Authors: Jen Hansen
Mentors: Nicole Dib
Insitution: Southern Utah University
Toni Morrison’s contribution to Gothic horror with Beloved expands the tradition into the history of human enslavement, specifically in the context of American history. She reconceptualized ‘remembering’ as both the conscious awareness of the past and the literal reassembling of members of the body, and by extension the family and the home. Morrison coined the term “rememory” in reference to the intentional act of recollection performed by an entire community. The characters of the novel are haunted in several ways and each haunting is only exorcized or overcome through acts of communion, or rememory — many of which are symbolically religious even if not sanctioned as such. The main character is a woman named Sethe, who is haunted by the ghost of the daughter she murdered rather than allow to be taken as a slave. The ghost of Beloved represents the return of the repressed trauma of her death and the connection to Sethe’s previous life in captivity. In order to exorcize Beloved’s ghost and free themselves from her oppressive presence, Sethe and her living daughter, Denver, must re-member the broken family structure within their home, and rememory the traumatic past with the support of the community in order to heal.
American Gothic traditions in literature have long been used to reflect on anxiety, discrimination, and disempowerment related to the Other. In this novel, Morrison uses that tradition to give shape to the culturally specific legacy of slavery in America. In this presentation I examine the novel’s Gothic elements and the ways the community plays the part of the exorcist as an essential advocate for the physical and emotional survival of Sethe and Denver.