Humanities

Ward Symes, Dixie State University Humanities Some people think a heavy blanket of intellectual darkness was thrown over Europe after the fall of the Roman Empire and not lifted until the Renaissance. Were the Dark Ages a time of total illiteracy when learning and education ceased to exist? Did the Dark Ages only end with the emergence of great milestones like the invention of Gutenberg’s movable type printing press and Martin Luther protesting the Catholic Church?

Jordan Bracken, Dixie State University Humanities Of the many problems facing woman today, one of the more serious is the unrealistic standard of beauty and behavior that women are expected to achieve, maintain, and accept as normative. However, I will show how select works of fiction, including Nathaniel Hawthorne’s The Birthmark and Edgar Allen Poe’s The Oval Portrait, exemplify the dangers of the male gaze; additionally, I will explicate non-fiction works such as Betty Friedan’s The Feminine Mystique and Simone de Beauvoir’s The Second Sex, which explore the severe consequences of attempting to force women to conform to a gendered societal paradigm. These works demonstrate the destructive characteristics to both men and women which can be easily overlooked by those who believe that a cultural standard, any cultural standard, represents a natural or necessary state of gendered behavior. When the image of the perfect feminine is idealized and internalized it both pressures women to alter their true identities and expects men to hold women to an unattainable behavioral and physical standard.

Jackson Bell, Brigham Young University Humanities Since a military coup in 2009, Madagascar’s low standard of living, political instability, and weak economy have worsened. One way to improve the situation in Madagascar is to improve English skills, which are import in the tourism, exports, financial aid, and international academic collaboration sectors. For example, a knowledge of the English language will give Malagasy people access to 45 percent of the world’s scholarly research journals. I recently published a Malagasy-English bilingual dictionary which aimed to meet this need. However, the dictionary is somewhat impractical because it is limited to simple, rigid definitions. It is insufficient for a complete understanding of either Malagasy or English because real-life usage of words often deviates from basic definitions.

Colby Townsend, University of Utah Humanities A vast amount of literature has been produced on the Book of Mormon since its initial publication in 1830. Writers from all backgrounds have approached this text, generally in a polarized manner. Either they approach it as committed believers or non-committed skeptics. In reviewing this literature it becomes apparent that not enough work has been done on the influence of the King James Version (KJV) of the Biblical text on the actual production of the Book of Mormon. A large project is underway to locate all of the places in the text of the Book of Mormon that are literarily dependent on the KJV. This paper will be a contribution toward that end. Malachi 3-4 is quoted in numerous places throughout the Book of Mormon, not just 3 Ne. 24-25 where Jesus gives the Nephites these chapters because “they [had them] not.” The paper will locate all of those places in the text of the Book of Mormon where the language and phraseology of Malachi is used, and its use will be analyzed through literary and source criticism. At present this paper is still a work in progress, and therefore has no set conclusion, but the working hypothesis is that Joseph Smith either utilized the KJV Malachi directly in the process of dictating the Book of Mormon by taking out a KJV and having his scribe copy it down, or the language was so familiar to him it came to mind as he dictated to his scribe. This will contribute to the larger study of locating all those places in the Book of Mormon that are dependent on the Bible, which will be published as a scholarly reference for use in comparative studies between the Bible and the Book of Mormon.

Mahreen Bashir, University of Utah Humanities A complicated social paradox humanity faces is assessing the union between the seemingly contradictory ideologies of “sustainability” and “growth” into one viable system. Adapting a merger between concepts such as: the retention of cultural values and social systems, industry, urban sprawl, modernity, sanitation, progress and the environment. This objective of this research project centers around using understandings of post-colonial theory to find new connections in South Asian identity through South Asian literature written in English, and the literature’s relationship to ecology. Specifically, it applies the nascent subaltern lens of a historiography that examines South Asia as both a post-colonial subcontinent, and an emerging “superpower,” in the rhetoric of a global economy, to understand a relationship between Indian people and India as place. Questions asked are posed in regard to the affects of orientalism and a cultural infiltration of seeing endemic knowledge to be degenerate in relation to Western academia; Indian-American identity; and the weight of the term “subaltern” through works by South Asian writers. Furthermore, the project uses an ecocritical lens on these works to extract how identity discourse and post-colonialism have created understandings of Indian identity within English literature. The anticipated outcome of this research paper is to create a greater understanding of both emergent academic lenses, and their application in understanding Indian culture and identity as portrayed by works written by Indo-American writers. This research idea was born out of my passion for both ecology and post-colonial studies that I have honed through my studies as an environmental studies and gender studies double major. The main objective is to investigate the plurality of identity, and the ramifications that identity, has on the establishment of more sustainable behavior to counter the impending global crisis the planet is facing in terms of lack of environmental stewardship, and subsequent social justice.

Benjamin Tullis, Utah Valley University Humanities Wayne Both has defined rhetoric as “the whole range of arts not only of persuasion but also of producing or reducing misunderstanding” (10). In The Rhetoric of Fiction, Wayne Booth also writes about four general rules that an author can use to enhance his or her writing and persuade readers. This rhetorical approach to fiction is not common. In addition, literary texts can be analyzed from a rhetorical perspective and many classical texts can be seen in a new way. My research uses Booth’s four general rules to dissect The Adventures of Huckleberry Finn. This book has been read and analyzed by millions of people since it was first published in 1884. My work finds a new correlation between Booth and Mark Twain. For example, Booth’s first general rule is that “…novels must be realistic” (23). Twain used his life experiences to create a world that, though it is imaginary, still rings true to the reader. Booth also states that, “all authors must be objective” (67), and “true art ignores the audience” (89). Twain was successful in following both of these rules because although he personally believed that that racism was wrong, he knew that other people, especially during his lifetime, did not share this same view. He used rhetoric indirectly in the story so that the reader can make up his or her own mind. Booth’s fourth rule states that authors should use “emotions, beliefs, and the reader’s objectivity” (119). Twain manipulates the emotions of his readers through the characters he created and the scenes he described. By carefully analyzing The Adventures of Huckleberry Finn in this new way using Booth’s four general rules, the modern reader will find a powerful rhetorically persuasive function in this classic text that many view primarily as children’s entertainment.

Andrew Gibson, University of Utah Humanities In many languages we have words that don’t have a one-to-one correlation, for instance, ‘Wednesday’ sounds more like ‘wensday’. Although writing systems can be consistent, some syllables are pronounced differently in some contexts. The point is; that words have different sounds from their written form. I theorized this as ‘word deceptive.’ These words can often deceive us when spelled differently from the way they sound. This can be difficult for others learning a language. But to aid in this difficulty is with word deceptive strategies: 1.Make the unfamiliar familiar 2. Associate visuals to the word to increase word retention 3. Use words in interpersonal experiences.

Spencer Yamada, Brigham Young University Humanities This project is designed to use the actions of the US military in response to American civilians advocating for direct military intervention in the holocaust as a case study to apply the economic Theory of Disruption. The complex situation during the war, involving Anti-Semitism, technical challenges, political motives and military bureaucracy has traditionally been impossible to untangle. Existing theories of management and economics were applied using their data-proven ability to understand human behavior. Clayton Christensen of Harvard Business School developed the Theory of Disruption to describe the process by which companies are able to innovate, grow, and conversely stall and fail. Christensen found that large companies that had traditionally been innovative and successful had become so by bringing new products to new markets that had been previously ignored. Christensen noted that the world’s most successful corporations had changed dramatically overtime by initiating self-disruption and changing focus from what has traditionally been successful for them to smaller new markets and new products. The Allied purpose during the Second World War was centered on one key policy decided at the Bermuda Conference in 1943, which was to defeat Nazi Germany. Around the same time groups of both Gentile and Jews began clamoring for a new strategy involving the bombing of Auschwitz as reports of the camps reached the American public. The American Military did not produce the product this small market demanded, acting in the same way a large corporation would that failed to initiate the process of disruption and took no action against any holocaust targets. Christensen’s Theory of Disruption explains of this phenomenon as a function of economic forces and organizational behavior.

Michael Nielson, Dixie State University Humanities Character development is arguably the greatest driving force in fiction writing. But how does an author create a believable, complex character? Oftentimes, writers attempt to mimic characters they’ve encountered in literature. These characters repeated over time are generally known as character-specific archetypes; However, these archetypes delve deeper than writers simply copying other writers. The Oxford Dictionary of Literary Terms defines archetypes as a “symbol, theme, setting, or character-type that recurs in different times and places in myth, literature, folklore, dreams, and rituals so frequently or prominently as to suggest that it embodies some essential element of ‘universal’ human experience.” This paper will survey the effectiveness of writers consciously using character-specific archetypes—such as the hero, the sage, and the jester—drawing upon the expertise of Carl Jung, Joseph Campbell, and Victoria Schmidt with specific attention to J. R.R. Tolkien’s The Lord of The Rings series and Edgar Allan Poe’s short stories. Ultimately, I will suggest that the best way to create a believable, complex character is through the conscious use of archetypes, which allows the reader full immersion into the fictional work and fosters the suspension of disbelief.

Zacrey Hansen, Utah Valley University Humanities Within Old Norse myth lurks Hildolf, whose name means Battle-Wolf. He only appears in the Medieval Norse poems twice: in a name list of Odin’s sons in the Prose Edda, and then is off-handedly mentioned by Odin himself, in the Poetic Edda. Since the mythic stories make no other mention of Hildolf, the general scholarly consensus is that Hildolf is simply another of Odin’s many aliases. Indeed, Odin’s association with wolves, especially those that attend him, makes this a likely conclusion. This thesis, however, takes a different approach; that the Poetic Edda reinforces Hildolf’s status as Odin’s son by listing Thor and Hildolf’s names together. Moreover, a closer look at speech ascribed to Odin places Hildolf’s domain of Rathsey’s Sound within the river that separates Jotunheim and Asgard. Further analysis of cultural context also reveals symbolic and etymological parallels between Hildolf and the Ulfhednar, or Wolf-Coats, Norse warriors famously known for taking on the aspect of the wolf during battle. Through the synthesis of these disparate connections, this paper develops a clearer picture of Hildolf’s place in Norse mythology. Asgardian by birth, though not by station, Hildolf stands as the connection between gods and giants, between man and beast, and as Thor guides men to defend against enemies from without, Hildolf guides them to defend against the enemies from within. The conference presentation of this research stems from a longer work planned for submission to The Journal of Contemporary Heathen Thought.

Meg Siner, Westminster College Humanities I would like to present my research on the 1913 Utah opera The Sun Dance Opera, written and directed by Lakota activist Zitkala-Sa. The opera, score, libretto are found in the L. Tom Perry Special Collections of the Harold B. Library at Brigham Young University. The opera premiered to rave reviews but has since fallen into obscurity.

Lauren Harding, Utah Valley University Humanities From the Classical world, the male nude has come to be one of the most recognizable symbols for Greek civilization. This nude is a protean and multifaceted entity that took on different meanings as Hellenic society progressed. Two binary forms of these nudes recur as archetypes, which in this paper are identified as (1) the Heroic/Athletic nude and (2) the Ephebic/Mythological nude. Within the new discursive framework of these two physiques, it is necessary to incorporate the recent research that has been produced after the large feminist and gender studies awakening that has swept through the Classical scholarly world. The field has been wonderfully enriched with this research, and as such a re-evaluation of the male form is in order. This investigation will reveal new and fascinating aspects of Greek sculpture that previously have not been studied, and will illustrate how the distinctions between the two nudes are more easily seen, or, in certain cases, how these distinctions are blurred. Through better understanding this complicated, omni-sexual world of Classical Greece, we will enrich the understanding of our own culture, which is more nuanced than the hetero-normative standard that many believe exists.

Echo Smith, University of Utah Humanities Since the publication, in 1995, of Jonathan Shay’s Achilles in Vietnam, an increasingly popular view of PTSD in soldiers holds that modern day combatants experience the horrors of warfare in much the same way as did ancient Greek and Roman soldiers and that PTSD must have been just as prevalent in the classical world as it is today.

Garrett Norris, University of Utah Humanities In this abstract, I will summarize the major differences and similarities I have found between Chinese and Japanese concepts of loyalty represented in the the three classical texts I analyzed.

Sara Calicchia, Utah State University Humanities Successful writing, achieved by self-regulated writers, depends not only upon focus and content, but also the writing environment, including the physical and social setting, which varies greatly among writers. Just as musical tastes differ among individuals, there are strong preferences regarding the role of music in a writing setting. To better understand the environmental self-regulation of writers, I selected a group of twelve high-achieving writers with a range of musical interests, including nine professors and three undergraduate students across three academic fields. The results suggest that musical background impacts a writer’s preferred setting, and academic writers should strongly consider this impact when establishing a successful writing environment.

Bunny Christine Arlotti, Dixie State University Humanities The Rape and Incest National Network (RAINN) reports that over two-thirds of rapes in the United States are “completed” by someone the victim knows: “The rapist isn’t a masked stranger.” RAINN’s rape statistics contrast with Frank Norris’s depiction of rape in The Octopus: A Story of California (1901). Based on an historical event, The Mussel Slough Tragedy (ca. 1880), the novel’s main plot focuses on a group of San Joaquin Valley ranchers who band together to battle the Southern Pacific Railroad’s tyrannical land grab. But out of this epic clash between man and steel emerges a subplot centered on the rape and victimization of a young woman named Angèle Varian. This paper explores the Vanamee-Angèle subplot, examining how Norris stereotypes Angèle and blames her for her own victimization. By treating Angèle as an example of what Paula Hopkins and Kristina Brooks label the “fallen woman,” Norris attempts to arouse the reader’s sympathy, not for Angèle but for her boyfriend, Vanamee, who is also one of the rape suspects. I will support my findings by examining the following works: Stuart Burns in “The Rapists in Frank Norris’s The Octopus,” Maria Brandt in “For His Own Satisfaction: Eliminating the New Woman Figure in Mcteague,” Paula Hopkins and Kristina Brooks in “New Woman, Fallen Woman: The Crisis of Reputation in the Turn of the Century,” and Joseph McElrath in Frank Norris: A Life. Ultimately, from a feminist’s perspective, Norris’s underlying message about his rape victim says volumes about his endorsement of the Victorian perspective toward the “fallen woman”-they were not worth saving, helping, or hearing from ever again.

Helen Makhdoumian, Westminster College Humanities Despite roughly a century of Armenian American literary production, the literary theory and criticism on this body of ethnic literature has only started to develop in the last few decades. David Kherdian is an Armenian American writer whose works range from poetry to prose, fiction to memoir, and translations to retellings of Armenian tales. My research focuses on David Kherdian’s poetry collection Homage to Adana, published in 1970. Previous critics have analyzed Kherdian’s poetry for themes such as childhood, familial relationships, self-discovery, and personal and collective memory. Some critics have read some of Kherdian’s poems as reflecting the loss of Armenian culture due to assimilation in the U.S. In contrast, this presentation analyzes the motif of the Armenian coffee house in select poems in Homage to Adana as a space where geographical, generational, and cultural identities are negotiated. Although on the surface these poems indicate a loss of Armenian culture, I argue that they actually indicate a continuation and adaptation of Armenian culture in the U.S. by the younger generation. To support my argument, my approach uses the theoretical lenses of New Historicism and Cultural Studies. I contextualize these texts with the history of the Armenian diaspora and immigration. Furthermore, I include the historical and cultural significance of Armenian coffee houses as well as the use of Armenian coffee in cultural knowledge sharing. In general, the themes I look for are references to the old country, representations of immigrant Armenian men and women, oral storytelling, and food traditions. Ultimately, this analysis reveals how the poems reflect the negotiation of passing on cultural knowledge. By both continuing traditions and adapting them for everyday lived experiences, Armenian culture will remain vibrant in diaspora.

Romy Franks, Brigham Young University Humanities Following the Second World War, the adventurous westerns of 19th-century author Karl May resurfaced in Germany as wildly popular pulp fiction and dime novels. In subsequent decades, May’s literature inspired several successful film adaptations in the West, followed by alternative “Indian films” in the East. Karl May and the contemporary phenomenon of the global Western film genre tapped into many themes central to Germany’s long, tortured quest for a national identity. Post-war Germans looked to Westerns as a means for “projecting” a new image of Germany to the world-one that could help overcome the stigma of Nazism.

Tyson Amundsen, University of Utah Humanities The focus of my research was to create a database of the various people, institutions, and funding agencies that constituted the discursive community of malaria specialists in Brazil—the network responsible for producing and distributing medical knowledge there from 1850-2012. This database will be used to chart trends in Brazilian research and publishing activities, Brazilian participation in international conferences, the reception of Brazilian research abroad, and Brazilian engagement with the work of foreign researchers.

Megan Armknecht, Brigham Young University Humanities Transcendentalist writers such as Margaret Fuller, Ralph Waldo Emerson, and Amos Bronson Alcott were highly influenced by the German Romantic philosopher, Johann Wolfgang von Goethe. Louisa May Alcott, one of the later transcendentalists, was also an admirer of Goethe’s work and philosophy. Although considerable research has been done on the influence of Goethe on Alcott’s later works, such as A Long and Fatal Love Chase, A Modern Mephistopheles, and “The Freak of a Genius”, there has been much less research done on the Goethean influence on Little Women, and none at all on the resonances between Jo’s love interest, the German professor Dr. Bhaer, and Goethe. This research will explore the connection between Louisa May Alcott, Dr. Bhaer, and the Goethean ideal as developed in Alcott’s writing. In my presentation, I will show the importance of this connection as it adds significant depth to Little Women.

William Palomo, Westminster College Humanities While researchers have historically marginalized the literature of El Salvador, Alfonso Kijadurías (formerly Alfonso Quijada Urías) has earned an international reputation for his diverse and incisive poetic style. Contextualizing Kijadurías’ work within the Salvadoran literary tradition reveals the historical and political backdrop driving Kijadurías’ political stances and literary experimentation. Examination of the political, philosophical, and mystical obsessions in Kijadurías’ works demonstrates how his literary career has lived up to and outlasted La Generación Comprometida, a politically-charged literature and arts movement that revolutionized the Salvadoran arts scene during the 1950’s. His work challenges contemporary politicians and the philosophy of Deconstructionism in an attempt to guide the reader through a spiritual transformation that leads to the abandonment of the self and ultimately to freedom.

S. Geneva Balin, Weber State University Anthropology In the past, mythology served as a guide to how life should be lived and provided a context for the condition in which people found themselves. As the sacred gave way to the secular, mythology lost its power to influence and guide the people as it did in the past. Rather than myths, people turned to literature for guidance. These stories have been told and retold through different eras in history. They have also been shared in contemporary forms such as books and movies which now reach a large audience. This paper will examine stories of social outcasts in an interpretive exploration into culture through the lens of literature. The multiple versions “The Phantom of the Opera” and “The Hunchback of Notre Dame” reflect the cultures in which they were produced as well as the contemporary cultures that love them. A basis for comparison will be established by first recounting, in summary, the plotline for each of the novels. Then theories relevant to exploring meaning will be approached, notably those of Claude Levi-Strauss, Émile Durkheim, Dame Mary Douglas and Carl Jung. From here, variations of the stories and the history surrounding them can be examined to discover potential social meaning and show the importance of stories as a way to bind a culture together.

James Gardner, Utah State University Anthropology Distinct perceptions on healthcare reform exist in every part of a society. This paper examines the volatile healthcare system of Nicaragua and the perceptions of healthcare reform among Nicaraguan medical professionals. Data were gathered through ethnographic field methods including participant observation, informal interviewing, and open-ended questions. The informants were selected from the medical personnel of the E.R. in the Hospital Amistad Japón-Nicaragua in Granada, Nicaragua. First, a framework of the history of Nicaraguan healthcare is discussed. This history is presented as a reflection of the sporadic nature of the Nicaraguan political environment over the last 30 years. The changes in healthcare policy over this time period are then examined through the lens of the hospital’s healthcare providers. Perspectives on public vs. private systems, the limited ability to affect reform, and motivations behind entering the medical profession are analyzed as they pertain to job satisfaction of healthcare workers.

Hanna Higginson, University of Utah Anthropology The study, “Sentimentality Preserves Our Past” focuses on two branches of nostalgia: sentimentality and historical utility and their relationship to cultural relics. Our approach assumes we can recognize similarities and differences between cultural communities by describing the extent to which individuals are sentimental or utilitarian with regard to their possessions. We are currently collecting data from the northern Utah community and Utah Tongan community. We set up a preliminary exercise asking participants to free list the items they have a difficult time throwing away for sentimental reasons. So far we have collected 40 questionnaires and 13 interviews that focus on the five most referenced items. Our target is to conduct about 45 questionnaires and 45 interviews for each community. For the Utahan population we have enough data to identify an S:U RANK – the ratio between a participant’s measure of sentimentality to the measure of utility. For the 25 questions where a respondent’s answer could be classified as appealing to sentimentality (s) or historic utility (h), we summed the totals then divided it by the sum of the answers appealing to utility (u). All totals above 1 indicate that the respondent prefers protecting items for nostalgic purposes; all answers below 1 indicate the respondent prefers items of utility. The S:U RANK gives a general view into a particular population. From this we can discuss the effect of variables such as age, marital status, children, age of children, and years in Utah on an individual’s preference. Currently, the pattern from the S:U RANK suggests that marital status and children are having the greatest effect on the ratio, but this will become clearer as the interviews progress. The research began as an effort to understand the presence of nostalgia as applied to five common relics among a particular diaspora, in light of the incoming data, this question is developing into an attempt to understand nostalgia in a cultural and universal sense as well.

Melanie Cooke, University of Utah Geography Range Creek is a small deeply incised canyon located in south central Utah. It is a remote canyon that has experienced minimal impact to its rich archaeological heritage by European-American settlers during the last two hundred years. The canyon contains hundreds of important archaeological sites and thousands of artifacts from the Fremont culture that inhabited the area from around 800 A.D. to 1350 A.D. Though work has been done on the archeological sites in the canyon, a better understanding of the paleoclimate and environment are needed to help understand why the Fremont culture disappeared so abruptly around 1160 A.D.Dendrochronology has been shown to provide excellent data for reconstruction of climatic conditions. Conifer tree species, including Douglas fir (Pseudotsuga mensiezii), are well-suited for studying past climate through the analysis of their tree rings. In this study, I use increment cores from Douglas fir to build a local history of tree-ring growth rates through time and will compare these results to regionally available climate records. By comparing changes in ring widths with weather station data, including monthly and seasonal temperature and precipitation records, I hypothesize that Douglas fir will provide a sensitive indicator of past changes in winter precipitation. Twelve tree cores collected from climatically sensitive locations during the 2012 summer are being analyzed from Range Creek Canyon. Preliminary analyses of the tree ring series suggests this study will provide a climatic history spanning the past ~300 years. Although this analysis cannot provide direct observation on climate conditions during the period of the Freemont occupation and abandonment of Range Creek, it will provide insights into the natural climate variability occurring within the Range Creek Canyon. All tree cores are being analyzed with ARSTAN and COFECHA software, commonly used by dendrochronologists, and results will be made available at the time of presentation.

Hanna Winzenried, Brigham Young University History Red hair is one of the most rare hair colors. In fact, only two percent of the world’s population has naturally red hair. My research attempts to show how Western perception of red hair has undergone transformations over time. I seek to show how red hair has been associated with a variety of perceptions from the Middle Ages onward. This is not a comprehensive study, but one that takes a variety of primary sources to show how changing societal perceptions of red hair imbued females (and males) with a variety of traits contributing to a kind of physiognomy of hair whereby a person’s character could be read through hair color.

Belinda Ramirez, Brigham Young University Anthropology The Hmong are a stateless hill tribe ethnic group originating in southern China. Due to persecution and discrimination from the Chinese, many Hmong migrated to the surrounding regions of the Southeast Asian massif in the eighteenth century. The mountainous homes of the Hmong now lay within the borders of countries such as Thailand, Laos, and Vietnam. Religiously, Hmong are traditionally a shamanistic people, believing in spirits and worshipping their ancestors through diverse practices, such as animal sacrifice and spirit calling. In addition to traditional Hmong belief (dab qhuas), many messianic religious groups have recently surfaced within the Hmong diaspora, often accompanied by a prophetic leader, criticisms of traditional Hmong practices, and a hopeful vision of the future in which there exists a Hmong country. My research on this subject is based on an ethnographic field study in Nan Province, Thailand among the Is Npis Mis Nus, a Hmong messianic religious group. Using traditional anthropological field methods, I acquired data on the practices and beliefs of the Is Npis Mis Nus, as well as investigated their conceptions of nationalism, ethnicity, and identity. In this paper, I posit that the rituals and beliefs of the Is Npis Mis Nus reveal the group’s desire for Hmong political, cultural, and economic legitimacy and national sovereignty. These beliefs and rituals also serve as boundaries that provide a clear distinction between messianic and non-messianic Hmong. Additionally, I explain how the characteristics of the Is Npis Mis Nus religion help the Hmong deal with the social and ethnic disruptions that globalization has presented.

Jennifer Mitchell, Brigham Young University History The science fiction television show, Star Trek, deals heavily with political issues ranging from the complexities of war to changing gender roles in American culture. My paper will discuss how the show accomplishes this successfully, particularly through the representation of historical events. The Holocaust is one example of a reoccurring theme throughout the show, an issue that is addressed appropriately when many representations of the Holocaust are so heavily criticized. This paper will examine the themes and structures of different episodes through out Star Trek: The Original Series. One episode to clearly address the anti-Semitic attitudes of the Nazi Regime, “Patterns of Force,” aired on February 16, 1968, a relatively short time after the Regime had fallen. Many of the adult viewers at this time had experienced the Holocaust in their lifetimes, directly or indirectly. An episode entitled “Space Seed” deals with eugenics and the idea of creating a super race. The episode attempts to demonstrate how those in the 23rd century may react to such practices. In “Consciousness of the King” Captain Kirk reveals that he had personally witnessed and been victim to genocide. Not only does genocide clearly connect to the Holocaust, William Shatner (the actor who portrays the Captain) is in fact Jewish. His costar Leonard Nimoy (Spock) also comes from Jewish heritage. Having two Jewish actors in leading roles adds yet another level of complexity when portraying such sensitive material. The paper will take this into account as well as other complications of representing the Holocaust in popular culture.

Nathan Gill, Brigham Young University Geography The Africanized honeybee first entered southern Utah within the last five years. This invasive species reduces pollination and honey production and is therefore costly to the farming industry and local apiaries. Additionally, Africanized honeybees are extremely aggressive and pose a threat to the health and well-being of Utah’s residents. The aim of my study is determine if Africanized honeybee habitat in Utah can be accurately modeled through remote sensing and Geographic Information Systems analysis. Locations of known Africanized honeybee presence and absence, acquired from the Utah Department of Agriculture and Food’s ground reference data, were used to identify the characteristics of suitable habitat. Criteria that we considered include minimum temperature, precipitation, distance to water, elevation, slope, aspect, and Normalized Difference Vegetation Index, among others. I have identified the conditions for suitable habitat and I am in the process of designing a model to identify Africanized honeybee habitat across Utah. After the model has been refined, it will be tested against additional locations of presence and absence acquired from the Utah Department of Agriculture and Food. The modeled habitat will help the Utah Department of Agriculture and Food and other organizations to focus efforts to educate the public about the dangers of Africanized honeybees in specific locations that are at high risk.

Charles Ankenman, Brigham Young University Spanish and Portuguese The Middle Ages and the cultural, political and social coming of age of the European continent produced a corpus of literature and a literary tradition representative of its religious and cultural values that, amazingly, still continues to influence society today. Commonly employed terms such as “a knight in shining armor”, “prince charming”, and parallels occasionally drawn between children and both literary as well historical princes and princesses of yore are evidence of the longevity of the influence of Medieval culture, it’s ideals and the literary genre that most perfectly reflected it: the novel of chivalry. Today, few academics study the genre, it is seldom analyzed in universities, and almost never read outside of academia. In fine, their legacy and their memory has largely been preserved in the endearing pages of Cervantes’ masterpiece, Don Quixote. In this work, the protagonist, don Quixote, goes mad as he credulously devours his extensive private collection of chivalric literature believing all he reads to be not only true but also worthy of imitation. Nevertheless, despite Don Quixote’s wide reading public, few have ever read a novel of chivalry and, as a result, the exact definition of the novel of chivalry can be both obscure and even beyond the grasp of the modern reader who is uninitiated in the field of Medieval and Renaissance chivalric literature. Nevertheless, through a careful analysis of don Quixote’s private collection of novels of chivalry, the mega-genre that they constitute and the sub-genres that comprise it; the chivalric genre can be clearly defined. Additionally, through the comparative analysis of the English term novel of chivalry as opposed to the Spanish term libros de caballerias (book of great deeds done on horseback) the importance of language’s influence on the perception of the world will be demonstrated and Jacques Lacan’s theory regarding language and perception substantiated. Finally, this analysis will elucidate the novel of chivalry’s status both as a continuation of the great classical epic tradition as well as another link in the universal tradition of epic poetry and storytelling. This presentation will be of interest both to Medievalist as well as specialists in the Renaissance, Don Quixote, Spain and Portugal. Power Point Presentation. 20 – 30 minutes.

Duke Cruz, Westminster College Philosophy This research focuses on the nineteenth-century philosopher Friedrich Nietzsche, his philosophy, and how that relates specifically to what he thinks about music. In general this presentation will consist of three main parts: 1) analyzing passages on music in a few of Nietzsche’s works, specifically, “The Birth of Tragedy”, “Beyond Good and Evil”, and “Twilight of the Idols’” with supplementary material relating to his philosophy taken from “The Anti-Christ”, and Walter Kaufmann’s biography of Nietzsche “Nietzsche: Philosopher, Psychologist, Antichrist”; 2) showing the relation of music and reason in each example; 3) postulating the importance of this relation. Throughout my research on Nietzsche and his thoughts surrounding music, it is apparent that whenever he discusses music, it is never about the specific score, keys, melodic content, etc. Instead, I found that in most of the passages that I have ran across, Nietzsche’s thoughts on music collide directly and importantly to his philosophy. In this presentation I aim to elucidate what the importance of this relation between music and reason could be for Nietzsche.

Anna Maria Guadarrama, Utah State University Languages, Philosophy, and Communication Studies Guerrilla warfare is an ancient style of armed conflict that continues to be practiced throughout the world today. Many countries and peoples have either taken part in guerrilla warfare or have sought to counteract irregular war with counterinsurgency methods (e.g. United States). This thesis project consists of an analysis of the guerrilla warfare theories and battlefield strategies utilized by Ernesto ‘Che’ Guevara—the Argentine-born Cuban revolutionary considered by most people as the premier thinker on the nature of guerrilla warfare. Guevara developed his foco theory of guerrilla warfare based on the model of warfare used successfully during the Cuban Revolution, and then sought to replicate this achievement in The Congo and Bolivia. After a brief introduction on the nature of guerrilla warfare in general, the thesis proceeds to analyze the theoretical writings on guerrilla warfare by Ernesto ‘Che’ Guevara, as seen in his seminal treatise Guerrilla Warfare: A Method (1963). The thesis then proceeds to analyze Guevara’s application of his foco theory as an on-the-ground guerrilla leader to evaluate the praxis of Guevara’s foco theory during his guerrilla campaigns in Cuba, The Congo, and Bolivia.

A. Emma McFarland, University fo Utah Languages and Literature The Romance of the Rose of Guillaume de Lorris recounts the story of a dreamer who, wandering through a garden, encounters a rose and is overcome with desire for it. While it is undisputed that The Romance of the Rose is an allegory of love, the kind of love it portrays and the stance it takes on the matter remain hotly debated. Is The Romance an ideal depiction of “courtly love” where the rose is the woman admired? Is it an erotic tale of the conquest of desire, the rose symbolizing forbidden sexual aims? This paper conceptualizes The Romance of the Rose as the lover’s quest to attain his erotic desire within the confines of a system of courtly love that valorizes fin amor over fol amor. Romantic love and erotic desire are irreparably alienated from one another within medieval courtship and, here, Guillaume seems to use his allegory to elucidate the harms inflicted by this courtship system. Juxtaposing the woman Rose with the textual image of the rosebush, we see the violence incurred by this love object that has been both exalted into oblivion and objectified into bits. This paper traces the dissection of the rose image, reads the rose as a euphemism of sexual aims, and studies the God of Love as the personification of courtly love’s enforcement. In the realm of The Romance of the Rose, to love is to suffer and both lover and loved are relentlessly subjugated to violence.

Katie Patterson Hulett, Dixie State University English, Literary Studies emphasis In the last pages of her memoir, The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston tells the story of the Chinese poetess Ts’ ai Yen, a woman captured by

Summer Mosgofian-Barry, Dixie State University English-Secondary Education Even avid readers of J. R. R. Tolkien’s work may not recognize how extensively his scholarly pursuits and deep knowledge of ancient languages and legends inform his fantasy writing. As a scholar who not only gave new insight into the art of Beowulf, but also as one who proved the existence of a remnant of Old and Middle English untouched by the Norman conquest, he used his mastery of Germanic languages “Old and Middle English, Old Norse, Old Finnish, Welsh” and even his familiarity of Proto-Indo-European vocabulary, to create linguistic and narrative elements in fictional works like The Hobbit and The Lord of the Rings trilogy. The connections between his scholarly pursuits and the characters and languages he invented, such as those between Anglo-Saxon syntax and mythology and Tolkien’s idealized Anglo-Saxons, the Rohirrim, as well as those connections between Snorri’s Edda and the Elvish language Quenya, clearly demonstrate his acumen as a philologist. In fact, some of Tolkien’s Middle Earth legends were clearly inspired by his extensive knowledge of, and are even modeled after, ancient writings and legends, including Beowulf, The Wanderer, “The Maid of the Moor” and Grendel, while he also utilized kennings like those seen in, again, Beowulf, “Caedmon’s Hymn”, and Snorri’s Edda. This paper looks at multiple, though certainly not all, of Tolkien’s use of early language forms and legends and in doing so, delivers the following conclusion: Tolkien’s extensive scholarly work and love of many languages, as well as his passion for the mythology of those languages, clearly plays an integral part in his fiction.

Melissa Lewis, Dixie State University English Both George Eliot and Thomas Hardy have been called determinists partly as a result of their novels The Return of the Native and The Mill on the Floss. The role of fate or destiny largely guides the plot of these works, regardless of the decisions and merit of the characters. A comparison of the style of determinism between the two authors reveals that George Eliot emphasizes a moral force while Thomas Hardy focuses on a force associated with nature. Eliot’s determinism suggests that the world is determined but that humans still remained morally responsible for their actions, as Maggie is responsible for not feeding Tom’s rabbits or for her lack of decision as she drifts down the river with Stephen Guest in The Mill on the Floss. Hardy tends to be more of a naturalist. The naturalist is a product of post-Darwinian theory that humanity is controlled entirely by nature. For example, the fate of Eustacia Vye in The Return of the Native seems to be controlled by the hand of Egdon Heath. Both novels depict extraordinary characters in a world bent to squash them. These novels reveal that the individual exists as a solitary entity, and the relationship that used to exist between God and individual is now between the individual and society. Both Eliot and Hardy create novels where the world seems determined and cruel and characters that don’t adhere or fit in this mold are eliminated or reduced.

Kendra Williamson, Brigham Young University Linguistics and English Language Questions regarding language policy have persisted in Intensive English Programs nationwide. BYU’s English Language Center has revoked an English-only policy in favor of an English-mainly policy. In this environment, a two-month study has been initiated in which four experimental-group classes are provided tools for self-regulated learning to encourage English use during the lunch break. Students record goals and perceived actuals daily, reflect and respond to their individual progress, and receive weekly printed progress charts. As students use tools designed for self-regulated learning, it is expected that their daily efforts to speak English and their speaking proficiency test scores will improve.

Susie McGann, Brigham Young University Humanities As the American economy changes, jobs are becoming increasingly more focused on teamwork, collaboration, and analytical and social skills in addition to technical skills. My initial hypothesis is that such knowledge and skills can be located in the category of a capacity for leadership–leadership of a sort that is of value even among entry-level professionals. These skills can be acquired through study in the Humanities. With my research, I hope to prompt change in the existing culture among students majoring in these fields so that they will begin conversations about careers earlier and more frequently among fellow students and faculty. In order to reach these goals, I collaborated with other humanities students to compile a group of individual essays that explain to undergraduates in Humanities majors how their study is preparing them to be leaders. I reviewed and edited these papers, and researched and wrote a supplicant formal essay to address current or prospective students in Humanities disciplines. The collection of papers are accessible to Humanities students through the College of Humanities as a resource written by students in their fields that explains the value of a Humanities education for life after college. I also organized and hosted an event for undergraduate Humanities students to begin a college-wide conversation about their Humanities degrees in terms of leadership.

Madison Mercer, Brigham Young University Anthropology Between 1964 and 1969, Spotten Cave near Goshen, Utah was excavated by Brigham Young University (BYU) archaeologists. In 1971, James M. Mock published the only official report dedicated to this site as his Master’s Thesis. This cave contained valuable artifacts that can allude to the diet and medicinal plants of the Fremont Indians and other Utah prehistoric groups. Such plant knowledge is scarce throughout the Eastern Great Basin, even among those cultural groups where much is known. Through a comparison study called ethnohistory between those living now, such as modern Gosiute, Ute, and Shoshone, with what plants have been found in human coprolites (fecal remains) from Spotten Cave, it is possible to recon- struct what plants prehistoric people may have used for food or medicine. This will provide greater insight into who lived before in the Eastern Great Basin and is helpful knowledge for those wishing to study how the Utah environment was utilized in the past.

Laura Hatch, Brigham Young University Humanities, Classics, Comparative Literature Art historians and artists have long treated linear perspective solely as an artistic technique. As defined by the Italian Renaissance, linear perspective is a tool to recreate reality on a canvas. But linear perspective carries philosophical implications, as well. Albrecht Dürer, a German Renaissance artist, seems to have understood perspective’s limitations in truth-making. In reading this image with a knowledge of Heideggerian phenom- enology, I propose that while on the surface this woodcut may seem to be nothing more than an illustration of proper technique, Dürer is actually exposing linear perspective’s failure to capture and truly represent an image as reality.

Megan Barber, Brigham Young University History This project investigates the British view on the Civil War in the United States. Specifically, it explores the correspondence between Richard Lyons, the British envoy to the United States, and Lord Russell, the British Secretary of State for Foreign Affairs. It charts the changing perception of Lyons’ view of the Civil War as it progressed during the first crucial year of the conflict. The Confederacy actively sought British recognition and in fact sent two representatives to the United Kingdom who were subsequently seized by a Union ship. Lyons’ role in what came to be known as the Trent Affair is known, but has overshadowed his other perceptions of the conflict. This project draws on the original PRO manuscript correspondence held in the UK National Archives in London.

Betty Stoneman, Utah Valley University Philosophy The “American Dream” and the “Working Class Promise” are ubiquitous ideologies in American culture. For this paper, I will argue these ideologies are social constructs which perpetuate and reinforce discrimination, the social hierarchy and the domination of the American working class. First, I will define the key concepts of this paper: ideology, stereotyping, domination, discrimination, the ideologies of the American Dream and the Working Class Promise. Secondly, I will argue these ideologies, as defined by communications professor Kristen Lucas, lead to discrimination and domination of the working class. I will argue the Working Class Promise is an example of philosopher Frederick Nietzsche’s slave morality, where a lower status group attaches positive values to themselves which only serves to perpetuate discrimination against them. Further, I will argue domination arises from such discrimination by examining a study by psychologists Shannon K. McCoy and Brenda Major regarding positive stereotyping, self-stereotyping, discrimination and domination. Next, I will argue, using sociologist Pierre Bourdieu’s concept of habitus, both the Working Class Promise and the American Dream are structured and structuring social concepts which reinforce discrimination and domination through exclusion. In line with Bourdieu, I will use social philosopher Louis Althusser’s arguments to show how the Working Class Promise and the American Dream reproduce the roles of the social hierarchy and domination. I will support this demonstration with evidence from McCoy and Major’s study showing how various forms of discrimination are reproduced in society when individuals believe in the American Dream. Having accepted the social insights of these scholars, I would propose, based on the arguments of philosopher Immanuel Kant regarding the intrinsic worth of rational beings and contrary to elitist or socialist views, the solution is for Americans to reject these ideologies.

Ryan Krage, Utah Valley University English and Literature Within Freshman Composition Studies, little research has been produced on writing conferences between students and teachers since Laurel Johnson Black’s Between Talk and Teaching: Reconsidering the Writing Conference in 1998. Most published research has not included any systematic information about the nature of the writing conference, a consultation between the student and teacher designed to discuss the student’s paper in order to make changes. Student feedback and involvement in this study is of crucial importance because there is no existing data whether teacher-student conferences are working from a student perspective. The major research question is “What is the relationship between types of teacher-student conference interaction and subsequent revision of students’ papers?” The purpose of the research is to discover what the writing conference between teacher and student accomplishes in terms of better writing outcomes, what the expectations of the student are, and what and how the power dynamics between student and teacher affect the quality and quantity of revision from both student and instructor perspectives. We will examine the connection of students’ perceptions about the writing conference to their final scores and other data. During the spring 2012 semester, we drafted three surveys designed to capture students’ perspectives and expectations regarding the conferences (a pre-conference, post conference, and post final grade). The methodology includes transcribing voice recordings of conferences, collecting student surveys before and after conferences, and collecting students’ rough and final drafts for two papers during the semester. This raw data will be coded into usable data, which will then be analyzed to identify behaviors that facilitate or impede the conference and determine its overall effectiveness. We hypothesize that a dialogic conference will occur when the power dynamic between student and teacher is more equitable, resulting in more student-ownership over the revision process. The extent of student ownership within the revision process will be determined by both the quantity and quality of revision. These findings will, in turn, enable teachers to take a closer look at the nature of their own writing conferences in order to develop better consultations with their students.

Echo Smith, University of Utah English and Classics In his novel Querelle Jean Genet depicts homosexual relationships among men, primarily in the navy, as narrated by the character of Lieutenant Seblon. The main object of Seblon’s affections and infatuations is Querelle, after whom the work is titled, the reigning protagonist. As the novel quite overtly depicts the occurrence of sexual acts between men, it is easily read as homosexual literature. However, what I argue is that homosexuals, within the novel, are identified more by verbal expressions than acts of the body. Throughout the text, Genet frequently draws attention to the mouth and the ways in which it expresses, imbibes, or expels. Using Georges Bataille’s theories of the mouth, which also focus on a type of oral release, I opine that one can see the relationship between this orifice and the way in which we, as humans, take in or eject things from our bodies. This notion coupled with Genet’s employment of the mouth as a means of homoerotic expression provides for a queering of the mouth to occur. Therefore, I conclude that the mouth, in the text of Querelle, becomes the orifice through which homosexuality is released from the body, primarily through verbal expression, and becomes the more accurate indicator of the homosexual within the text.

Shannon McLean, Southern Utah University English The classical Indian writers Amaru, Bhartrhari, and Kalidasa each used the srngara rasa, or erotic mood, in their works. The srngara rasa was considered to be one of the most important aesthetics in Indian literature, and the audience was encouraged to delight in the experience they received from the erotic depictions in the poetry or play. This is very different from the Western treatment of sexuality. Typically, the erotic was discouraged, and in some cases forbidden, to be discussed overtly in poetry, books, and plays, because it was believed to cause more harm than good. I investigated the portrayal of human sexuality in the works of these three authors in order to discover whether their use of the erotic mood encouraged their audience to pursue the benefits of physical love, or whether there existed a different interpretation for its use. Although the Indian writers mentioned above were more open and accepting of human sexuality in their writings than the Western tradition, they also depicted the negative consequences that can result from the indulgence of physical love.

April Jackson, Dixie State University English With the publication of Kate Chopin’s complete works in 1969, proponents fighting for a new paradigm regarding women’s choices in regard to sexuality, marriage, and motherhood found much to consider in her work. Often, critics will analyze Chopin’s works with a limited feminist lens, focusing on themes of marriage, sexuality and sexual independence, and the creation of self-identity through marriage and sexual awakenings. However, Chopin’s works do not focus on women and the world they face to the exclusion of men; in writing about women and their lives, she also draws attention to the effects the attitudes of men have on women. Focusing on Chopin’s male characters, who often serve as satellite figures, this paper will analyze the way men in her texts can create an atmosphere in which women can, without fear of societal rejection, shape their own lives. In her larger body of works, two men exemplify this ideal man: Gouvernail, who appears in “Athenais” and “A Respectable Woman”; and Offdean, who appears in “A No-Account Creole.” These two men represent a model of masculinity that is most conducive for women to fully assert and create their sexual and social independence and self-identity. With the study and analysis of these satellite male characters, rather than limiting the analysis to just the women’s experiences, deeper and newer readings of Chopin’s work will surface and allow for additional themes to come forward in the broader area of Chopin studies.

Kev Nemelka, Brigham Young University Art History and Curatorial Studies Hungarian art has yet to break across the Atlantic with much influence on the art world, but perhaps the oeuvre of Béla Kondor (1931-1972), considered by many Hungarian art historians to be the starting point of Hungarian contemporary art, may have a shot at drawing the nation’s art out of obscurity and into the light of American contemporary “faux-naïve,” an art tradition with a growing momentum that could provide fertile terrain for Kondor’s comparable aesthetic. The faux-naïve tradition springs from “naïve art,” an art tradition whose name itself has been somewhat controversial in the past decade but has nevertheless influenced artists all over the globe. Particularly in Utah Valley, a number of artists and art professors—e.g. Andrew Ballstaedt, Fidalis Buehler, and Brian Krishisnik—are developing their own faux-naïve versions of contemporary folk art similar to that of Kondor with no knowledge of his existence, and although some contend that the sincerity of faux-naïve is factitious and premeditated, the secular and religious works of Kondor and these American artists show the positive side of contrivance, that faux-naïve can provoke feelings of nostalgia and insight into real emotions, focusing our attention on adolescent memories or spiritual innocence alluded to in the works rather than on the lack of complexity, precision, or realism often sought after by aficionados of conventional, believable art. I personally interviewed numerous Kondor experts and curators of Hungarian museums, recovered archived articles on the artist held in Hungarian collections, and conducted comparative analyses of Kondor and the aforementioned Utah artists, whom I also interviewed regarding the subject of faux-naïveté.

Joshua Klein, Brigham Young University History In the last half of the 20th Century, the history of the enigmatic British intelligence community has been increasingly exposed as multiple archives have allowed access to original documents. This project involves a study of the Joint Intelligence Community, an agency created a few years before the outbreak of World War 2. The committee had the task of combining reports from the various agencies within the British Intelligence community into one cohesive report for the Chiefs of Staff and the Prime Minister. As part of a research project at Cambridge University, I acquired the primary sources (the JIC reports throughout the war) in a trip to the Kew Archive of the British National Archives in London. Because the reports represent the various agencies’ combined reports, they consequently offer a remarkable insight into the thinking of British policy makers on a week by week basis; thus, they reveal British policy makers’ information, opinions, and perceptions within the context of the war. These extraordinary sources profoundly limit historical anachronism. My discoveries reveal a plethora of inconsistencies between our contemporary understanding of British perceptions during the war and actual British perceptions during the war. Following is a brief list of these preliminary discoveries, which I hope to present at UCUR. I will discuss how these insights helps shape our contemporary understanding of British perceptions during the war. Surprising hesitancy to believe that Germany would attack Russia Over-estimation of Britain’s role in the war and a under-estimation of Russia’s role Relatively late recognition of Germany’s doomed fate on the Eastern Front Failure to recognize German potential to continue fighting as the war nears the end Severe British anxiety regarding German attempts for a peace agreement Explicit failure to identify the Nazis’ ideological motivations throughout the entire war Anti-Soviet tendencies throughout the war

Matt Cox, Brigham Young University History The role of the Magistrate or civil leader was a topic of debate in the time of John Locke and a focus of many of his political writings. Focusing on four of his main political pieces, his Essay on Toleration, a Letter Concerning Toleration, Two Treatises on Government, and Paraphrase and Notes on the Epistles of St. Paul, I examine how he developed his ideas on the role of the magistrate and the changes that take place. I show how Locke transitions from his youthful acceptance of the absolute rule of kings to his final views where he shows how even Paul leaves room open in his epistles for disobedience to rulers. Essential in this transition is Locke’s limitation on the powers of the magistrate. In his early writings Locke allows for the use of force in protecting the overall good of the society. Locke redefines this vague role of the magistrate by limiting the power of the magistrate to acting only in the protection of the rights, liberties and property of their citizens.

Abbie Black, Brigham Young University History Wet-nursing, a common practice in early modern England, was looked upon as a respectable source of income for women until the latter half of the eighteenth century. Scholars and doctors criticized the practice in both moral and medical terms, which influences how scholars analyze the occupation today. Constant attacks on the occupation continued until the practice was associated with lower class, sinful women; the practice all but disappeared by the early twentieth century because of the negative rhetoric and the advances in safe synthetic feeding practices. Historical scholarship reflects the negative rhetoric that was prevalent for the past two centuries; they forget to mention that wet-nurses continued to be essential to Early Modern English culture and Victorian families. Both the employer family and wet-nurse relied on this labor; families with an at risk child needed the labor of the wet-nurse, and the wet-nurse needed the income for her own support. Recent trends in scholarship focus on the practice from the top down as an institution rather than an occupation for individuals. I intend to fill this gap in scholarship by focusing on the wet-nurse as an individual functioning independently from the increasingly negative rhetoric during the mid-nineteenth century.