Authors: Brittney Weiland
Mentors: Alexandra Giannell
Insitution: Utah Valley University
The cyanotype process is a slow time-based method that uses a chemical mixture, water, and UV light to capture instances of spacetime. Cyanotype translations of the body, whether by directly laying a body down on fabric or through the use of translated photographs inherently capture slices of spatiotemporal continuity by nature of its time-based development. Directly placing one's body on chemically treated fabric undergoes only one translation of form: body to image. However, this direct method fails to capture figural resemblance, but rather captures movement through time, leaving traces of 4th dimensional worms. This method draws a closer comparison to temporal continuity but not to recognizable figure. Photographs, long past captured, undergo a process of camera translation, digital translation, printed negative translation, and then finally cyanotype translation but more directly relates to figural recognizability than a direct capture method. However, this photographic process fails to capture more than a few spatiotemporal moments, less in tune with temporal imagery. Through a series of works, Brittney Weiland explores identity through a perdurantist view by capturing moments of body degeneration and drastic physical form changes over the last year as she has battled nearly life-ending illness through the use of cyanotype and photography.