Clayton, Abigail (Brigham Young University)
Faculty Advisor: Horrocks, Jamie (Humanities, English)
Prior to its public auction in 1847, Shakespeare's Birthplace—the home where he was born on Henley Street in Stratford-upon-Avon—was passed down through various private owners and their tenants who turned the property into an inn and a butcher shop. A mere sign indicated that "Shakespeare was born here." By this point in time, Shakespeare's literary influence permeated both Europe and America, but his status as a cultural icon was not strongly associated with the physical space of his home. However, this was about to change. In 1842, P.T. Barnum, the American showman of circus fame, was touring England with "The Greatest Show on Earth" when he went to visit Shakespeare's home. Five years later, as he was always on the lookout for more "oddities" to add to his menagerie, the public auction of the Birthplace caught his interest, and he could not resist making an offer. This attempt by a foreign invader to "steal Shakespeare" inflamed the British public and sparked debates regarding the cultural ownership of the great playwright. Among leaders of these debates was Charles Dickens, who initiated a series of events across England in an attempt to raise enough money to reclaim Shakespeare for the British people. Although Barnum and Dickens never met in person, the way in which nineteenth-century media manipulated their celebrity personas and followings reveals the way in which transatlantic celebrity was crucial to the formation of Shakespeare as a British heritage icon. The cultural warfare between the two, as represented by sensationalist journalism of the time, started debates over the appropriation of Shakespeare as a symbol of national heritage and identity that have lasted into the twenty-first century.