Authors: Olivia Mard Oquist
Mentors: Alexandra Giannell
Insitution: Utah Valley University
“Female allegory” encompasses two oil paintings that together explore the complex, multifaceted nature of womanhood, using metaphorical imagery, specific handling of paint and the traditions of oil painting.
The first painting depicts a blurred face of a woman symbolizing the complex and often misunderstand aspects of a woman’s identity. The soft blurry quality invites the viewer to contemplate what is below the surface. In addition, it challenges societies ideas of beauty and pointing to the sometimes forgotten truth that a womans true essence transcends her physical appearance.The blurriness also serves as a mask to hide feeling and emotions that tend to be categorized as typically female and often viewed in a negative light. Parts of the face will be more blurry than others, symbolizing times when as a woman I and every woman I know have felt invisible or powerless.
The second painting is a still-life of objects that each symbolizes the female body (both contemporary symbols as well as historically) Seashells, pears, mimosa flowers are some objects that represent womanhood and the female form. The objects represent the diverse nature and the layers of the female spirit. The history of a still-life deals with the ideas of perfection and stillness that long have been expectations of women.
The paintings will connect through a visual language of color palette and handling of paint and together, the paintings invites the viewer to explore the intricate layers of womanhood and to go beyond physical appearance. It celebrates the culmination of experiences, emotions, and symbolism of what being a woman means and what the expectations around us have been and still are today.