Humanities

Paden Carlson, Utah State University Humanities Historically, many artists have struggled with mental illness; they use their art as a way to cope with, and explore, their troubled lives. Writers, in particular, often seem to turn to writing when their situations seem empty or their lives appear to be in ruins. Sylvia Plath, Virginia Woolf, Anne Sexton, Mark Twain, and F. Scott Fitzgerald all suffered from depression. Some of their best work originated from their pain. Ernest Hemingway also suffered from depression, though it never manifested itself in his work. Part of my project is to read the letters he wrote to his doctors to see if he reveals his struggles through his correspondence in a way that he doesn’t in his fiction. I’d like to read these letters with my own depressive struggles in mind and think about the relationship between art and depression, thereby coming to better understand my own need to create.

Sara Calicchia, Utah State University Humanities Successful writing, achieved by self-regulated writers, depends not only upon focus and content, but also the writing environment, including the physical and social setting, which varies greatly among writers. Just as musical tastes differ among individuals, there are strong preferences regarding the role of music in a writing setting. To better understand the environmental self-regulation of writers, I selected a group of twelve high-achieving writers with a range of musical interests, including nine professors and three undergraduate students across three academic fields. The results suggest that musical background impacts a writer’s preferred setting, and academic writers should strongly consider this impact when establishing a successful writing environment.

Jackson Bell, Brigham Young University Humanities Since a military coup in 2009, Madagascar’s low standard of living, political instability, and weak economy have worsened. One way to improve the situation in Madagascar is to improve English skills, which are import in the tourism, exports, financial aid, and international academic collaboration sectors. For example, a knowledge of the English language will give Malagasy people access to 45 percent of the world’s scholarly research journals. I recently published a Malagasy-English bilingual dictionary which aimed to meet this need. However, the dictionary is somewhat impractical because it is limited to simple, rigid definitions. It is insufficient for a complete understanding of either Malagasy or English because real-life usage of words often deviates from basic definitions.

Tyson Amundsen, University of Utah Humanities The focus of my research was to create a database of the various people, institutions, and funding agencies that constituted the discursive community of malaria specialists in Brazil—the network responsible for producing and distributing medical knowledge there from 1850-2012. This database will be used to chart trends in Brazilian research and publishing activities, Brazilian participation in international conferences, the reception of Brazilian research abroad, and Brazilian engagement with the work of foreign researchers.

Bunny Christine Arlotti, Dixie State University Humanities The Rape and Incest National Network (RAINN) reports that over two-thirds of rapes in the United States are “completed” by someone the victim knows: “The rapist isn’t a masked stranger.” RAINN’s rape statistics contrast with Frank Norris’s depiction of rape in The Octopus: A Story of California (1901). Based on an historical event, The Mussel Slough Tragedy (ca. 1880), the novel’s main plot focuses on a group of San Joaquin Valley ranchers who band together to battle the Southern Pacific Railroad’s tyrannical land grab. But out of this epic clash between man and steel emerges a subplot centered on the rape and victimization of a young woman named Angèle Varian. This paper explores the Vanamee-Angèle subplot, examining how Norris stereotypes Angèle and blames her for her own victimization. By treating Angèle as an example of what Paula Hopkins and Kristina Brooks label the “fallen woman,” Norris attempts to arouse the reader’s sympathy, not for Angèle but for her boyfriend, Vanamee, who is also one of the rape suspects. I will support my findings by examining the following works: Stuart Burns in “The Rapists in Frank Norris’s The Octopus,” Maria Brandt in “For His Own Satisfaction: Eliminating the New Woman Figure in Mcteague,” Paula Hopkins and Kristina Brooks in “New Woman, Fallen Woman: The Crisis of Reputation in the Turn of the Century,” and Joseph McElrath in Frank Norris: A Life. Ultimately, from a feminist’s perspective, Norris’s underlying message about his rape victim says volumes about his endorsement of the Victorian perspective toward the “fallen woman”-they were not worth saving, helping, or hearing from ever again.

William Palomo, Westminster College Humanities While researchers have historically marginalized the literature of El Salvador, Alfonso Kijadurías (formerly Alfonso Quijada Urías) has earned an international reputation for his diverse and incisive poetic style. Contextualizing Kijadurías’ work within the Salvadoran literary tradition reveals the historical and political backdrop driving Kijadurías’ political stances and literary experimentation. Examination of the political, philosophical, and mystical obsessions in Kijadurías’ works demonstrates how his literary career has lived up to and outlasted La Generación Comprometida, a politically-charged literature and arts movement that revolutionized the Salvadoran arts scene during the 1950’s. His work challenges contemporary politicians and the philosophy of Deconstructionism in an attempt to guide the reader through a spiritual transformation that leads to the abandonment of the self and ultimately to freedom.

Garrett Norris, University of Utah Humanities In this abstract, I will summarize the major differences and similarities I have found between Chinese and Japanese concepts of loyalty represented in the the three classical texts I analyzed.

Jane Hise, Dixie State University Humanities Modern cultural perceptions of appropriate gendered behavior can pressure individuals into unhealthy, often self-destructive, behaviors in an attempt to attain an unachievable paradigm of gendered and sexual perfection. Social norms, however, are transitory and therefore, any attempts to achieve gendered perfection based on these norms are at best inauthentic performances, and the dangers inherent in the pursuit of such skewed perceptions of masculinity and femininity are inherently dangerous to the physical and emotional health of the individual. While we are not likely to eliminate the indoctrination of current or future generations into the culturally sanctioned roles of gender performance entirely, recognizing the artifice in these expectations and behaviors can expand the boundaries of socially accepted standards to allow for healthier expressions of identity.

Megan Armknecht, Brigham Young University Humanities Transcendentalist writers such as Margaret Fuller, Ralph Waldo Emerson, and Amos Bronson Alcott were highly influenced by the German Romantic philosopher, Johann Wolfgang von Goethe. Louisa May Alcott, one of the later transcendentalists, was also an admirer of Goethe’s work and philosophy. Although considerable research has been done on the influence of Goethe on Alcott’s later works, such as A Long and Fatal Love Chase, A Modern Mephistopheles, and “The Freak of a Genius”, there has been much less research done on the Goethean influence on Little Women, and none at all on the resonances between Jo’s love interest, the German professor Dr. Bhaer, and Goethe. This research will explore the connection between Louisa May Alcott, Dr. Bhaer, and the Goethean ideal as developed in Alcott’s writing. In my presentation, I will show the importance of this connection as it adds significant depth to Little Women.

Steven Hepworth, Weber State University Humanities Mormons and Missourians were at war with one another 1838. At the heart of the issue was the political and literal power of the Mormons in the state. The Mormon leader, Joseph Smith, claimed to have received revelations stating Missouri, and more particularly Jackson County, was to be the land of inheritance for Mormon Saints. Missourians feared a Mormon overtake of the State. During this same time the growing issue of slavery was the issue in Missouri. Mormons and Missourians found themselves on opposite ends of the slavery debate. These heated issues caused both Mormons and Missourians to persecute, harass, destroy, and fight one another. Orson Hyde changed the landscape of this conflict. On October 24, 1838 Orson Hyde signed a sworn affidavit declaring that Joseph Smith and the Mormon Church planned to overtake, possess, and control the State of Missouri. At the time, Orson was an Apostle, or leading member of the Mormon Church. He was well respected within the church and throughout the Missouri community. His testimony against the church and its leaders came as a shock to many. He showed no sign of discontentment previous to his signing a sworn affidavit against Joseph Smith and the Mormon Church. Why would a leading member of the Church of Jesus Christ of Latter day saints testify against his religion, which he still held dear, and his friends? Orson Hyde indicted Mormon leaders of treason to save the lives of his family, to placate non-Mormon neighbors, and because of a failed mind due to illness. I will explore the involvement of Hyde in the Mormon Missouri war, what led him to testify against the Mormon Church, and the consequences resulted from his testimony.

Colby Townsend, University of Utah Humanities A vast amount of literature has been produced on the Book of Mormon since its initial publication in 1830. Writers from all backgrounds have approached this text, generally in a polarized manner. Either they approach it as committed believers or non-committed skeptics. In reviewing this literature it becomes apparent that not enough work has been done on the influence of the King James Version (KJV) of the Biblical text on the actual production of the Book of Mormon. A large project is underway to locate all of the places in the text of the Book of Mormon that are literarily dependent on the KJV. This paper will be a contribution toward that end. Malachi 3-4 is quoted in numerous places throughout the Book of Mormon, not just 3 Ne. 24-25 where Jesus gives the Nephites these chapters because “they [had them] not.” The paper will locate all of those places in the text of the Book of Mormon where the language and phraseology of Malachi is used, and its use will be analyzed through literary and source criticism. At present this paper is still a work in progress, and therefore has no set conclusion, but the working hypothesis is that Joseph Smith either utilized the KJV Malachi directly in the process of dictating the Book of Mormon by taking out a KJV and having his scribe copy it down, or the language was so familiar to him it came to mind as he dictated to his scribe. This will contribute to the larger study of locating all those places in the Book of Mormon that are dependent on the Bible, which will be published as a scholarly reference for use in comparative studies between the Bible and the Book of Mormon.

Echo Smith, University of Utah Humanities Since the publication, in 1995, of Jonathan Shay’s Achilles in Vietnam, an increasingly popular view of PTSD in soldiers holds that modern day combatants experience the horrors of warfare in much the same way as did ancient Greek and Roman soldiers and that PTSD must have been just as prevalent in the classical world as it is today.

Emily Simmons, Utah Valley University Humanities In Franz Kafka’s novel The Trial, the protagonist Josef K. is accused and ultimately punished for an unspecified crime of which he proclaims himself innocent. This paper examines Kafka’s novel through a religious studies approach—specifically, offering a reading of the Judeo-Christian myth of the fall of Adam and Eve, as exemplified in The Trial. I thus posit that K. is a type of post-fall Everyman who suffers the effects of the fall, attempts to restore himself to a Edenic state, but rejects the opportunity to be the fallen world’s savior and instead resigns humankind to continued suffering. To substantiate my argument I analyze four aspects of the novel. First, I examine K.’s conversation with the priest as they discuss the nature and origin of K.’s guilt. Next, I show that K.’s compulsive sexual behavior is his attempt to attain a spiritual completeness through sexual intercourse. Then, I find that as K. is suffering the effects of Adam’s fall, so too are the women suffering from the curse of Eve. Finally, I explore instances where K. exhibits similarities to the Biblical Jesus Christ, arguing that K. has the chance to perform a “savior” role but refuses. In addition to my analysis of the primary text, this paper also draws on contemporary scholars who discuss themes both Biblical and secular with an eye toward understanding K. and his relationship with women and the world around him. As a result of this analysis, I conclude that although K. is demoralized from the corrupt judicial system, maze of pointless bureaucracy, and hollow authority of the novel’s priest, he continues to seek, until the very minute of his death, salvation from the effects of the fall.

Romy Franks, Brigham Young University Humanities Following the Second World War, the adventurous westerns of 19th-century author Karl May resurfaced in Germany as wildly popular pulp fiction and dime novels. In subsequent decades, May’s literature inspired several successful film adaptations in the West, followed by alternative “Indian films” in the East. Karl May and the contemporary phenomenon of the global Western film genre tapped into many themes central to Germany’s long, tortured quest for a national identity. Post-war Germans looked to Westerns as a means for “projecting” a new image of Germany to the world-one that could help overcome the stigma of Nazism.

Jacob Newman, Brigham Young University Humanities In ‘A New Approach to Assessing Strategic Learning: The Case of Self-Regulation in Vocabulary Acquisition’ Tseng et al. (2006) discuss their design of an instrument that measures learners’ self-regulatory capacity rather than use of specific learning strategies. Learning strategies include a variety of behaviors or activities that a learner does to help them during the learning process. This instrument (SRCvoc), designed as a questionnaire, aims to help learners discover their self-regulatory capacity and then apply personalized learning strategies that are beneficial to their own vocabulary learning. Vocabulary learning is essential in developing language skills. According to their research, SRCvoc ‘can serve as a diagnostic measure to identify and understand learners’ strengths and weaknesses in terms of the five areas of self-regulation in the area of (English vocabulary) learning’ (Tseng et al. 2006: 96). The goals of the study, per Tseng et al. (2006) were (a) to create an instrument that ‘measured learner trait of self-regulatory capacity rather than survey specific behavioral habits’ (b) to create ‘an instrument based on a theoretical construct.’ SRCvoc is based on self-regulatory strategy research from the area of educational psychology, with facets including commitment, metacognitive, satiation, emotion, and environmental control and (c) to design an instrument “in one particular learning domain only, that is vocabulary learning.” We replicated the administration of SRCvoc to verify that it is of value beyond the original context. With assistance from Dr. Neil Anderson and Dr. James Hartshorn, I administered the questionnaire through a Qualtrics survey to learners in the academic program at Brigham Young University’s English Language Center (ELC) to replicate the original administration of SRCvoc. I created and distributed self-regulatory profiles from the results of SRCvoc to the students. We examined the validity and reliability of SRCvoc through statistical analysis and learned more about training self-regulated learners.

Lauren Harding, Utah Valley University Humanities From the Classical world, the male nude has come to be one of the most recognizable symbols for Greek civilization. This nude is a protean and multifaceted entity that took on different meanings as Hellenic society progressed. Two binary forms of these nudes recur as archetypes, which in this paper are identified as (1) the Heroic/Athletic nude and (2) the Ephebic/Mythological nude. Within the new discursive framework of these two physiques, it is necessary to incorporate the recent research that has been produced after the large feminist and gender studies awakening that has swept through the Classical scholarly world. The field has been wonderfully enriched with this research, and as such a re-evaluation of the male form is in order. This investigation will reveal new and fascinating aspects of Greek sculpture that previously have not been studied, and will illustrate how the distinctions between the two nudes are more easily seen, or, in certain cases, how these distinctions are blurred. Through better understanding this complicated, omni-sexual world of Classical Greece, we will enrich the understanding of our own culture, which is more nuanced than the hetero-normative standard that many believe exists.

Quinn Mason, Brigham Young University Humanities “Law is the highest reason, implanted in nature, which commands what ought to be done and forbids the opposite,” Cicero wrote, “This reason, when firmly fixed and fully developed in the human mind, is Law… Law is intelligence, whose natural function is to command right conduct and forbid wrongdoing.” In Bronté’s well-known novel, Jane Eyre, Jane is confronted with all she desires which is the love of Mr. Rochester, who is married under peculiar circumstances to crazy Bertha Mason. She is given the option of living with Mr. Rochester outside of marriage. However, Jane states, “I adhered to principle and law … [and] scorned and crushed the insane prompting of a frenzied moment”. My research focuses the role of natural law within the complicated situation presented before Jane Eyre and how she masters her passion, rather than being a slave to her desires.

Haylee Jones, Dixie State University Humanities Cesar Chavez, who experienced poverty and exploitation by way of labor practices as an adolescent, became a man who committed himself to making a positive impact on the working conditions for immigrant farm workers in America. He left a fading footprint that others have been reluctant to follow. This paper will examine various role models like Juana Estrada Chavez, Chavez’s mother, and Dolores Huerta, Chavez’s closest associate, who were big influences in Chavez’s decision to become a leader in the civil rights movements as explained by author Kathleen Krull. Authors Susan Ferriss and Ricardo Sandoval elucidated on many of Chavez’s achievements such as the organization of the United Farm Workers (UFW), a group created to unionize immigrants, and the orchestration of nonviolent strikes and marches to expose the unfair treatment of multi-ethnic farm workers. Although Chavez persuaded California to sign contracts that discriminated against biased pay and working conditions, many immigrants still work longer, more strenuous hours than the average American to receive only $2.00 an hour and live in beat down shacks they are forced to call home. Cesar Chavez had a vision that should be remembered and re harvested among Americans everywhere in order to continue improving working conditions of all citizens, no matter where they are from.

Christopher Wiltsie, Utah Valley University Humanities Low racial diversity in Utah leads to common assumptions about the lack of racial tensions. This has resulted in a general disregard for the history of civil rights struggles, specifically in education, for people of color in Utah. In the US as a whole, the 1970s featured both legal and social reform in issues of race and its role in education, but accounts from minorities in Utah tell a different story. This project will be a comparative history, analyzing oral histories regarding educational experiences of people of color that lived in Utah immediately after 1968 until 1980, within the context of the trends at the time throughout the United States. Extensive interviews will provide documentation regarding racial tensions and their effects on educational experiences and achievement. The synthesis of these accounts will help fill in the gaps that exist within Utah’s historical record. Obstacles in education for people of color during the 1970s will be discussed and compared to successes and failures throughout the United States.

Mahreen Bashir, University of Utah Humanities A complicated social paradox humanity faces is assessing the union between the seemingly contradictory ideologies of “sustainability” and “growth” into one viable system. Adapting a merger between concepts such as: the retention of cultural values and social systems, industry, urban sprawl, modernity, sanitation, progress and the environment. This objective of this research project centers around using understandings of post-colonial theory to find new connections in South Asian identity through South Asian literature written in English, and the literature’s relationship to ecology. Specifically, it applies the nascent subaltern lens of a historiography that examines South Asia as both a post-colonial subcontinent, and an emerging “superpower,” in the rhetoric of a global economy, to understand a relationship between Indian people and India as place. Questions asked are posed in regard to the affects of orientalism and a cultural infiltration of seeing endemic knowledge to be degenerate in relation to Western academia; Indian-American identity; and the weight of the term “subaltern” through works by South Asian writers. Furthermore, the project uses an ecocritical lens on these works to extract how identity discourse and post-colonialism have created understandings of Indian identity within English literature. The anticipated outcome of this research paper is to create a greater understanding of both emergent academic lenses, and their application in understanding Indian culture and identity as portrayed by works written by Indo-American writers. This research idea was born out of my passion for both ecology and post-colonial studies that I have honed through my studies as an environmental studies and gender studies double major. The main objective is to investigate the plurality of identity, and the ramifications that identity, has on the establishment of more sustainable behavior to counter the impending global crisis the planet is facing in terms of lack of environmental stewardship, and subsequent social justice.

Helen Makhdoumian, Westminster College Humanities Despite roughly a century of Armenian American literary production, the literary theory and criticism on this body of ethnic literature has only started to develop in the last few decades. David Kherdian is an Armenian American writer whose works range from poetry to prose, fiction to memoir, and translations to retellings of Armenian tales. My research focuses on David Kherdian’s poetry collection Homage to Adana, published in 1970. Previous critics have analyzed Kherdian’s poetry for themes such as childhood, familial relationships, self-discovery, and personal and collective memory. Some critics have read some of Kherdian’s poems as reflecting the loss of Armenian culture due to assimilation in the U.S. In contrast, this presentation analyzes the motif of the Armenian coffee house in select poems in Homage to Adana as a space where geographical, generational, and cultural identities are negotiated. Although on the surface these poems indicate a loss of Armenian culture, I argue that they actually indicate a continuation and adaptation of Armenian culture in the U.S. by the younger generation. To support my argument, my approach uses the theoretical lenses of New Historicism and Cultural Studies. I contextualize these texts with the history of the Armenian diaspora and immigration. Furthermore, I include the historical and cultural significance of Armenian coffee houses as well as the use of Armenian coffee in cultural knowledge sharing. In general, the themes I look for are references to the old country, representations of immigrant Armenian men and women, oral storytelling, and food traditions. Ultimately, this analysis reveals how the poems reflect the negotiation of passing on cultural knowledge. By both continuing traditions and adapting them for everyday lived experiences, Armenian culture will remain vibrant in diaspora.

Melanie Cooke, University of Utah Geography Range Creek is a small deeply incised canyon located in south central Utah. It is a remote canyon that has experienced minimal impact to its rich archaeological heritage by European-American settlers during the last two hundred years. The canyon contains hundreds of important archaeological sites and thousands of artifacts from the Fremont culture that inhabited the area from around 800 A.D. to 1350 A.D. Though work has been done on the archeological sites in the canyon, a better understanding of the paleoclimate and environment are needed to help understand why the Fremont culture disappeared so abruptly around 1160 A.D.Dendrochronology has been shown to provide excellent data for reconstruction of climatic conditions. Conifer tree species, including Douglas fir (Pseudotsuga mensiezii), are well-suited for studying past climate through the analysis of their tree rings. In this study, I use increment cores from Douglas fir to build a local history of tree-ring growth rates through time and will compare these results to regionally available climate records. By comparing changes in ring widths with weather station data, including monthly and seasonal temperature and precipitation records, I hypothesize that Douglas fir will provide a sensitive indicator of past changes in winter precipitation. Twelve tree cores collected from climatically sensitive locations during the 2012 summer are being analyzed from Range Creek Canyon. Preliminary analyses of the tree ring series suggests this study will provide a climatic history spanning the past ~300 years. Although this analysis cannot provide direct observation on climate conditions during the period of the Freemont occupation and abandonment of Range Creek, it will provide insights into the natural climate variability occurring within the Range Creek Canyon. All tree cores are being analyzed with ARSTAN and COFECHA software, commonly used by dendrochronologists, and results will be made available at the time of presentation.

Allison Fife, Utah State University History In 2004, Utah State University acquired a collection of approximately 1,200 rare volumes about the history of science and technology as a result of a bequest by Peter W. van der Pas. A Dutch immigrant and survivor of World War II, van der Pas proved to be an avid book collector and intellectual. Examining the nature and origins of this collection of rare books has permitted consideration of how this specific collection reflected the particular ambitions and needs of its creator. As a result, my pre-cataloging analysis of the books has developed into attempts to demystify van der Pas. Driven in part by an immigrant background, I believe that van der Pas used this collection both to demonstrate his worth as a scientist and engineer, and to legitimize himself in American academia. Through this sort of analysis, we begin to understand both the ways and reasons that significant book collections come into existence.

Anna Maria Guadarrama, Utah State University Languages, Philosophy, and Communication Studies Guerrilla warfare is an ancient style of armed conflict that continues to be practiced throughout the world today. Many countries and peoples have either taken part in guerrilla warfare or have sought to counteract irregular war with counterinsurgency methods (e.g. United States). This thesis project consists of an analysis of the guerrilla warfare theories and battlefield strategies utilized by Ernesto ‘Che’ Guevara—the Argentine-born Cuban revolutionary considered by most people as the premier thinker on the nature of guerrilla warfare. Guevara developed his foco theory of guerrilla warfare based on the model of warfare used successfully during the Cuban Revolution, and then sought to replicate this achievement in The Congo and Bolivia. After a brief introduction on the nature of guerrilla warfare in general, the thesis proceeds to analyze the theoretical writings on guerrilla warfare by Ernesto ‘Che’ Guevara, as seen in his seminal treatise Guerrilla Warfare: A Method (1963). The thesis then proceeds to analyze Guevara’s application of his foco theory as an on-the-ground guerrilla leader to evaluate the praxis of Guevara’s foco theory during his guerrilla campaigns in Cuba, The Congo, and Bolivia.

Summer Mosgofian-Barry, Dixie State University English-Secondary Education Even avid readers of J. R. R. Tolkien’s work may not recognize how extensively his scholarly pursuits and deep knowledge of ancient languages and legends inform his fantasy writing. As a scholar who not only gave new insight into the art of Beowulf, but also as one who proved the existence of a remnant of Old and Middle English untouched by the Norman conquest, he used his mastery of Germanic languages “Old and Middle English, Old Norse, Old Finnish, Welsh” and even his familiarity of Proto-Indo-European vocabulary, to create linguistic and narrative elements in fictional works like The Hobbit and The Lord of the Rings trilogy. The connections between his scholarly pursuits and the characters and languages he invented, such as those between Anglo-Saxon syntax and mythology and Tolkien’s idealized Anglo-Saxons, the Rohirrim, as well as those connections between Snorri’s Edda and the Elvish language Quenya, clearly demonstrate his acumen as a philologist. In fact, some of Tolkien’s Middle Earth legends were clearly inspired by his extensive knowledge of, and are even modeled after, ancient writings and legends, including Beowulf, The Wanderer, “The Maid of the Moor” and Grendel, while he also utilized kennings like those seen in, again, Beowulf, “Caedmon’s Hymn”, and Snorri’s Edda. This paper looks at multiple, though certainly not all, of Tolkien’s use of early language forms and legends and in doing so, delivers the following conclusion: Tolkien’s extensive scholarly work and love of many languages, as well as his passion for the mythology of those languages, clearly plays an integral part in his fiction.

Nina Cook, Utah Valley University History As events of the 1978 April Revolution in Afghanistan played out during the Cold War, U.S. policy makers became concerned about the Soviet sphere of influence and began to fund the Mujahedeen-rebel groups that formed in Pakistan. The Mujahedeen, inspired by jihad, remained divided across ethnic lines, began a religiously inspired struggle against Communist usurpers and oppressors. The United States saw the Mujahedeen as a useful Cold War tool in order to contain Soviet expansion and therefore throughout the 1980’s the United States continued to head the effort to supply the rebels with money and weapons. This aid was crucial in the Soviet decision to withdraw from Afghanistan and contributed to the eventual breakup of the Soviet Union. Yet, many of the Arab Mujahedeen saw this outside the Cold War context, as a victory for concepts of militant Jihad. Thus, the Soviet-Afghan war became a catalyst for the ideas of Radical Jihad, which would lead to a global holy war against the U.S and the West by the al Qaeda network, created during the Soviet-Afghan war, beginning in the 1990s. The significance of the Soviet-Afghan War, then, lies in some unintended consequences for the U.S.: Cold War containment of the Soviets in Afghanistan fueled Jihad, which in turn targeted American interests in an entirely new war.

Shannon McLean, Southern Utah University English The classical Indian writers Amaru, Bhartrhari, and Kalidasa each used the srngara rasa, or erotic mood, in their works. The srngara rasa was considered to be one of the most important aesthetics in Indian literature, and the audience was encouraged to delight in the experience they received from the erotic depictions in the poetry or play. This is very different from the Western treatment of sexuality. Typically, the erotic was discouraged, and in some cases forbidden, to be discussed overtly in poetry, books, and plays, because it was believed to cause more harm than good. I investigated the portrayal of human sexuality in the works of these three authors in order to discover whether their use of the erotic mood encouraged their audience to pursue the benefits of physical love, or whether there existed a different interpretation for its use. Although the Indian writers mentioned above were more open and accepting of human sexuality in their writings than the Western tradition, they also depicted the negative consequences that can result from the indulgence of physical love.

Kimberly Williamson, Utah Valley University History “There is nothing particularly interesting about one’s life story,” Eleanor Roosevelt wrote, “unless people can say as they read it, Why, this is like what I have been through. Perhaps, after all, there is a way to work it out.” Humans throughout time have recognized the need for storytelling and have been preserving oral histories. Narratives supplement our historical memory and offer an in-depth account of personal experience and reflections, which allows another to feel a commonality that often dissolves the barriers of race, class, gender, and even time. During the 19th century, the fight for enfranchisement united Utah’s early settlers with national suffragists. Feminists such as newspaper editor, Emmiline B. Wells and “presidentes” of the women’s organization within the Church of Jesus Christ of Latter-day Saints (LDS), Eliza R. Snow, were in the forefront of this movement. Wells, Snow, along with other women were actively involved in their family responsibilities. However, they also held public and political positions within their communities that were not typical for women of that period. The women’s movement of the seventies recognized that literature wasn’t acknowledging women’s prominent role in society. Not only was there a lack of sources by and about women, but the historiography in general was male dominated. Hence, the LDS church initiated a crusade to collect women’s journals, letters, and other writings of Utah’s pioneers. These sources increased scholarship of Utah’s suffragists, which caused national recognition of the role they played during First Wave Feminism. Nevertheless, there is a trivial amount written about the women in Utah during Second Wave Feminism from the 1970’s to late 1980’s. My research focuses on stories of women in Utah during Second Wave Feminism. I interviewed four women within higher education where they expressed personal experiences that are similar in spirit to Utah’s early settlers. Inadvertently each woman had some connection with the LDS church. My thesis will argue that by extrapolation there were many women, particularly at Utah Valley University who transcended patriarchy to achieve positions of leadership and notoriety. Their personal narratives challenge the feminist theory of patriarchal suppression, which seems paradoxical considering the fact that Utah’s dominant religion, the LDS church, functions as a male governed society.

A. Emma McFarland, University fo Utah Languages and Literature The Romance of the Rose of Guillaume de Lorris recounts the story of a dreamer who, wandering through a garden, encounters a rose and is overcome with desire for it. While it is undisputed that The Romance of the Rose is an allegory of love, the kind of love it portrays and the stance it takes on the matter remain hotly debated. Is The Romance an ideal depiction of “courtly love” where the rose is the woman admired? Is it an erotic tale of the conquest of desire, the rose symbolizing forbidden sexual aims? This paper conceptualizes The Romance of the Rose as the lover’s quest to attain his erotic desire within the confines of a system of courtly love that valorizes fin amor over fol amor. Romantic love and erotic desire are irreparably alienated from one another within medieval courtship and, here, Guillaume seems to use his allegory to elucidate the harms inflicted by this courtship system. Juxtaposing the woman Rose with the textual image of the rosebush, we see the violence incurred by this love object that has been both exalted into oblivion and objectified into bits. This paper traces the dissection of the rose image, reads the rose as a euphemism of sexual aims, and studies the God of Love as the personification of courtly love’s enforcement. In the realm of The Romance of the Rose, to love is to suffer and both lover and loved are relentlessly subjugated to violence.

James Gardner, Utah State University Anthropology Distinct perceptions on healthcare reform exist in every part of a society. This paper examines the volatile healthcare system of Nicaragua and the perceptions of healthcare reform among Nicaraguan medical professionals. Data were gathered through ethnographic field methods including participant observation, informal interviewing, and open-ended questions. The informants were selected from the medical personnel of the E.R. in the Hospital Amistad Japón-Nicaragua in Granada, Nicaragua. First, a framework of the history of Nicaraguan healthcare is discussed. This history is presented as a reflection of the sporadic nature of the Nicaraguan political environment over the last 30 years. The changes in healthcare policy over this time period are then examined through the lens of the hospital’s healthcare providers. Perspectives on public vs. private systems, the limited ability to affect reform, and motivations behind entering the medical profession are analyzed as they pertain to job satisfaction of healthcare workers.

Paul Greenhalgh, Weber State University History Much has been written about the tactics and strategies of World War II, as well as the effects of the war on the world. Far less, however, has been written about the cultural aspect of the war experience, and in particular about the day-to-day culture of the servicemen during the war. Archival research at the Library of Congress and The Institute on WWII and the Human Experience at Florida State University yielded the bulk of the primary sources while a review of the literature on WWII and the culture of U.S. servicemen during the war provided context. Additionally, a cross-disciplinary review of psychological literature on pets and their importance to well-being, as well as why it is important for people to create a sense of home, has nuanced the research. This study looks at the personal effects that servicemen had during the war and how their possessions contributed to the creation of a sense of home while they were deployed. Servicemen carried a vast variety of possessions with them that were not Government Issue. These possessions included diaries, pictures of, and letters from, loved ones, Bibles, pets, musical instruments, and talismans. Moreover, in letters and in diaries, these servicemen have described why they personally have carried these objects with them. This study adds to the body of knowledge on the cultural aspect of WWII servicemen, and therefore adds to the overall understanding of WWII and the culture of war in general.

Katie Patterson Hulett, Dixie State University English, Literary Studies emphasis In the last pages of her memoir, The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston tells the story of the Chinese poetess Ts’ ai Yen, a woman captured by

S. Geneva Balin, Weber State University Anthropology In the past, mythology served as a guide to how life should be lived and provided a context for the condition in which people found themselves. As the sacred gave way to the secular, mythology lost its power to influence and guide the people as it did in the past. Rather than myths, people turned to literature for guidance. These stories have been told and retold through different eras in history. They have also been shared in contemporary forms such as books and movies which now reach a large audience. This paper will examine stories of social outcasts in an interpretive exploration into culture through the lens of literature. The multiple versions “The Phantom of the Opera” and “The Hunchback of Notre Dame” reflect the cultures in which they were produced as well as the contemporary cultures that love them. A basis for comparison will be established by first recounting, in summary, the plotline for each of the novels. Then theories relevant to exploring meaning will be approached, notably those of Claude Levi-Strauss, Émile Durkheim, Dame Mary Douglas and Carl Jung. From here, variations of the stories and the history surrounding them can be examined to discover potential social meaning and show the importance of stories as a way to bind a culture together.

Melissa Lewis, Dixie State University English Both George Eliot and Thomas Hardy have been called determinists partly as a result of their novels The Return of the Native and The Mill on the Floss. The role of fate or destiny largely guides the plot of these works, regardless of the decisions and merit of the characters. A comparison of the style of determinism between the two authors reveals that George Eliot emphasizes a moral force while Thomas Hardy focuses on a force associated with nature. Eliot’s determinism suggests that the world is determined but that humans still remained morally responsible for their actions, as Maggie is responsible for not feeding Tom’s rabbits or for her lack of decision as she drifts down the river with Stephen Guest in The Mill on the Floss. Hardy tends to be more of a naturalist. The naturalist is a product of post-Darwinian theory that humanity is controlled entirely by nature. For example, the fate of Eustacia Vye in The Return of the Native seems to be controlled by the hand of Egdon Heath. Both novels depict extraordinary characters in a world bent to squash them. These novels reveal that the individual exists as a solitary entity, and the relationship that used to exist between God and individual is now between the individual and society. Both Eliot and Hardy create novels where the world seems determined and cruel and characters that don’t adhere or fit in this mold are eliminated or reduced.

Hanna Higginson, University of Utah Anthropology The study, “Sentimentality Preserves Our Past” focuses on two branches of nostalgia: sentimentality and historical utility and their relationship to cultural relics. Our approach assumes we can recognize similarities and differences between cultural communities by describing the extent to which individuals are sentimental or utilitarian with regard to their possessions. We are currently collecting data from the northern Utah community and Utah Tongan community. We set up a preliminary exercise asking participants to free list the items they have a difficult time throwing away for sentimental reasons. So far we have collected 40 questionnaires and 13 interviews that focus on the five most referenced items. Our target is to conduct about 45 questionnaires and 45 interviews for each community. For the Utahan population we have enough data to identify an S:U RANK – the ratio between a participant’s measure of sentimentality to the measure of utility. For the 25 questions where a respondent’s answer could be classified as appealing to sentimentality (s) or historic utility (h), we summed the totals then divided it by the sum of the answers appealing to utility (u). All totals above 1 indicate that the respondent prefers protecting items for nostalgic purposes; all answers below 1 indicate the respondent prefers items of utility. The S:U RANK gives a general view into a particular population. From this we can discuss the effect of variables such as age, marital status, children, age of children, and years in Utah on an individual’s preference. Currently, the pattern from the S:U RANK suggests that marital status and children are having the greatest effect on the ratio, but this will become clearer as the interviews progress. The research began as an effort to understand the presence of nostalgia as applied to five common relics among a particular diaspora, in light of the incoming data, this question is developing into an attempt to understand nostalgia in a cultural and universal sense as well.

Betty Stoneman, Utah Valley University Philosophy The “American Dream” and the “Working Class Promise” are ubiquitous ideologies in American culture. For this paper, I will argue these ideologies are social constructs which perpetuate and reinforce discrimination, the social hierarchy and the domination of the American working class. First, I will define the key concepts of this paper: ideology, stereotyping, domination, discrimination, the ideologies of the American Dream and the Working Class Promise. Secondly, I will argue these ideologies, as defined by communications professor Kristen Lucas, lead to discrimination and domination of the working class. I will argue the Working Class Promise is an example of philosopher Frederick Nietzsche’s slave morality, where a lower status group attaches positive values to themselves which only serves to perpetuate discrimination against them. Further, I will argue domination arises from such discrimination by examining a study by psychologists Shannon K. McCoy and Brenda Major regarding positive stereotyping, self-stereotyping, discrimination and domination. Next, I will argue, using sociologist Pierre Bourdieu’s concept of habitus, both the Working Class Promise and the American Dream are structured and structuring social concepts which reinforce discrimination and domination through exclusion. In line with Bourdieu, I will use social philosopher Louis Althusser’s arguments to show how the Working Class Promise and the American Dream reproduce the roles of the social hierarchy and domination. I will support this demonstration with evidence from McCoy and Major’s study showing how various forms of discrimination are reproduced in society when individuals believe in the American Dream. Having accepted the social insights of these scholars, I would propose, based on the arguments of philosopher Immanuel Kant regarding the intrinsic worth of rational beings and contrary to elitist or socialist views, the solution is for Americans to reject these ideologies.

Echo Smith, University of Utah English and Classics In his novel Querelle Jean Genet depicts homosexual relationships among men, primarily in the navy, as narrated by the character of Lieutenant Seblon. The main object of Seblon’s affections and infatuations is Querelle, after whom the work is titled, the reigning protagonist. As the novel quite overtly depicts the occurrence of sexual acts between men, it is easily read as homosexual literature. However, what I argue is that homosexuals, within the novel, are identified more by verbal expressions than acts of the body. Throughout the text, Genet frequently draws attention to the mouth and the ways in which it expresses, imbibes, or expels. Using Georges Bataille’s theories of the mouth, which also focus on a type of oral release, I opine that one can see the relationship between this orifice and the way in which we, as humans, take in or eject things from our bodies. This notion coupled with Genet’s employment of the mouth as a means of homoerotic expression provides for a queering of the mouth to occur. Therefore, I conclude that the mouth, in the text of Querelle, becomes the orifice through which homosexuality is released from the body, primarily through verbal expression, and becomes the more accurate indicator of the homosexual within the text.

Catherine Howell-Dinger, University of Utah English While feminist projects have often acknowledged that discourse creates specific material conditions and lived realities, it has rarely been asked how these conditions might influence discourse itself. This paper investigates the politics of textual production and argues that some texts have thought of the material conditions of the narratives which they disclose as inseparable from, and present in, the text itself; however, other texts show a high level of anxiety about their relationship to materiality, and ultimately attempt to suppress this relationship as a means of ensuring a particular privileged position. For example, Toni Morrison’s Beloved has been read by some critics as an example of Kristeva’s semiotic. Pursing this reading further, I argue that a more active conception of the body is present in Morrison’s work than was previously observed by these critics. In Morrison’s work, the body is not simply something that is written; rather, it is something that actively shapes and inflects the text vis-a-vis its own disruption of the text. On the other hand, although the body seems to figure prominently in the work of some authors, such as James Tiptree’s “The Girl Who was Plugged In,” its relationship to textual production is eclipsed in order to maintain political power and hegemonic masculinity. The authorial voice in Tiptree’s work ultimately attempts to cover over its own connection to the feminine body of its composer, Alice Sheldon, in order to give its own feminist message authority.

Carlos Junior Guadarrama, Utah State University English My poster explores the history of the Migrant Head Start program at the former Indian Intermountain School location in Brigham City, Utah. No one to my knowledge has gathered a history of this program, which operated from the mid-1980s until the early 2000s. I intend to explore this Migrant Head Start’s foundations as an informal school for the children of Latino migrants, as well as how it grew and developed over the almost two decades that it existed, before it became the Centro de la Familia de Utah. I plan to interview a former principal, several teachers, as well as former students. I argue that this Head Start played an extremely important educational and social role in the lives of many inhabitants of Brigham City.

Jeffrey Green, University of Utah Linguistics Although learning a second language can be difficult, especially for adults, many people believe that once an individual has acquired a second language, it will be easier to learn a third. Individuals may utilize strategies learned from studying a second language (L2) to their study of a third, but this does not necessarily mean that learning a third language (L3) will be easier. As individuals study an L3, their knowledge of both their native language (L1) and their L2 will compete with their developing knowledge of the L3. Previous research has shown that during early stages of L3 acquisition, both L1 and L2 phonology (that is, the underlying sound system of a language) influence the phonology of their L3. This is evident, for example, in learners’ production of some word-initial consonants, such as d, p, and k. Languages differ in the timing between the articulation of the consonant and the beginning of vibration of the vocal folds (voicing) associated with a following vowel sound. This timing is known as Voice Onset Time (VOT). Studies suggest a stronger influence from L2 than from L1 in L3 VOT production. However, learners in these studies had some (if limited) knowledge of the L3, and the influence of this knowledge is unclear. In addition, previous studies have addressed L3 production, but not L3 perception. Research has yet to investigate (i) the influence of L1 and L2 phonology in the very initial stages of L3 acquisition (when the language is totally unfamiliar), and (ii) the influence of L1 and L2 phonology on the perception of VOT boundaries. This study investigates (i) and (ii) by presenting English and Spanish bilinguals with stimuli representing a range of VOT in their L1 and L2, as well as from a third, unfamiliar language in a series of tasks designed to elicit evidence of VOT boundaries in each language. The results of these tasks will be examined to determine whether learners rely more on their L1 or their L2 for processing a third, unfamiliar language. Preliminary results and analyses will be available by February 2013. This research will give important insights into the process of acquisition of a third language.

Ryan Krage, Utah Valley University English and Literature Within Freshman Composition Studies, little research has been produced on writing conferences between students and teachers since Laurel Johnson Black’s Between Talk and Teaching: Reconsidering the Writing Conference in 1998. Most published research has not included any systematic information about the nature of the writing conference, a consultation between the student and teacher designed to discuss the student’s paper in order to make changes. Student feedback and involvement in this study is of crucial importance because there is no existing data whether teacher-student conferences are working from a student perspective. The major research question is “What is the relationship between types of teacher-student conference interaction and subsequent revision of students’ papers?” The purpose of the research is to discover what the writing conference between teacher and student accomplishes in terms of better writing outcomes, what the expectations of the student are, and what and how the power dynamics between student and teacher affect the quality and quantity of revision from both student and instructor perspectives. We will examine the connection of students’ perceptions about the writing conference to their final scores and other data. During the spring 2012 semester, we drafted three surveys designed to capture students’ perspectives and expectations regarding the conferences (a pre-conference, post conference, and post final grade). The methodology includes transcribing voice recordings of conferences, collecting student surveys before and after conferences, and collecting students’ rough and final drafts for two papers during the semester. This raw data will be coded into usable data, which will then be analyzed to identify behaviors that facilitate or impede the conference and determine its overall effectiveness. We hypothesize that a dialogic conference will occur when the power dynamic between student and teacher is more equitable, resulting in more student-ownership over the revision process. The extent of student ownership within the revision process will be determined by both the quantity and quality of revision. These findings will, in turn, enable teachers to take a closer look at the nature of their own writing conferences in order to develop better consultations with their students.

Duke Cruz, Westminster College Philosophy This research focuses on the nineteenth-century philosopher Friedrich Nietzsche, his philosophy, and how that relates specifically to what he thinks about music. In general this presentation will consist of three main parts: 1) analyzing passages on music in a few of Nietzsche’s works, specifically, “The Birth of Tragedy”, “Beyond Good and Evil”, and “Twilight of the Idols’” with supplementary material relating to his philosophy taken from “The Anti-Christ”, and Walter Kaufmann’s biography of Nietzsche “Nietzsche: Philosopher, Psychologist, Antichrist”; 2) showing the relation of music and reason in each example; 3) postulating the importance of this relation. Throughout my research on Nietzsche and his thoughts surrounding music, it is apparent that whenever he discusses music, it is never about the specific score, keys, melodic content, etc. Instead, I found that in most of the passages that I have ran across, Nietzsche’s thoughts on music collide directly and importantly to his philosophy. In this presentation I aim to elucidate what the importance of this relation between music and reason could be for Nietzsche.

Charles Ankenman, Brigham Young University Spanish and Portuguese The Middle Ages and the cultural, political and social coming of age of the European continent produced a corpus of literature and a literary tradition representative of its religious and cultural values that, amazingly, still continues to influence society today. Commonly employed terms such as “a knight in shining armor”, “prince charming”, and parallels occasionally drawn between children and both literary as well historical princes and princesses of yore are evidence of the longevity of the influence of Medieval culture, it’s ideals and the literary genre that most perfectly reflected it: the novel of chivalry. Today, few academics study the genre, it is seldom analyzed in universities, and almost never read outside of academia. In fine, their legacy and their memory has largely been preserved in the endearing pages of Cervantes’ masterpiece, Don Quixote. In this work, the protagonist, don Quixote, goes mad as he credulously devours his extensive private collection of chivalric literature believing all he reads to be not only true but also worthy of imitation. Nevertheless, despite Don Quixote’s wide reading public, few have ever read a novel of chivalry and, as a result, the exact definition of the novel of chivalry can be both obscure and even beyond the grasp of the modern reader who is uninitiated in the field of Medieval and Renaissance chivalric literature. Nevertheless, through a careful analysis of don Quixote’s private collection of novels of chivalry, the mega-genre that they constitute and the sub-genres that comprise it; the chivalric genre can be clearly defined. Additionally, through the comparative analysis of the English term novel of chivalry as opposed to the Spanish term libros de caballerias (book of great deeds done on horseback) the importance of language’s influence on the perception of the world will be demonstrated and Jacques Lacan’s theory regarding language and perception substantiated. Finally, this analysis will elucidate the novel of chivalry’s status both as a continuation of the great classical epic tradition as well as another link in the universal tradition of epic poetry and storytelling. This presentation will be of interest both to Medievalist as well as specialists in the Renaissance, Don Quixote, Spain and Portugal. Power Point Presentation. 20 – 30 minutes.

Kendra Williamson, Brigham Young University Linguistics and English Language Questions regarding language policy have persisted in Intensive English Programs nationwide. BYU’s English Language Center has revoked an English-only policy in favor of an English-mainly policy. In this environment, a two-month study has been initiated in which four experimental-group classes are provided tools for self-regulated learning to encourage English use during the lunch break. Students record goals and perceived actuals daily, reflect and respond to their individual progress, and receive weekly printed progress charts. As students use tools designed for self-regulated learning, it is expected that their daily efforts to speak English and their speaking proficiency test scores will improve.

Kev Nemelka, Brigham Young University Art History and Curatorial Studies Hungarian art has yet to break across the Atlantic with much influence on the art world, but perhaps the oeuvre of Béla Kondor (1931-1972), considered by many Hungarian art historians to be the starting point of Hungarian contemporary art, may have a shot at drawing the nation’s art out of obscurity and into the light of American contemporary “faux-naïve,” an art tradition with a growing momentum that could provide fertile terrain for Kondor’s comparable aesthetic. The faux-naïve tradition springs from “naïve art,” an art tradition whose name itself has been somewhat controversial in the past decade but has nevertheless influenced artists all over the globe. Particularly in Utah Valley, a number of artists and art professors—e.g. Andrew Ballstaedt, Fidalis Buehler, and Brian Krishisnik—are developing their own faux-naïve versions of contemporary folk art similar to that of Kondor with no knowledge of his existence, and although some contend that the sincerity of faux-naïve is factitious and premeditated, the secular and religious works of Kondor and these American artists show the positive side of contrivance, that faux-naïve can provoke feelings of nostalgia and insight into real emotions, focusing our attention on adolescent memories or spiritual innocence alluded to in the works rather than on the lack of complexity, precision, or realism often sought after by aficionados of conventional, believable art. I personally interviewed numerous Kondor experts and curators of Hungarian museums, recovered archived articles on the artist held in Hungarian collections, and conducted comparative analyses of Kondor and the aforementioned Utah artists, whom I also interviewed regarding the subject of faux-naïveté.

Garrett Faylor, Dixie State University English Bob Dylan has been called just about every name in the book: voice of a generation, beatnik, icon, songwriter, protest singer, legend, even Judas. But there is one name that people cannot seem to agree upon-poet. In “I Shall Be Free No. 10,” Dylan jokingly says, I’m a poet, and I know it / Hope I don’t blow it.” Rather than take his word for it, one might suggest looking backward to discern the verity of Dylan’s claim. Wordsworth, Shelley, and T.S. Eliot all contributed greatly to the art and our understanding of poetry. Each supplied definitions for what constitutes poetry and better yet, what exactly a poet should be and do. In his Preface to Lyrical Ballads, Wordsworth explains that “[the poet] is a man speaking to men.” This, and other definitions given by some of poetry’s most notorious innovators, decisively vindicates the claims of Dylan as poet. In this paper, I will argue that not only does Bob Dylan fit into almost all literary definitions of “poet,” he is the quintessential American poet: a transcendent, folk-rooted traverser and mouthpiece “for the searching ones, on their speechless, seeking trail.”

Jesse Cook, Dixie State University English Charles Chesnutt’s use of frame narrative in “Dave’s Neckliss” allows readers to gain a wider exposure to realistic African American storytelling. While African American literature was often intentionally watered down in the years following the Civil War to avoid hostility from Euro-Americans, Chesnutt published works depicting some of the true inequalities of African American life. His use of frame narrative-a local color narrative technique that employs a Euro-American narrator to frame a story told by an African American character-allowed Chesnutt to publish his work unbound by such restrictions. As William L. Andrews states, Chesnutt’s “understanding of literary tradition and his ability to use tradition as a means of approaching his readers with untraditional themes” allowed him to delve further into the “intensely human inner life of slavery.” While it could be argued that Chesnutt’s technique undermines the authority of the African American storyteller, requiring a Euro-American narrator as a catalyst for the African American character to tell his story, this technique allows Chesnutt to present a subversive narrative that imposes challenging questions to a reluctant audience. I argue that while Chesnutt’s use of frame narrative may appear to perpetuate existing racial stereotypes held by many, the frame narrative style actually allowed him to pose thought-provoking questions during a time of racial animosity.

Matthew A. Kearney, Brigham Young University Germanic and Slavic Amid the chaos and anticipative excitement of fin-de-siecle Europe, German society quickly became a historical hotspot of unique political and social transformations. It was felt to be a period of degeneration, but at the same time a period of hope for a new beginning. In the midst of a culture that was still perpetuating lively, discriminating social appetites, it is intriguing to note that a broad examination of texts written by German women at this time, which experiment with the very question of social walls and new decisions, shows that these women most often employed conclusions laden with themes of madness, chaos, loneliness and suicide. For this research I have chosen three significant texts which can be viewed from historical and anthropological standpoints on the subject of traditional walls and choices. These are Jenseits der Mauer by Elisabeth Heinroth, Meine Freundin by Hermione von Preuschen-Telmann, and Helene Monbart-Kessler’s Kameraden. The approach to these works, and for the purpose of my research, evaluates the female literary characters in these texts in light of Friedrich Nietzsche’s philosophical view on the fragile balance between the Apollonian and Dionysian drives inherent in art and in life itself. Nietzsche asserted that in life there rages a constant battle between these two major forces, each striving to control the existence of men and women alike. Against the background of this aesthetic discourse, the three texts I have chosen acquire a new dimension: they become an avenue for examining the causes of balance, or lack thereof, in the lives of these female characters. I believe this evaluation is significant because it foregrounds some of the choices and limitations which many women faced as traditional society was changing its attitudes towards them during the late nineteenth and early twentieth centuries.

Belinda Ramirez, Brigham Young University Anthropology The Hmong are a stateless hill tribe ethnic group originating in southern China. Due to persecution and discrimination from the Chinese, many Hmong migrated to the surrounding regions of the Southeast Asian massif in the eighteenth century. The mountainous homes of the Hmong now lay within the borders of countries such as Thailand, Laos, and Vietnam. Religiously, Hmong are traditionally a shamanistic people, believing in spirits and worshipping their ancestors through diverse practices, such as animal sacrifice and spirit calling. In addition to traditional Hmong belief (dab qhuas), many messianic religious groups have recently surfaced within the Hmong diaspora, often accompanied by a prophetic leader, criticisms of traditional Hmong practices, and a hopeful vision of the future in which there exists a Hmong country. My research on this subject is based on an ethnographic field study in Nan Province, Thailand among the Is Npis Mis Nus, a Hmong messianic religious group. Using traditional anthropological field methods, I acquired data on the practices and beliefs of the Is Npis Mis Nus, as well as investigated their conceptions of nationalism, ethnicity, and identity. In this paper, I posit that the rituals and beliefs of the Is Npis Mis Nus reveal the group’s desire for Hmong political, cultural, and economic legitimacy and national sovereignty. These beliefs and rituals also serve as boundaries that provide a clear distinction between messianic and non-messianic Hmong. Additionally, I explain how the characteristics of the Is Npis Mis Nus religion help the Hmong deal with the social and ethnic disruptions that globalization has presented.

David Ridge, Brigham Young University Religion This paper examines 2 Samuel 11 in light of a broadened understanding of the betrothal type-scene first identified by Robert Alter. The definition of type-scene in this context is broadened by comparative study with another feature of traditional narrative, the “theme” identified by Albert Lord as a significant characteristic of oral narratives. Examining the theme and type- scene together allows for a better definition of type-scene which leads to the identification of previously overlooked type-scenes. It is argued that 2 Samuel 11 contains all the elements and key- words necessary to be a type-scene of the betrothal journey narrative type; creating a literary relationship between this passage and the betrothal narratives of the patriarchs including those of Isaac in Gen 24, Jacob in Gen 29 and Moses in Exodus 2. Utilizing this approach allows for a clearer understanding of the textual depiction of David and his actions in the Hebrew Bible, a new understanding of the intertextual relationship between 2 Samuel 11 and narratives in Genesis and Exodus, and a broader and more valuable understanding of narrative structures within the Hebrew Bible.