation in a culture, and the audience's response to rhetoric. As we examine these particular elements in conjunction with cultural rhetoric, the audience will gain insight into how pro-suffrage and anti-suffrage propaganda used similar rhetorical techniques to persuade its viewers.

Andersen, Jacob (Brigham Young University)
Faculty Advisor: DeSchweinitz, Rebecca (Brigham Young University, History)

During the 1912 Lawrence, Massachusetts Textile Strike, Elizabeth Gurley Flynn, a speaker and organizer for the Industrial Workers of the World (IWW), planned to address local workers at a Greek Catholic Church. Before she stepped to the pulpit, a local priest forbid her from speaking because she was a woman. She only spoke to the audience that night after she convinced the priest that she "spoke as an organizer, not as a woman." This incident hints at the complex and often contradictory role of gender in the IWW. Indeed, many scholars have argued that while the IWW preached universal human equality, in practice they maintained a limited, domestic vision for women. Francis Shor, in particular, has argues that the IWW's approach to gender constituted a kind of "virile syndicalism," in which their aggressive tactics were a form of "masculine posturing" in defiance of industrial capitalism. While an important insight about the role of gender in the IWW, few scholars have used his theory to understand women's experiences in the IWW. This paper will examine the role of gender in the IWW through the lives and experiences of three women: Elizabeth Gurley Flynn, Matilda Robbins, and Jane Street. All three women came from different backgrounds and made unique contributions to the IWW, yet the IWW's virile syndicalism circumscribed their activities within the bounds of the IWW's narrow gender ideology. The lives of these women suggest that virile syndicalism in the IWW limited the role of Wobbly women and curbed the IWW's ability to effectively organize workers in the long term. Indeed, the IWW notoriously struggled to maintain an organized base of workers; their distinctly gendered tactics may help explain why.

Bedard, Tenaya G. (Brigham Young University)
Faculty Advisor: Allison, James (Brigham Young University, Anthropology); Chase, Zach (Brigham Young University, Anthropology)

This research discusses the analysis of the faunal bones excavated from Coal Bed Village and how it compares to the other Montezuma Canyon sites in southwestern Utah. During the Pueblo I-III time periods, previous analysis for Montezuma Canyon sites has found a trend of subsistence strategies that rely heavily on cottontail rabbit for Pueblo I, deer for Pueblo II, and turkey for Pueblo III. This research determines that Coal Bed Village follows these trends, but we see an unexpected increase of cottontail rabbit in the Pueblo III period. This research discusses the possible reasons for this increase and how it could change our understanding of subsistence strategies among Montezuma Canyon in the Southwest during the Puebloan eras.

Gonzalez Herrara, Cindy; Garcia, Ignacio (Brigham Young University)
Faculty Advisor: Garcia, Ignacio (History)

Guillermo Balderas became the first Hispanic, Spanish speaking bishop in the United States in the 1930s. By understanding his background in serving the church, we come to understand his views of the Mormon gospel, and through him, we get a glimpse of the Hispanic Latter-day Saints living in El Paso, Texas, and indirectly others across the United States. By looking at his life, we learn about the struggles of being Latter-day Saint and Mexican on the northern side of the southern border. Guillermo was also the son of Apolinar de Jesus Balderas, the second Spanish-speaking branch president in the United States.

Guillermo's family immigrated to El Paso, Texas in 1910.2 The community he lived in was segregated and he went to school in a segregated public school system. Guillermo's life spanned a time when Mexicans and Mexican Americans were starting to find their voice within their communities, and in the larger society. While he did not participate in politics or the activism of his time, Guillermo brought an ethnically-focused perspective to his religion. Part of that perspective came from his friendship with people of the Third Convention--a Latter-day Saint insurgency against the American church in Mexico--and also he lived experiences as a brown man in American society. For this presentation, I will discuss a letter he sent to church authorities when he was released and replaced by the first white bishop of his ward, and changes were made to minimize the wards "Hispanic ways". While he was unsuccessful in lobbying for his ward members, Guillermo, nonetheless, previewed some of the "outside imposed" concepts that have hampered Hispanic wards in developing their identity. At the same time, his letter reveals some of the concepts that Hispanic leaders in the church have carried out in their ministry. Through his dedication and faithfulness in the church, we see a reflection of what many Hispanic Latter-day Saints experience during this time. Despite the challenges, he continued to become a devoted leader within the church and helped many people within his congregation. He became an advocate for those of his color while still seeking to educate his white brothers/sisters.