A. Emma McFarland, University fo Utah
Languages and Literature
The Romance of the Rose of Guillaume de Lorris recounts the story of a dreamer who, wandering through a garden, encounters a rose and is overcome with desire for it. While it is undisputed that The Romance of the Rose is an allegory of love, the kind of love it portrays and the stance it takes on the matter remain hotly debated. Is The Romance an ideal depiction of “courtly love” where the rose is the woman admired? Is it an erotic tale of the conquest of desire, the rose symbolizing forbidden sexual aims? This paper conceptualizes The Romance of the Rose as the lover’s quest to attain his erotic desire within the confines of a system of courtly love that valorizes fin amor over fol amor. Romantic love and erotic desire are irreparably alienated from one another within medieval courtship and, here, Guillaume seems to use his allegory to elucidate the harms inflicted by this courtship system. Juxtaposing the woman Rose with the textual image of the rosebush, we see the violence incurred by this love object that has been both exalted into oblivion and objectified into bits. This paper traces the dissection of the rose image, reads the rose as a euphemism of sexual aims, and studies the God of Love as the personification of courtly love’s enforcement. In the realm of The Romance of the Rose, to love is to suffer and both lover and loved are relentlessly subjugated to violence.