Authors: Joshua Booher
Mentors: Jacob Hickman
Insitution: Brigham Young University
Musicians in Northern Ireland described the space and community that they were actively trying to build in Belfast as “the Third Thing”. In Belfast, music has remained as an alternative third space to the sectarian dualism of Protestant vs Catholics. Since before the Easter Rising in 1916 Catholic Nationalists have fought to obtain sovereignty by establishing a United Ireland while Protestant Unionist fight to retain what they have obtained and defend king and country from Nationalist siege. Their opposition to each other fueled The Troubles in Belfast. Since signing the good Friday agreement in 1998, active tension between these communities still creates further divides and oppositions toward their counterparts. The Good Friday Agreement ostensibly marked the end of the Troubles by providing equal sovereignty to both sides.
In Belfast, music has played a significant role in anti-sectarian thirdness. Punk fostered this thirdness within the conflict of the Troubles through its references by way of its anti-sectarian framework. In contemporary Belfast, the residual punk scene now serves as one genre of many in the broader music scene. This music scene has now been self proclaimed as this “third thing” which pushes back on implosive sectarian frameworks between Catholic and Protestant communities.