Maw, Madison (Brigham Young University)
Faculty Advisor: Nuckols, Janis (Brigham Young University, Linguistics); Thompson, Gregory (Brigham Young University, Anthropology)
In Ecuadorian Quichua culture people do what they can do to avoid being described as quilla—a behavior encapsulating both laziness and sexual promiscuity. Many of their myths revolve an individual who encapsulates one or both parts of quilla, the tale of Wituk and Manduru included. These behaviors are ones that estrange an individual from their family ties, which is a keystone motor of Quichua society. These myths, being origin stories, always end up with the person transforming into a part of nature, usually an animal or plant.
Wituk and Manduru's tale is one of the longer myths as well as one of the only that demonstrates both aspects of quilla so clearly. However, while it depicts what is considered the worst traits, it also demonstrates how to redeem oneself. At the end of the story the sisters transform themselves into trees that produce pods that when mashed create red or black paint. The girls use this to paint the men who they interacted with in their journey into more productive animals.
This paper will explore the implications this story has in modern life for the Quichua people, women in particular. The paint of these trees is highly important in all realms over which women preside, including pottery, beauty, and maintaining the chagra (in simplistic terms, a garden). The paint is used in a transformative and representative way, making the ritual plant grow stronger and allowing women to harness the power of animals around them, just to name a few. Women are able to use this plant to transform themselves and those around them in order to make a better society overall.